Mohammad Mehdi Khorrami – författare

Farsi Persian, the official language of Iran, is spoken across the Middle East and Central Asia by a worldwide community of over 60 million people. Farsi’s linguistic and literary legacy is over 2,500 years old, and continues to play a central role in Near Eastern politics, business and culture. Persian is the dominant language of Iran’s international business world and a critical language to understanding the intricacies of Middle Eastern literary, historical and cultural trends.Equally suited to both new students and heritage speakers, Beginner’s Persian with Online Audio includes 10 carefully-paced and practical lessons with dialogues, vocabulary, and expressions; a guide to reading and writing Persian; exercises for each lesson with answer key; Persian-English and English-Persian glossaries; an alphabet and pronunciation guide; and online MP3 audio files for free download featuring pronunciation by native speakers.

Explores how writers, filmmakers and artists have attempted to reckon with the legacy of a devastating warThe Iran-Iraq War was the longest conventional war of the 20th century. The memory of it may have faded in the wake of more recent wars in the region, but the harrowing facts remain: over one million soldiers and civilians dead, millions more permanently displaced and disabled, and an entire generation marked by prosthetic implants and teenage martyrdom. These same facts have been instrumentalized by agendas both foreign and domestic, but also aestheticized, defamiliarized, readdressed and reconciled by artists, writers, and filmmakers across an array of identities: linguistic (Arabic, Persian, Kurdish), religious (Shiite, Sunni, atheist), and political (Iranian, Iraqi, internationalist). Official discourses have unsurprisingly tried to dominate the process of production and distribution of war narratives. In doing so, they have ignored and silenced other voices. Centering on novels, films, memoirs, and poster art that gave aesthetic expression to the Iran-Iraq War, the essays gathered in this volume present multiple perspectives on the war's most complex and underrepresented narratives. These scholars do not naively claim to represent an authenticity lacking in official discourses of the war, but rather, they call into question the notion of authenticity itself. Finding, deciding upon, and creating a language that can convey any sort of truth at all—collective, national, or private—is the major preoccupation of the texts and critiques in this diverse collection.

Explores how writers, filmmakers and artists have attempted to reckon with the legacy of a devastating warThe Iran-Iraq War was the longest conventional war of the 20th century. The memory of it may have faded in the wake of more recent wars in the region, but the harrowing facts remain: over one million soldiers and civilians dead, millions more permanently displaced and disabled, and an entire generation marked by prosthetic implants and teenage martyrdom. These same facts have been instrumentalized by agendas both foreign and domestic, but also aestheticized, defamiliarized, readdressed and reconciled by artists, writers, and filmmakers across an array of identities: linguistic (Arabic, Persian, Kurdish), religious (Shiite, Sunni, atheist), and political (Iranian, Iraqi, internationalist). Official discourses have unsurprisingly tried to dominate the process of production and distribution of war narratives. In doing so, they have ignored and silenced other voices. Centering on novels, films, memoirs, and poster art that gave aesthetic expression to the Iran-Iraq War, the essays gathered in this volume present multiple perspectives on the war's most complex and underrepresented narratives. These scholars do not naively claim to represent an authenticity lacking in official discourses of the war, but rather, they call into question the notion of authenticity itself. Finding, deciding upon, and creating a language that can convey any sort of truth at all—collective, national, or private—is the major preoccupation of the texts and critiques in this diverse collection.