Mulk Raj Anand – författare

Mulk Raj Anand's extraordinarily powerful story of an Untouchable in India's caste system, with a new introduction by Ramachandra Guha, author of GandhiBakha is a proud and attractive young man, yet none the less he is an Untouchable - an outcast in India's caste system. It is a system that is even now only slowly changing and was then as cruel and debilitating as that of apartheid. Into this vivid re-creation of one day in the life of Bakha, sweeper and toilet-cleaner, Anand pours a vitality, fire and richness of detail that earn his place as one of the twentieth century's most important Indian writers.'One of the most eloquent and imaginative works to deal with this difficult and emotive subject' Martin Seymour-Smith'It recalled to me very vividly the occasions I have walked 'the wrong way' in an Indian city, and it is a way down which no novelist has yet taken me' E. M. Forster

Coolie portrays the picaresque adventures of Munoo, a young boy forced to leave his hill village to fend for himself and discover the world. His journey takes him far from home to towns and cities, to Bomboy and Simla, sweating as servant, factory-worker and rickshaw driver. It is a fight for survival that illuminates, with raw immediacy, the grim fate of the masses in pre-Partition India. Together with Untouchable, Coolie places Mulk Raj Anand among the twentieth century's finest Indian novelists writing in English.

Mulk Raj Anand's extraordinarily powerful story of an Untouchable in India's caste system, with a new introduction by Ramachandra Guha, author of GandhiBakha is a proud and attractive young man, yet none the less he is an Untouchable - an outcast in India's caste system. It is a system that is even now only slowly changing and was then as cruel and debilitating as that of apartheid. Into this vivid re-creation of one day in the life of Bakha, sweeper and toilet-cleaner, Anand pours a vitality, fire and richness of detail that earn his place as one of the twentieth century's most important Indian writers.'One of the most eloquent and imaginative works to deal with this difficult and emotive subject' Martin Seymour-Smith'It recalled to me very vividly the occasions I have walked 'the wrong way' in an Indian city, and it is a way down which no novelist has yet taken me' E. M. Forster

This book, first published in 1933, was the first text on the general Hindu attitude to art. It sums up under the wider title of the Hindu view of art all such considerations – religious, philosophic, sociological, aesthetic and technical – as might be helpful for the understanding of Indian art.

This book, first published in 1933, was the first text on the general Hindu attitude to art. It sums up under the wider title of the Hindu view of art all such considerations – religious, philosophic, sociological, aesthetic and technical – as might be helpful for the understanding of Indian art.

In this fascinating, informal approach to art appreciation, an eminent Indian scholar reveals the crucial difference between merely looking at and really seeing painting and sculpture, drawing and architecture. And to the open-minded and sensitive observer, he shows how simple perceptions can be transmuted into darshana—the pure delight of union with the inner life of a work of art.The presentation is poetic, not technical, directed toward the general reader rather than the specialist. The author begins by symbolizing certain powers of the imagination as the "seven little-known birds of the inner eye." Then he traces these energies of the "body-soul" through a wide range of aesthetic response—from the first, almost involuntary discriminations lines, colors, and forms to the insights attained by the "third eye" of total vision.Illustrated and discussed are the superb murals and breathtaking architecture of India; ancient symbols and modern experiments; the landscape paintings of Song China and the works of major Western artists.

Learn the sensual secretes of Eastern beauty practices with this informative and readable guide.The beauty rituals of the East have long been legendary—the use of oils and unguents, lotions of rose leaves and vinegar, the juice of ripe strawberries and plums, milk baths, honey, and myrrh. The very names evoke an aura of romance, a world where woman pamper and prepare their bodies.Such is the world of Indian beauty as introduced in this exquisite volume of beauty recipes handed down verbally through the ages.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.