Muhsin al-Musawi – författare

In this fascinating study, Muhsin J. al-Musawi shows how deeply Islamic heritage and culture is embedded in the tales of The Thousand and One Nights (known to many as the Arabian Nights) and how this integration invites readers to make an Islamic milieu. Conservative Islam dismisses The Thousand and One Nights as facile popular literature, and liberal views disregard the rich Islamic context of the text. Approaching the text with a fresh and unbiased eye, al-Musawi reads the tales against Islamic schools of thought and theology and recovers persuasive historical evidence to reveal the cultural and religious struggle over Islam that drives the book's narrative tension and binds its seemingly fragmented stories. Written by a number of authors over a stretch of centuries, The Thousand and One Nights depicts a burgeoning, urban Islamic culture in all its variety and complexity. As al-Musawi demonstrates, the tales document their own places and periods of production, reflecting the Islamic individual's growing exposure to a number of entertainments and temptations and their conflict with the obligations of faith.Aimed at a diverse audience, these stories follow a narrative arc that begins with corruption and ends with redemption, conforming to a paradigm that concurs with the sociological and religious concerns of Islam and the Islamic state. By emphasizing Islam in his analysis of these entertaining and instructional tales, al-Musawi not only illuminates the work's consistent equation between art and life, but he also sheds light on its underlying narrative power. His study offers a brilliant portrait of medieval Islam as well, especially its social, political, and economic institutions and its unique practices of storytelling.

Islam on the Street deals with the popular side of Islam, as described not only in tracts and manuals written by Sufi shaykhs and Islamist thinkers from among the more militant groups in Islam, but also in writings by other, more secular thinkers who have also influenced public opinion. A scholar of Arabic literature, Muhsin al-Musawi explains the growing rift that has occurred between the secular intellectual—the forerunner of Arab and Islamic modernity since the late nineteenth century—and the upsurge of Islamic fervor in the street, at the grassroots level, and what these secular intellectuals can do to reconnect with the masses. Using some of the most important Arabic and Islamic poetry, prose, and fiction to come out of the twentieth century, Al-Musawi provides context for the complex images of Arab and Islamic culture given by the various social, religious, and political groups, providing the motivations. Readers interested in the influence of religion and secularism within modern Islamic Arabic literature will find that the author addresses the presence of Islam and Sufism in ways that secular commentators have been incapable of doing.

Islam on the Street deals with the popular side of Islam, as described not only in tracts and manuals written by Sufi shaykhs and Islamist thinkers from among the more militant groups in Islam, but also in writings by other, more secular thinkers who have also influenced public opinion. A scholar of Arabic literature, Muhsin al-Musawi explains the growing rift that has occurred between the secular intellectual—the forerunner of Arab and Islamic modernity since the late nineteenth century—and the upsurge of Islamic fervor in the street, at the grassroots level, and what these secular intellectuals can do to reconnect with the masses. Using some of the most important Arabic and Islamic poetry, prose, and fiction to come out of the twentieth century, Al-Musawi provides context for the complex images of Arab and Islamic culture given by the various social, religious, and political groups, providing the motivations. Readers interested in the influence of religion and secularism within modern Islamic Arabic literature will find that the author addresses the presence of Islam and Sufism in ways that secular commentators have been incapable of doing.

In its first edition, this book was a new opening in the study of the Arabian Nights as an index of literary taste, a case study for the engagements of poets and writers, along with the common reading public, with an art that took Europe by surprise, and forced new patterns of response and writing. Borges thought of its advent as a dynamic that helped generate the romantic mode and sensibility. It certainly disturbed old habits of thought and made significant cultural inroads throughout European cultures. Almost no one in 18th-19th century literatures remained oblivious to that sweeping phenomenal appearance. The book analyzes and studies modes and patterns of reading, response, engagement, commentary, translations, claims to authentication, abridgements, and illustrations. It focuses on debates and controversies around the Arabian Nights, and shows how these happened to be at the center of a growing colonial culture. This book can never lose its significance for students, scholars, and general readership, not only in the field of comparative and cultural studies, English and French departments, but also in postcolonial studies and the basics of narrative and narratology.

What exactly is Iraq? As a dramatic new era of Iraqi politics unfolds, Muhsin Al-Musawi seeks to understand it by dissecting the country's cultural anatomy. The first major work of its kind, "Reading Iraq" explores the profound connection between identity and power in Iraq's history, and in doing so provides a context for understanding today's complicated struggles. Drawing on a mixture of 'high' and popular forms of expression, Al-Musawi identifies the prevalent tropes of Iraqi culture, such as symbols of redemptive suffering amongst the Shi'ites, or courage amongst the Bedouins. He examines these symbols in historical and political context, arguing that establishing legitimacy in Iraq is a question of being able to read and respond to a wide variety of cultural signals. Al-Musawi begins by looking at the British attempt to establish constitutional monarchy in the first half of the 20th century. Whilst the British and their allies talked of parliament and flags, they failed to notice that sites of social power and authority had moved away from them towards the mosques and the tribal assemblies. His focus then moves to the Saddam Hussein's self-styled Baathist secular nationalism.Al-Musawi explains how, although expressions of sectarian and religious identity were initially subsumed into a pan-national dialogue on the future of Iraq, these cultural modes resurfaced as the gulf widened between the leadership and the people. Despite this differentiation of cultural and political identities, Al-Musawi discerns a genuine collective consciousness in Iraq. This is not the nationalist discourse artificially constructed by Saddam Hussein, but a common sense of heritage and of oppression, forged and re-forged with each historical moment. Whilst the political history of modern Iraq is characterised by occupation and dictatorship, in its cultural history Al-Musawi traces independence, pride and resistance. It is this dialectic of power and cultural memory which will shape the future of the country, and "Reading Iraq" offers new ways of understanding.

Banipal 67 – Elias Khoury, The Novelist presents a major feature on the celebrated Lebanese and international author, with excerpts from his latest novel Stella Maris, the second in the Children of the Ghetto trilogy, and a chapter from his first novel (until now not translated), plus in-depth articles on the corpus of novels including translations of his works into Hebrew, and reviews of his early novels. • We bid Adieu to poet Amjad Nasser in Fakhri Saleh’s essay on his poetry collections. • We introduce two winners of the Moroccan Argana International Poetry Prize – Wadih Saadeh and Hawad. • Also featured are the six shortlisted novels of the 2020 International Prize for Arabic Fiction. • Plus works by two well-known Iraqi writers: Muhammad Khudayyir and Muhsin al-Musawi – and poems by three young poets from Lebanon, Palestine and Tunisia. MANY THANKS to all our contributors, authors, translators, and editors, who have been working from home under coronavirus restrictions.