Morton P. Friedman – författare

Cognitive Ecology identifies the richness of input to our sensory evaluations, from our cultural heritage and philosophies of aesthetics to perceptual cognition and judgment. Integrating the arts, humanities, and sciences, Cognitive Ecology investigates the relationship of perception and cognition to wider issues of how science is conducted, and how the questions we ask about perception influence the answers we find. Part One discusses how issues of the human mind are inseparable from the culture from which the investigations arise, how mind and environment co-define experience and actions, and how culture otherwise influences cognitive function. Part Two outlines how philosophical themes of aesthetics have guided psychological research, and discuss the physical and aesthetic perception of music, film, and art. Part Three presents an overview of how the senses interact for sensory evaluation.

Academic Press Series in Cognition and Perception: The Unity of the Senses: Interrelations Among the Modalities focuses on the perceptual processes, approaches, and methodologies involved in studies on the unity of the senses. The publication first elaborates on the doctrines of equivalent information, analogous sensory attributes and qualities, and common psychophysical properties. Discussions focus on discrimination, sensitivity, sound symbolism, intensity, brightness, and cross-modal perception of size, form, and space. The text then examines the doctrine of neural correspondences and sound symbolism in poetry, including sound and meaning, analogue and formal representation, vowel symbolism in poetry, coding perceptual information, coding sensory attributes, and evolution and development. The manuscript takes a look at synesthetic metaphor in poetry, as well as unity of the senses and synesthetic metaphor, warm and cool colors, synesthetic metaphors of odor and music, metaphorical imperative, and the music of Conrad Aiken. The publication is a valuable source of data for researchers interested in the unity of the senses.

Artificial Intelligence provides information pertinent to the fundamental aspects of artificial intelligence. This book presents the basic mathematical and computational approaches to problems in the artificial intelligence field. Organized into four parts encompassing 16 chapters, this book begins with an overview of the various fields of artificial intelligence. This text then attempts to connect artificial intelligence problems to some of the notions of computability and abstract computing devices. Other chapters consider the general notion of computability, with focus on the interaction between computability theory and artificial intelligence. This book discusses as well the concepts of pattern recognition, problem solving, and machine comprehension. The final chapter deals with the study of machine comprehension and reviews the fundamental mathematical and computing techniques underlying artificial intelligence research. This book is a valuable resource for seniors and graduate students in any of the computer-related sciences, or in experimental psychology. Psychologists, general systems theorists, and scientists will also find this book useful.

Decision Processes in Visual Perception explores the relationships between the organization of a complex visual pattern by the perception system and the molecular activity involved in the discrimination of differences in magnitude or intensity between two stimulus elements. The text discusses the basic principles of discrimination, identification, and self-regulation of the perception system; demonstrates how adaptive decision modules emerge from multiple constraints; shows how combinations of simple decisions lead to complex judgmental tasks; and synthesizes traditional approaches to perception in order to clarify the crucial and pervasive role of these modules in the overall activity of perceptual organization. Psychologists, neuroscientists, molecular biologists, and physiologists will find the book invaluable.

Perceptual Modification: Adapting to Altered Sensory Environments is about the study of human perception using a particular research strategy: the systematic alteration of vision or audition. It is assumed that by observing how the sensory apparatus copes with this disturbance it will be possible to formulate valuable hypotheses about the structure and development of ""normal"" perception and perceptual-motor coordination. The specific goals of this book are, first, to organize the vast and confusing literature on adaptation to perceptual rearrangement and, second, to assess its contribution to the understanding of ""normal"" perception and perceptual learning. The book begins with discussions of adaptation to small prism-induced displacements of the visual field. Separate chapters follow on the proposition that adaptation to prismatic displacement and other forms of rearrangement is actually a form of learning; adaptation to inverted and reversed vision; optical tilt; illusory motions of the visual field; size-depth distortions; and distortions of form. Subsequent chapters deal with studies of auditory rearrangement; examine individual and interspecies differences in adaptability; and the study of adaptation to the visual distortions encountered by the underwater observer. The book is written for researchers and graduate students in experimental psychology. It will be of value and interest whether the reader is a specialist in the area of perceptual modification, or indeed a generalist.

Handbook of Perception, Volume VIB: Feeling and Hurting, deals with the perceptual aspects of feeling and pain. The book opens with a discussion of the history of research on feeling. This is followed by separate chapters on the biophysics and psychophysics of feeling; phylogenetic development of feeling; and role of different cerebral structures in somesthetic perception. Subsequent chapters deal with concepts in pain research; the neural mechanisms of pain; perceptual aspects of pain; and human pathological pain.

Handbook of Perception, Volume VIII: Perceptual Coding covers perceptual coding of space, time, and objects, including sensory memory systems and the relations between verbal and perceptual codes. This volume contains contributions that focus on such subjects as the compound eye; the problems of the perceptual constancies and of intersensory coordination in perceptual development; the visual perception of objects in space; and perception of motion. Topics on the perception of color, the representation of temporal, auditory, and haptic perception; and the relationship between verbal and perceptual codes are discussed in detail as well. This book will be of use to psychologists, biologists, and those interested in the study of perceptual codes.

Handbook of Perception, Volume X: Perceptual Ecology, deals with perceptual aspects of the study of interaction of persons with their environment. The book is organized into six parts. Part I examines an ecological approach to the perceptual systems and cultural differences in perception. Part II is devoted to impaired perception and action. It includes studies on perception by the deaf and blind, and outlines the intellectual principles necessary for understanding sensory aids. Part III on aesthetics covers central problem of aesthetic theories and the generation and measurement of aesthetic forms. Part IV on architecture, music, art, and cinema discusses the perceptual aspects of architecture; the psychology of music; and the perception of art and motion pictures. Part V deals with the role of olfactory hedonics in perfumery and the assessment and abatement of noxious odors; and food habits, gastronomy, and analysis of flavors and foods. Part VI focuses on parapsychology. It reviews experimental evidence on telepathy, clairvoyance, precognition, and psychokinesis in order to assess the status of parapsychology and show why it is paradoxy, outside of accepted opinion, after some 100 years of psychic research.

Handbook of Perception, Volume I: Historical and Philosophical Roots of Perception aims to bring together essential aspects of the very large, diverse, and widely scattered literature on human perception and to give a précis of the state of knowledge in every area of perception. This volume deals with the fundamentals of perceptual systems. The book begins with some philosophical problems of perception, of sense experience, of epistemology, and some questions on the philosophy of mind. It also considers the perceptual structure, association, attention, cognition and knowledge, consciousness and action. There are also chapters emphasizing several contemporary views of perception. Psychologists, biologists, and those interested in the study of human perception will find a book a good reference material.