I Have a Home, There Is a We, whose original Swahili edition was in 2015 the first book of poetry to win the Safal-Cornell Kiswahili Prize for African Literature, brings the acclaimed verse of prolific Zanzibari poet, journalist, and cultural changemaker Mohammed Khelef Ghassani to English-language readers for the first time. The book explores the poet's life as a migrant in Germany: linguistic and cultural alienation, nostalgia, and longing for his homeland on the island of Pemba. These poems form a catalog of sorrow and love addressed to the family he left behind, to the children whose roots "he tore forcefully from the ground" in hopes of offering them a better life, and above all to the country he calls home, using the deeply resonant Swahili term "kwetu"—our place—named over and over again as Zanzibar.Utilizing the structured verse forms of traditional Swahili prosody, the collection is modern, unique, and innovative, speaking to a global diasporic experience even as it draws deeply on an idiom specific to the poet's tiny island home. A ripple of political defiance suffuses the poems as Ghassani positions himself against layered forms of oppression and marginalization both at home and abroad in this synthesis of love song, lamentation, and freedom declaration.

I Have a Home, There Is a We, whose original Swahili edition was in 2015 the first book of poetry to win the Safal-Cornell Kiswahili Prize for African Literature, brings the acclaimed verse of prolific Zanzibari poet, journalist, and cultural changemaker Mohammed Khelef Ghassani to English-language readers for the first time. The book explores the poet's life as a migrant in Germany: linguistic and cultural alienation, nostalgia, and longing for his homeland on the island of Pemba. These poems form a catalog of sorrow and love addressed to the family he left behind, to the children whose roots "he tore forcefully from the ground" in hopes of offering them a better life, and above all to the country he calls home, using the deeply resonant Swahili term "kwetu"—our place—named over and over again as Zanzibar.Utilizing the structured verse forms of traditional Swahili prosody, the collection is modern, unique, and innovative, speaking to a global diasporic experience even as it draws deeply on an idiom specific to the poet's tiny island home. A ripple of political defiance suffuses the poems as Ghassani positions himself against layered forms of oppression and marginalization both at home and abroad in this synthesis of love song, lamentation, and freedom declaration.