Monica Jansen – författare & böcker

Transatlantic Practices of Fascism(s) and Populism(s) from the Margins

The Cultural Politics of “Us” versus “Them”

Inbunden, Engelska, 2025

2 484 kr

Skickas inom 10-15 vardagar

This volume brings together leading international experts in politics, discourse, memory, and culture to examine the complex entanglements of populism(s) and fascism(s) in political thought and cultural productions. The starting point is Argentine historian Federico Finchelstein’s assertion that the dynamics of transnational fascism and populist movements become clearer when viewed from the margins. Indeed, it was in Latin America – not Europe – where fascism and populism first intersected, with Argentine Peronism as the paradigmatic case.Building on this perspective, the volume explores Europe’s political and cultural legacy of fascism within the context of globalised mobilities, linking its totalitarian roots to the Latin American genealogies of populism(s). Adopting an interdisciplinary transnational and transhistorical approach, and cultural transfer as a method, it investigates cultural representations and practices that both reflect and challenge the divisive “Us” versus “Them” rhetoric central to fascist and populist discourses. Particular attention is given to how cultural artefacts and practices memorialise, remediate, and oppose narratives of fascism(s) and populism(s), with the assumption that (anti)fascist art and activism still move along transatlantic trajectories.This book will be of interest to researchers of fascism, populism, social and cultural history, European and Latin American history, literature, art, and activism.

Transatlantic Practices of Fascism(s) and Populism(s) from the Margins

The Cultural Politics of &quote;Us&quote; versus &quote;Them&quote;

AvMaria Bonaria Urban,Monica Jansenm. fl.

E-bok

PDF, Engelska, 2025

743 kr

Läs direkt efter köp

This volume brings together leading international experts in politics, discourse, memory, and culture to examine the complex entanglements of populism(s) and fascism(s) in political thought and cultural productions. The starting point is Argentine historian Federico Finchelstein's assertion that the dynamics of transnational fascism and populist movements become clearer when viewed from the margins. Indeed, it was in Latin America - not Europe - where fascism and populism first intersected, with Argentine Peronism as the paradigmatic case.Building on this perspective, the volume explores Europe's political and cultural legacy of fascism within the context of globalised mobilities, linking its totalitarian roots to the Latin American genealogies of populism(s). Adopting an interdisciplinary transnational and transhistorical approach, and cultural transfer as a method, it investigates cultural representations and practices that both reflect and challenge the divisive "e;Us"e; versus "e;Them"e; rhetoric central to fascist and populist discourses. Particular attention is given to how cultural artefacts and practices memorialise, remediate, and oppose narratives of fascism(s) and populism(s), with the assumption that (anti)fascist art and activism still move along transatlantic trajectories.This book will be of interest to researchers of fascism, populism, social and cultural history, European and Latin American history, literature, art, and activism.

Transatlantic Practices of Fascism(s) and Populism(s) from the Margins

The Cultural Politics of &quote;Us&quote; versus &quote;Them&quote;

AvMaria Bonaria Urban,Monica Jansenm. fl.

E-bok

Engelska, 2025

743 kr

Läs direkt efter köp

This volume brings together leading international experts in politics, discourse, memory, and culture to examine the complex entanglements of populism(s) and fascism(s) in political thought and cultural productions. The starting point is Argentine historian Federico Finchelstein's assertion that the dynamics of transnational fascism and populist movements become clearer when viewed from the margins. Indeed, it was in Latin America - not Europe - where fascism and populism first intersected, with Argentine Peronism as the paradigmatic case.Building on this perspective, the volume explores Europe's political and cultural legacy of fascism within the context of globalised mobilities, linking its totalitarian roots to the Latin American genealogies of populism(s). Adopting an interdisciplinary transnational and transhistorical approach, and cultural transfer as a method, it investigates cultural representations and practices that both reflect and challenge the divisive "e;Us"e; versus "e;Them"e; rhetoric central to fascist and populist discourses. Particular attention is given to how cultural artefacts and practices memorialise, remediate, and oppose narratives of fascism(s) and populism(s), with the assumption that (anti)fascist art and activism still move along transatlantic trajectories.This book will be of interest to researchers of fascism, populism, social and cultural history, European and Latin American history, literature, art, and activism.

Devenir Postmoderne

La Sensibilitae Postmoderne Dans Les Littaeratures Italienne Et Portugaise

AvMonica Jansen,Inge Lanslotsm. fl.

Häftad, Franska, 2013

1 232 kr

Skickas inom 3-6 vardagar

Del 7 - Moving Texts / Testi Mobili

Memoria storica e postcolonialismo

Il caso italiano

AvMartine Bovo Romoeuf,Monica Jansenm. fl.

Häftad, Franska, 2015

1 232 kr

Skickas inom 3-6 vardagar

Del 8 - Moving Texts / Testi mobili

Giorgio Scerbanenco

Urban Space, Violence and Gender Identity in Post-War Italian Crime Fiction

AvMarco Paoli,Natalie Duprém. fl.

Häftad, Engelska, 2016

1 043 kr

Skickas inom 3-6 vardagar

The works of Giorgio Scerbanenco repeatedly articulate and explore the implications of new forms of criminality that emerged in Italy’s post-war transformation towards its «economic miracle». An indepth analysis of Scerbanenco’s Duca Lamberti series constitutes the critical focus of this study, and in particular the psychological resonances of the role played by the author’s controversial representation of the urban space, its violence, (in)justice and gender roles. In what way do these elements heighten and/or exaggerate the nature of the criminal acts and the reader’s experience? This study therefore investigates a reader’s potential response to the content, the settings, and, above all, the characters Scerbanenco portrays in these four novels.

2021

AvLuca Somigli,Monica Jansenm. fl.

E-bok

PDF, Engelska, 2022

1 853 kr

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This volume explores the fraught relationship between Futurism and the Sacred. Like many fin-de-siècle intellectuals, the Futurists were fascinated by various forms of esotericism such as theosophy and spiritualism and saw art as a privileged means to access states of being beyond the surface of the mundane world. At the same time, they viewed with suspicion organized religions as social institutions hindering modernization and ironically used their symbols. In Italy, the theorization of "Futurist Sacred Art" in the 1930s began a new period of dialogue between Futurism and the Catholic Church. The essays in the volume span the history of Futurism from 1909 to 1944 and consider its different configurations across different disciplines and geographical locations, from Polish and Spanish literature to Italian art and American music.

2021

AvLuca Somigli,Monica Jansenm. fl.

E-bok

Engelska, 2022

1 853 kr

Läs direkt efter köp

This volume explores the fraught relationship between Futurism and the Sacred. Like many fin-de-siècle intellectuals, the Futurists were fascinated by various forms of esotericism such as theosophy and spiritualism and saw art as a privileged means to access states of being beyond the surface of the mundane world. At the same time, they viewed with suspicion organized religions as social institutions hindering modernization and ironically used their symbols. In Italy, the theorization of "Futurist Sacred Art" in the 1930s began a new period of dialogue between Futurism and the Catholic Church. The essays in the volume span the history of Futurism from 1909 to 1944 and consider its different configurations across different disciplines and geographical locations, from Polish and Spanish literature to Italian art and American music.