Nadia Bozak – författare

Film is often used to represent the natural landscape and, increasingly, to communicate environmentalist messages. Yet behind even today’s “green” movies are ecologically unsustainable production, distribution, and consumption processes. Noting how seemingly immaterial moving images are supported by highly durable resource-dependent infrastructures, The Cinematic Footprint traces the history of how the “hydrocarbon imagination” has been central to the development of film as a medium.Nadia Bozak’s innovative fusion of film studies and environmental studies makes provocative connections between the disappearance of material resources and the emergence of digital media-with examples ranging from early cinema to Dziga Vertov’s prescient eye, from Chris Marker’s analog experiments to the digital work of AgnÈs Varda, James Benning, and Zacharias Kunuk. Combining an analysis of cinema technology with a sensitive consideration of film aesthetics, The Cinematic Footprint offers a new perspective on moving images and the natural resources that sustain them.

Once a rising star of indie rock, Kate is now a middle-aged single mum living far out of the spotlight. Everything changes for her when an unprecedented heat wave and a stolen car set off a chain of events that threaten to upend her new, peaceful life. Fired from her job, separated from her children, and overwhelmed by public shaming, Kate must navigate the cold realities of the child welfare and family court systems while struggling to stay cool in an increasingly unbearable world. Determined to rebuild, Kate finds herself forging new connections and fostering a sense of community - something she hasn't felt since her music career ended in disaster more than a decade before. As Kate finds a new voice, she makes her way back to her children and her love of music, and steps closer to reconciling with her former bandmate and arch-rival: her little sister. If building community is Kate's way of reckoning with the mistakes of her past, can it also be a way to mitigate the deeper, more urgent issues and structural injustices that threaten our future?

Inspired by J. M. Coetzee’s Disgrace, El Niño tracks the survival of one woman and a young, undocumented migrant as they journey through the no-man’s-land of a remote southwestern desert.Honey hasn’t seen her mother, Marianne, in more than two years. She drives deep into the once-prosperous border region of the Oro Desert for a surprise visit, only to discover that Marianne has vanished.Alone in an unforgiving environment populated with hostile locals, she meets Chávez, a young “coyote” or human trafficker, who convinces Honey he knows her mother’s whereabouts and agrees to take her there — for a price. As they make their way through the Oro’s brutal no-man’s-land they are tracked by Ocho, a teenage bounty hunter determined to recruit Chávez. And then there is Baez, Marianne’s wizened Shepherd-coyote mix, whose death and life intimately intersect with Honey and Chávez's search for Marianne and who tells the story of the Oro Desert as it slowly comes apart.Told in three distinct voices, El Niño is an intricately constructed and starkly written novel from a bold and inventive new writer.