Mirosław Aleksander Miernik – författare

This book provides insight into the impact the 2007/8 financial crisis and subsequent Great Recession had on American fiction. Employing an interdisciplinary approach which combines literary studies with anthropology, economics, sociology, and psychology, the author attempts to gauge the changes that the crisis facilitated in the American novel. Focusing on four books, Elizabeth Strout’s My Name Is Lucy Barton, Philipp Meyer’s American Rust, Sophie McManus’s The Unfortunates, and William Gibson’s The Peripheral, the study traces how they present such issues as poverty, wealth, equality, distinction, opportunity, and how they relate both to traditional criticisms of consumer culture and the US economy, particularly those issues that have received more attention as a result of the crisis. It also tackles the issue of genre and interpretation in this period, as well as what methods the analyzed novels employ in order to highlight the decreasing social mobility of Americans.

This book provides insight into the impact the 2007/8 financial crisis and subsequent Great Recession had on American fiction. Employing an interdisciplinary approach which combines literary studies with anthropology, economics, sociology, and psychology, the author attempts to gauge the changes that the crisis facilitated in the American novel. Focusing on four books, Elizabeth Strout’s My Name Is Lucy Barton, Philipp Meyer’s American Rust, Sophie McManus’s The Unfortunates, and William Gibson’s The Peripheral, the study traces how they present such issues as poverty, wealth, equality, distinction, opportunity, and how they relate both to traditional criticisms of consumer culture and the US economy, particularly those issues that have received more attention as a result of the crisis. It also tackles the issue of genre and interpretation in this period, as well as what methods the analyzed novels employ in order to highlight the decreasing social mobility of Americans.

The novel Hadrian the Seventh has received critical attention in the past, there remain significant gaps in the scholarship regarding Frederick Rolfe’s novel which this collection of essays aims to fill, particularly in terms of its political, religious, philosophical, and literary aspects. The topics discussed include the novel’s place in literary history, both in terms of bridging Decadence with modernism as well as drawing on the Victorian literary tradition inspiring later authors, as well as its genre, offering new perspectives, casting Frederick Rolfe’s novel as a humorous book in the Decadent tradition, and engaging in camp aesthetics. Political issues, frequently connected with religious matters owing to the book’s subject matter, are represented by contributions discussing the role of the Catholic Church in the 20th century, engaging in discussion with Leo XIII’s conciliatory, modernist approach. The issues addressed include the tension between temporal and spiritual power, and the Vatican’s role in international policymaking. Some chapters focus on specific scenes, such as the conclave and the Pope’s visit to St. Andrew’s College provide insight into the protagonist’s dislike of established Vatican politics.