Myriam Ben Salah – författare
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2 produkter
2 produkter
Inbunden, Engelska, 2023
346 kr
Skickas inom 5-8 vardagar
An exhibition catalog centering on a film by artist Diane Severin Nguyen. This catalog, published on the occasion of the exhibition If Revolution is a Sickness, presents the first monographic book on work by artist Diane Severin Nguyen, which considers how songs and shared histories are woven together across different times and places. The book centers on a new film by Nguyen that is set in Warsaw, Poland, and it loosely follows the character of an orphaned Vietnamese child who grows up to join a South Korean pop-inspired dance group. Popular within a subculture of Polish youth, the genre of K-pop is used by Nguyen as a vernacular structure as she traces a relationship between Eastern Europe and Asia that has roots in Cold War allegiances. In addition to extensive imagery from the film and behind-the-scenes footage, the book also features essays by Cat Zhang on K-pop’s online communities and by Nathanäel on music, history, and geography; a pair of reflections on the film by curators Myriam Ben Salah and Sohrab Mohebbi; and a conversation between the artist and psychoanalyst Jamieson Webster. Also included with the book is a flexi-disc record featuring a song with music and lyrics co-written by Nguyen. If Revolution is a Sickness, was commissioned by SculptureCenter in New York and the Renaissance Society at the University of Chicago.
Inbunden, Engelska, 2025
389 kr
Skickas inom 5-8 vardagar
A companion to Aria Dean’s Abattoir, U.S.A.!Aria Dean’s moving image work Abattoir, U.S.A.!, presented in the eponymous exhibition at the Renaissance Society between February and April 2023, surveys the interior of an empty slaughterhouse. This slaughterhouse was built and animated using Unreal Engine, a 3D computer graphics tool for creating virtual environments. The viewer follows a linear path through an impossible architecture—a seamless combination of nineteenth, twentieth, and twenty-first-century design elements and non-Euclidean spaces. Dean was initially inspired by philosophers Georges Bataille and Frank Wilderson, each of whom address the slaughterhouse in their writings –whether as a metaphor or paradigm—as crucial to the construction of civil society. Abattoir, U.S.A.! also builds on Dean’s own research into the slaughterhouse and industrial architecture and the ways they reveal modernism’s intimacy with death on conceptual, political, and material levels.This book documents the exhibition as well as selected material from Dean’s process and research. It includes essays by film scholar Erika Balsom, who writes on the history of abattoirs and their relation to modernism, Afropessimist theory, and the dehumanizing rationality of capitalism. Architect and writer Keller Easterling contributes a quasi-fictional text from her ongoing series of Draft Teenage Essays, which are part of her collection of experimental writings titled No One Thing. This volume also includes transcripts of two conversations: one between Dean and film historian Bruce Jenkins in which they discuss Dean’s work in relation to historical avant-garde films; and another with Dean and co-director of Rhizome Michael Connor, media artist Filip Kostik, and composer Evan Zierk, who created the soundtrack for Abattoir, U.S.A.! Together they discuss the technical process of using Unreal Engine and the nature of virtuality.