Munyaradzi Nyakudya - Böcker

This book provides a timely reconceptualization of Zimbabwe’s anti- colonial liberation struggle, resisting simple binaries in favour of more nuanced, critical analysis.Most historiographies characterize Zimbabwe’s liberation struggle as being defined by simple bifurcations along racial, ethnic, class and ideological perspectives. This book argues that the nationalist struggle is far more complex than such simple configurations would suggest, and that many actors have been overlooked in the analysis. The book broadens our understanding by analysing the roles of a wide range of political figures, organizations, and members of the military, as well as the media and the often overlooked part that women played. Over the course of the book, the contributors also reflect on the ways in which revolutionary figures have been repainted as “sellouts”, in particular by the ZANU PF ruling party, and what that means for the country’s interpretation of their recent past.Highlighting in particular, the expertise of leading scholars from within Zimbabwe, across a range of disciplines, this book will be of interest to researchers of African history, politics and postcolonial studies.

This book provides a timely reconceptualization of Zimbabwe’s anti- colonial liberation struggle, resisting simple binaries in favour of more nuanced, critical analysis.Most historiographies characterize Zimbabwe’s liberation struggle as being defined by simple bifurcations along racial, ethnic, class and ideological perspectives. This book argues that the nationalist struggle is far more complex than such simple configurations would suggest, and that many actors have been overlooked in the analysis. The book broadens our understanding by analysing the roles of a wide range of political figures, organizations, and members of the military, as well as the media and the often overlooked part that women played. Over the course of the book, the contributors also reflect on the ways in which revolutionary figures have been repainted as “sellouts”, in particular by the ZANU PF ruling party, and what that means for the country’s interpretation of their recent past.Highlighting in particular, the expertise of leading scholars from within Zimbabwe, across a range of disciplines, this book will be of interest to researchers of African history, politics and postcolonial studies.

This book is a critical reflection on the life and career of the late legendary Zimbabwean music icon, Oliver “Tuku” Mtukudzi, and his contribution towards the reconstruction of Zimbabwe, Africa and the globe at large.

This book is a critical reflection on the life and career of the late legendary Zimbabwean music icon, Oliver “Tuku” Mtukudzi, and his contribution towards the reconstruction of Zimbabwe, Africa and the globe at large.

This book delves into a critical and comprehensive analysis of Mtukudzi’s legacy, as an outstanding musician who anchored his music on cultural identity specifically through the artistic manipulation of language. As a cultural worker, his remit extended beyond performance. This raised his stature to the levels of such African music icons as Fela Kuti of Nigeria, Salif Keita of Mali and Miriam Makeba/Hugh Masekela of South Africa, all towering giants in African musical performance. This volume examines how Mtukudzi artistically manipulated language to convey a timeless message of cultural identity, fighting for the respect of rights for women, children and all. It unpacks how Mtukudzi subtly uses language to put across political views that speak truth to power, harnessing Zimbabwean language to articulate and promote the nation’s cultural heritage and to advocate for societal development and the promotion of rights of vulnerable groups.The chapters in this volume are a mix ofinterdisciplinary Zimbabwean scholars of linguistics, performance studies, religion, history, communication and media studies, unravelling Mtukudzi as a fighter for human rights and justice who subtly critiqued political systems and practices. It concludes that Mtukudzi strove to be a cultural worker who used the power of language through music to contribute towards the rehabilitation of a battered African identity.​

This book delves into a critical and comprehensive analysis of Mtukudzi’s legacy, as an outstanding musician who anchored his music on cultural identity specifically through the artistic manipulation of language. As a cultural worker, his remit extended beyond performance. This raised his stature to the levels of such African music icons as Fela Kuti of Nigeria, Salif Keita of Mali and Miriam Makeba/Hugh Masekela of South Africa, all towering giants in African musical performance. This volume examines how Mtukudzi artistically manipulated language to convey a timeless message of cultural identity, fighting for the respect of rights for women, children and all. It unpacks how Mtukudzi subtly uses language to put across political views that speak truth to power, harnessing Zimbabwean language to articulate and promote the nation’s cultural heritage and to advocate for societal development and the promotion of rights of vulnerable groups.The chapters in this volume are a mix ofinterdisciplinary Zimbabwean scholars of linguistics, performance studies, religion, history, communication and media studies, unravelling Mtukudzi as a fighter for human rights and justice who subtly critiqued political systems and practices. It concludes that Mtukudzi strove to be a cultural worker who used the power of language through music to contribute towards the rehabilitation of a battered African identity.​

Zimbabwean social media has been awash with images of a woman character, spirit, or concept called Chihera. In the cumulative tradition of the Shona (a Zimbabwean ethnic group), Chihera is a fiercely independent, assertive, free spirited, and no nonsense woman.

Zimbabwean social media has been awash with images of a woman character, spirit, or concept called Chihera. In the cumulative tradition of the Shona (a Zimbabwean ethnic group), Chihera is a fiercely independent, assertive, free spirited, and no nonsense woman.