Monika Szuba – författare

A Festschrift honouring J. Hillis Miller and his contribution to Victorian Studies and nineteenth-century criticismProvides stheoretically informed critical essays on nineteenth-century and Victorian literature, by major internationally recognized scholarsChapters provide detailed close readings of the work of J Hillis Miller, Thomas Hardy, Walter Pater, William Michael Rossetti, George Gissing, Charles Dickens, Alfred, Lord Tennyson, Anthony Trollope, George Eliot, and Joseph ConradShowcases a major new essay by J Hillis Miller, as well as a previously unpublished interview with MillerReading Victorian Literature provides a critical commentary on major authors of the nineteenth and early twentieth centuries, from Dickens to Conrad. At the same time, the assembled group of internationally recognised scholars engages with Miller’s work, influence and significance in the study of that era. The volume includes original work by Miller and interviews with him.

Reading Victorian Literature provides a critical commentary on major authors of the nineteenth and early twentieth centuries, from Dickens to Conrad. At the same time, the assembled group of internationally recognised scholars engages with Miller's work, influence and significance in the study of that era. The volume includes original work by Miller and interviews with him.

Examines the representation of landscape in the poetry of John Burnside, Kathleen Jamie, Robin Robertson and Kenneth White Provides an interdisciplinary approach to the representation of landscape in contemporary poetryOpens up the dialogue between ecocriticism and phenomenologyProvides significant original discussion of major Scottish poetsReassesses the work and place of Kenneth White’s poetry and thoughtWith an exciting and provocative approach to the reading of landscape and the non-human world in the work of four major Scottish poets, this groundbreaking book merges phenomenology and ecocritical literary criticism. It explores these poets’ organic, intimate interrelation between the self and the world, their relationship to the landscape and connection with nature.

Examines the representation of landscape in the poetry of John Burnside, Kathleen Jamie, Robin Robertson and Kenneth White Provides an interdisciplinary approach to the representation of landscape in contemporary poetryOpens up the dialogue between ecocriticism and phenomenologyProvides significant original discussion of major Scottish poetsReassesses the work and place of Kenneth White’s poetry and thoughtWith an exciting and provocative approach to the reading of landscape and the non-human world in the work of four major Scottish poets, this groundbreaking book merges phenomenology and ecocritical literary criticism. It explores these poets’ organic, intimate interrelation between the self and the world, their relationship to the landscape and connection with nature.

Reassesses Scottish textual practice in the context of the natural and post-natural landscapesCovers a range of the relationships between landscape, literature, and cultureExplores the lived relationship between form, content, and consciousnessProvides a phenomenological study of the intertwining of self and world, subject and landscapeLandscape Poetics is an interdisciplinary study that seeks to place Scottish writers in relation to their landscape, by investigating how the self is entwined in place. By examinining the writing and practice of particular modern and contemporary authors in the light of environmental thought, the study explores their lived, organic connection to the landscape. Landscape Poetics presents an argument that the relationship between author and world is expressed through the language of vibrant and engaged experience. Shepherd, MacCaig, Jamie, Clark and Finlay are seen as reinventing the perception of the landscape by proposing that the subject is no longer involved in the act of objectification, but is instead an embodied self that enters place, perceiving it more fully.

Landscape Poetics is an interdisciplinary study that seeks to place Scottish writers in relation to their landscape, by investigating how the self is entwined in place. By examinining the writing and practice of particular modern and contemporary authors in the light of environmental thought, the study explores their lived, organic connection to the landscape. Landscape Poetics presents an argument that the relationship between author and world is expressed through the language of vibrant and engaged experience. Shepherd, MacCaig, Jamie, Clark and Finlay are seen as reinventing the perception of the landscape by proposing that the subject is no longer involved in the act of objectification, but is instead an embodied self that enters place, perceiving it more fully.

This book addresses the poetics of space and place in Scottish literature. Focusing chiefly on twentieth- and twenty-first century texts, with acknowledgement of historical and philosophical contexts, the essays address representation, narrative form, the work of the poetic, perception and experience. Major genres and forms are discussed, and authors as diverse as George Mackay Brown, Kathleen Jamie, Ken McLeod and Kei Miller are presented through theoretically informed, historically contextualized close readings. Additionally considering the role of dialect and region in the poetry and fiction of modern Scotland, the volume argues for an appreciation of the cultural diversity of Scottish writers while highlighting the overarching presence of a connection between self and world, subject and place within Scottish literature.

This book addresses the poetics of space and place in Scottish literature. Focusing chiefly on twentieth- and twenty-first century texts, with acknowledgement of historical and philosophical contexts, the essays address representation, narrative form, the work of the poetic, perception and experience. Major genres and forms are discussed, and authors as diverse as George Mackay Brown, Kathleen Jamie, Ken McLeod and Kei Miller are presented through theoretically informed, historically contextualized close readings. Additionally considering the role of dialect and region in the poetry and fiction of modern Scotland, the volume argues for an appreciation of the cultural diversity of Scottish writers while highlighting the overarching presence of a connection between self and world, subject and place within Scottish literature.