Nadia Davids – författare

‘A cleverly told and ultimately satisfying novel, by an author bold enough to reveal uncomfortable truths’ Claire Adam, Guardian‘Efficient, and unsettling… Davids assembles the requisite parts of a Gothic novel – a hysterical woman, a haunted dwelling, a perverse family secret – into an elegant narrative’ New York Times Book ReviewAn exhilarating tale of twisted desire and the unexpected shape of justice, for readers of The Safekeep‘I come highly recommended to Mrs Hattingh through sentences I tell her I cannot read.’1920, a small, unnamed city in a colonial empire. Soraya Matas believes she has found the ideal job as a personal maid to the eccentric Mrs Hattingh, whose beautiful, decaying home is not far from the Muslim Quarter where Soraya lives with her parents. As Soraya settles into her new role, she discovers that the house is alive with spirits.While Mrs Hattingh eagerly awaits her son’s visit from London, she offers to help Soraya stay in touch with her fiancé Nour by writing him letters on her behalf. So begins a strange weekly meeting where Soraya dictates and Mrs. Hattingh writes – a ritual that binds the two women to one another and eventually threatens the sanity of both.‘Slim, taut, haunting… an utterly beguiling read’ Lucy Caldwell‘The Cape Town that Nadia Davids summons up in her invaluable body of work is a riven, achingly sad place of shadows, quite unlike the comfortable, sleepy Mother City of the colonial imagination’ J. M. Coetzee

An exhilarating tale of twisted desire and the unexpected shape of revenge, for readers of The Safekeep‘I come highly recommended to Mrs Hattingh through sentences I tell her I cannot read.’ 1920, a small, unnamed city in a colonial empire. Soraya Matas believes she has found the ideal job as a personal maid to the eccentric Mrs Hattingh, whose beautiful, decaying home is not far from the Muslim quarter where Soraya lives with her parents. As Soraya settles into her new role, she discovers that the house is alive with spirits. While Mrs Hattingh eagerly awaits her son’s visit from London, she offers to help Soraya stay in touch with her fiancé Nour by writing him letters on her behalf. So begins a strange weekly meeting where Soraya dictates and Mrs. Hattingh writes – a ritual that binds the two women to one another and eventually threatens the sanity of both.   ‘Slim, taut, haunting… an utterly beguiling read’ LUCY CALDWELL ‘The Cape Town that Nadia Davids summons up in her invaluable body of work is a riven, achingly sad place of shadows, quite unlike the comfortable, sleepy Mother City of the colonial imagination’ JM COETZEE

‘A cleverly told and ultimately satisfying novel, by an author bold enough to reveal uncomfortable truths’ Claire Adam, Guardian‘Efficient, and unsettling… Davids assembles the requisite parts of a Gothic novel – a hysterical woman, a haunted dwelling, a perverse family secret – into an elegant narrative’ New York Times Book ReviewAn exhilarating tale of twisted desire and the unexpected shape of justice, for readers of The Safekeep‘I come highly recommended to Mrs Hattingh through sentences I tell her I cannot read.’1920, a small, unnamed city in a colonial empire. Soraya Matas believes she has found the ideal job as a personal maid to the eccentric Mrs Hattingh, whose beautiful, decaying home is not far from the Muslim Quarter where Soraya lives with her parents. As Soraya settles into her new role, she discovers that the house is alive with spirits.While Mrs Hattingh eagerly awaits her son’s visit from London, she offers to help Soraya stay in touch with her fiancé Nour by writing him letters on her behalf. So begins a strange weekly meeting where Soraya dictates and Mrs. Hattingh writes – a ritual that binds the two women to one another and eventually threatens the sanity of both.‘Slim, taut, haunting… an utterly beguiling read’ Lucy Caldwell‘The Cape Town that Nadia Davids summons up in her invaluable body of work is a riven, achingly sad place of shadows, quite unlike the comfortable, sleepy Mother City of the colonial imagination’ J. M. Coetzee

‘A cleverly told and ultimately satisfying novel, by an author bold enough to reveal uncomfortable truths’ Claire Adam, Guardian‘Efficient, and unsettling… Davids assembles the requisite parts of a Gothic novel – a hysterical woman, a haunted dwelling, a perverse family secret – into an elegant narrative’ New York Times Book ReviewAn exhilarating tale of twisted desire and the unexpected shape of justice, for readers of The Safekeep‘I come highly recommended to Mrs Hattingh through sentences I tell her I cannot read.’1920, a small, unnamed city in a colonial empire. Soraya Matas believes she has found the ideal job as a personal maid to the eccentric Mrs Hattingh, whose beautiful, decaying home is not far from the Muslim Quarter where Soraya lives with her parents. As Soraya settles into her new role, she discovers that the house is alive with spirits.While Mrs Hattingh eagerly awaits her son’s visit from London, she offers to help Soraya stay in touch with her fiancé Nour by writing him letters on her behalf. So begins a strange weekly meeting where Soraya dictates and Mrs. Hattingh writes – a ritual that binds the two women to one another and eventually threatens the sanity of both.‘Slim, taut, haunting… an utterly beguiling read’ Lucy Caldwell‘The Cape Town that Nadia Davids summons up in her invaluable body of work is a riven, achingly sad place of shadows, quite unlike the comfortable, sleepy Mother City of the colonial imagination’ J. M. Coetzee

From award-winning South African author Nadia Davids comes a gothic psychological thriller set in the 1920s, where a young maid finds herself entangled with the spirits of a decaying manor and the secrets of its enigmatic owner. I come highly recommended to Mrs. Hattingh through sentences I tell her I cannot read. The year is 1920, in a small, unnamed city in a colonial empire. Soraya Matas believes she has found the ideal job as a personal maid to the eccentric Mrs. Hattingh, whose beautiful, decaying home is not far from The Muslim Quarter where Soraya lives with her parents. As Soraya settles into her new role, she discovers that the house is alive with spirits. While Mrs. Hattingh eagerly awaits her son’s visit from London, she offers to help Soraya stay in touch with her fiancé Nour by writing him letters on her behalf. So begins a strange weekly meeting where Soraya dictates and Mrs. Hattingh writes—a ritual that binds the two women to one another and eventually threatens the sanity of both. Cape Fever is a masterful blend of gothic themes, folk-tales, and psychological suspense, reminiscent of works by Silvia Moreno-Garcia and Daphne du Maurier, and Soraya Matas is an unforgettable narrator, whose story of love and grief, is also a chilling exploration of class and the long reach of history.

I loved this book. Its beautiful. I thought about it so much after I read it. Sarah Jessica Parker Its a stunner. Publishers Weekly (starred review) From award-winning South African author Nadia Davids comes a gothic psychological thriller set in the 1920s, where a young maid finds herself entangled with the spirits of a decaying manor and the secrets of its enigmatic owner.I come highly recommended to Mrs. Hattingh through sentences I tell her I cannot read. The year is 1920, in a small, unnamed city in a colonial empire. Soraya Matas believes she has found the ideal job as a personal maid to the eccentric Mrs. Hattingh, whose beautiful, decaying home is not far from The Muslim Quarter where Soraya lives with her parents. As Soraya settles into her new role, she discovers that the house is alive with spirits. While Mrs. Hattingh eagerly awaits her sons visit from London, she offers to help Soraya stay in touch with her fianc Nour by writing him letters on her behalf. So begins a strange weekly meeting where Soraya dictates and Mrs. Hattingh writesa ritual that binds the two women to one another and eventually threatens the sanity of both. Cape Fever is a masterful blend of gothic themes, folk-tales, and psychological suspense, reminiscent of works by Silvia Moreno-Garcia and Daphne du Maurier, and Soraya Matas is an unforgettable narrator, whose story of love and grief, is also a chilling exploration of class and the long reach of history.

From award-winning South African author Nadia Davids comes a gothic psychological thriller set in the 1920s, where a young maid finds herself entangled with the spirits of a decaying manor and the secrets of its enigmatic owner. I come highly recommended to Mrs. Hattingh through sentences I tell her I cannot read. The year is 1920, in a small, unnamed city in a colonial empire. Soraya Matas believes she has found the ideal job as a personal maid to the eccentric Mrs. Hattingh, whose beautiful, decaying home is not far from The Muslim Quarter where Soraya lives with her parents. As Soraya settles into her new role, she discovers that the house is alive with spirits. While Mrs. Hattingh eagerly awaits her son’s visit from London, she offers to help Soraya stay in touch with her fiancé Nour by writing him letters on her behalf. So begins a strange weekly meeting where Soraya dictates and Mrs. Hattingh writes—a ritual that binds the two women to one another and eventually threatens the sanity of both. Cape Fever is a masterful blend of gothic themes, folk-tales, and psychological suspense, reminiscent of works by Silvia Moreno-Garcia and Daphne du Maurier, and Soraya Matas is an unforgettable narrator, whose story of love and grief, is also a chilling exploration of class and the long reach of history.

'';It''s a stunner.'' Publishers Weekly (starred review) From award-winning South African author Nadia Davids comes a gothic psychological thriller set in the 1920s, where a young maid finds herself entangled with the spirits of a decaying manor and the secrets of its enigmatic owner.I come highly recommended to Mrs. Hattingh through sentences I tell her I cannot read. The year is 1920, in a small, unnamed city in a colonial empire. Soraya Matas believes she has found the ideal job as a personal maid to the eccentric Mrs. Hattingh, whose beautiful, decaying home is not far from The Muslim Quarter where Soraya lives with her parents. As Soraya settles into her new role, she discovers that the house is alive with spirits. While Mrs. Hattingh eagerly awaits her son''s visit from London, she offers to help Soraya stay in touch with her fianc Nour by writing him letters on her behalf. So begins a strange weekly meeting where Soraya dictates and Mrs. Hattingh writesa ritual that binds the two women to one another and eventually threatens the sanity of both. Cape Fever is a masterful blend of gothic themes, folk-tales, and psychological suspense, reminiscent of works by Silvia Moreno-Garcia and Daphne du Maurier, and Soraya Matas is an unforgettable narrator, whose story of love and grief, is also a chilling exploration of class and the long reach of history.