Montse Feu - Böcker

In the late nineteenth through mid-twentieth centuries, the anarchist effort to promote free thought, individual liberty, and social equality relied upon an international Spanish-language print network. These channels for journalism and literature promoted anarchist ideas and practices while fostering transnational solidarity and activism from Buenos Aires to Los Angeles to Barcelona. Christopher J. Castañeda and Montse Feu edit a collection that examines many facets of Spanish-language anarchist history. Arranged chronologically and thematically, the essays investigate anarchist print culture's transatlantic origins; Latina/o labor-oriented anarchism in the United States; the anarchist print presence in locales like Mexico's borderlands and Steubenville, Ohio; the history of essential publications and the individuals behind them; and the circulation of anarchist writing from the Spanish-American War to the twenty-first century.Contributors: Jon Bekken, Christopher Castañeda, Jesse Cohn, Sergio Sánchez Collantes, María José Domínguez, Antonio Herrería Fernández, Montse Feu, Sonia Hernández, Jorell A. Meléndez-Badillo, Javier Navarro Navarro, Michel Otayek, Mario Martín Revellado, Susana Sueiro Seoane, Kirwin R. Shaffer, Alejandro de la Torre, and David Watson

In the 1930s, anarchists and socialists among Spanish immigrants living in the United States created España Libre (Free Spain) as a response to the Nationalist takeover in their homeland. Worker-oriented and avowedly antifascist, the grassroots periodical raised money for refugees and political prisoners while advancing left-wing culture and politics. España Libre proved both visionary and durable, charting an alternate path toward a modern Spain and enduring until democracy's return to the country in 1977. Montse Feu merges España Libre's story with the drama of the Spanish immigrant community's fight against fascism. The periodical emerged as part of a transnational effort to link migrants and new exiles living in the United States to antifascist networks abroad. In addition to showing how workers' culture and politics shaped their antifascism, Feu brings to light creative works that ranged from literature to satire to cartoons to theater. As España Libre opened up radical practices, it encouraged allies to reject violence in favor of social revolution's potential for joy and inclusion.

In the late nineteenth through mid-twentieth centuries, the anarchist effort to promote free thought, individual liberty, and social equality relied upon an international Spanish-language print network. These channels for journalism and literature promoted anarchist ideas and practices while fostering transnational solidarity and activism from Buenos Aires to Los Angeles to Barcelona. Christopher J. Castañeda and Montse Feu edit a collection that examines many facets of Spanish-language anarchist history. Arranged chronologically and thematically, the essays investigate anarchist print culture's transatlantic origins; Latina/o labor-oriented anarchism in the United States; the anarchist print presence in locales like Mexico's borderlands and Steubenville, Ohio; the history of essential publications and the individuals behind them; and the circulation of anarchist writing from the Spanish-American War to the twenty-first century.Contributors: Jon Bekken, Christopher Castañeda, Jesse Cohn, Sergio Sánchez Collantes, María José Domínguez, Antonio Herrería Fernández, Montse Feu, Sonia Hernández, Jorell A. Meléndez-Badillo, Javier Navarro Navarro, Michel Otayek, Mario Martín Revellado, Susana Sueiro Seoane, Kirwin R. Shaffer, Alejandro de la Torre, and David Watson

In the 1930s, anarchists and socialists among Spanish immigrants living in the United States created España Libre (Free Spain) as a response to the Nationalist takeover in their homeland. Worker-oriented and avowedly antifascist, the grassroots periodical raised money for refugees and political prisoners while advancing left-wing culture and politics. España Libre proved both visionary and durable, charting an alternate path toward a modern Spain and enduring until democracy's return to the country in 1977. Montse Feu merges España Libre's story with the drama of the Spanish immigrant community's fight against fascism. The periodical emerged as part of a transnational effort to link migrants and new exiles living in the United States to antifascist networks abroad. In addition to showing how workers' culture and politics shaped their antifascism, Feu brings to light creative works that ranged from literature to satire to cartoons to theater. As España Libre opened up radical practices, it encouraged allies to reject violence in favor of social revolution's potential for joy and inclusion.

The Antifascist Chronicles of Aurelio Pego: A Critical Anthology collects and contextualizes Pego’s 118 literary chronicles published between 1940 and 1967 in the periodical España Libre, New York. The satire of this household name in the US Spanish-language press lambasted Fascist Spain, lampooned American diplomatic relations with Francisco Franco, and mocked the Spanish exiles’ unsuccessful efforts to liberate Spain from the dictator. Pego’s journalism showed deep dedication to the public good with his publication of uncensored information about the regime that alerted readers of the civil rights infringements in Fascist Spain. However, Pego delivered the hard truths of Fascist Spain cloaked in mockery. Humor was crucial in this political culture not only because it facilitated communicating Spanish news but also avoided mythical and totalitarian rhetorical resistance. The fragility of the alternative periodicals’ paper and the political persecution against dissident voices has caused that much of this antifascist print culture has been lost. However, Pego’s chronicles prove that US Hispanic antifascism was vibrant. The anthology puts forward the understudied work of antifascists in the United States and provides evidence of their activism. Its preservation is an exercise of collective memory and a place of resistance to an elitist and fascist archive.

The Antifascist Chronicles of Aurelio Pego: A Critical Anthology collects and contextualizes Pego’s 118 literary chronicles published between 1940 and 1967 in the periodical España Libre, New York. The satire of this household name in the US Spanish-language press lambasted Fascist Spain, lampooned American diplomatic relations with Francisco Franco, and mocked the Spanish exiles’ unsuccessful efforts to liberate Spain from the dictator. Pego’s journalism showed deep dedication to the public good with his publication of uncensored information about the regime that alerted readers of the civil rights infringements in Fascist Spain. However, Pego delivered the hard truths of Fascist Spain cloaked in mockery. Humor was crucial in this political culture not only because it facilitated communicating Spanish news but also avoided mythical and totalitarian rhetorical resistance. The fragility of the alternative periodicals’ paper and the political persecution against dissident voices has caused that much of this antifascist print culture has been lost. However, Pego’s chronicles prove that US Hispanic antifascism was vibrant. The anthology puts forward the understudied work of antifascists in the United States and provides evidence of their activism. Its preservation is an exercise of collective memory and a place of resistance to an elitist and fascist archive.

Serving Refugee Children shows the struggles and traumatic experiences that unaccompanied and undocumented children undergo they seek safety in the United States and instead find imprisonment, separation from their families, and immigration enforcement raids. Current legislation and bureaucracy limit publication of first-person narratives from unaccompanied and undocumented children, but service providers and grassroots activists authoring the pieces in this collection bear witness to the children’s brave human spirits in their search for safety in the United States. Through the power of storytelling, Serving Refugee Children exposes the many hardships unaccompanied and undocumented children endure, including current detention center conditions. No child should have to live the persecution suffered by children featured in these stories, nor should they have to embark upon perilous journeys across Latin America or be subjected to the difficult immigration court process unaided. Researchers and readers who believe that the emotional bonding of storytelling can humanize discussions and lead to immigration policies that foster a culture of engagement and interconnectedness will be interested in this volume.