Nadia Valman – författare

The Routledge Handbook to Contemporary Jewish Cultures explores the diversity of Jewish cultures and ways of investigating them, presenting the different methodologies, arguments and challenges within the discipline. Divided into themed sections, this book considers in turn:How the individual terms "Jewish" and "culture" are defined, looking at perspectives from Anthropology, Music, Literary Studies, Sociology, Religious Studies, History, Art History, and Film, Television, and New Media Studies.How Jewish cultures are theorized, looking at key themes regarding power, textuality, religion/secularity, memory, bodies, space and place, and networks.Case studies in contemporary Jewish cultures.With essays by leading scholars in Jewish culture, this book offers a clear overview of the field and offers exciting new directions for the future.

Stories about Jewesses proliferated in nineteenth-century Britain as debates about the place of the Jews in the nation raged. While previous scholarship has explored the prevalence of antisemitic stereotypes in this period, Nadia Valman argues that the figure of the Jewess - virtuous, appealing and sacrificial - reveals how hostility towards Jews was accompanied by pity, identification and desire. Reading a range of texts from popular romance to the realist novel, she investigates how the complex figure of the Jewess brought the instabilities of nineteenth-century religious, racial and national identity into uniquely sharp focus. Tracing the narrative of the Jewess from its beginnings in Romantic and Evangelical literature, and reading canonical writers including Walter Scott, George Eliot and Anthony Trollope alongside more minor figures such as Charlotte Elizabeth Tonna, Grace Aguilar and Amy Levy, Valman demonstrates the remarkable persistence of this narrative and its myriad transformations across the century.

Stories about Jewesses proliferated in nineteenth-century Britain as debates about the place of the Jews in the nation raged. While previous scholarship has explored the prevalence of antisemitic stereotypes in this period, Nadia Valman argues that the figure of the Jewess - virtuous, appealing and sacrificial - reveals how hostility towards Jews was accompanied by pity, identification and desire. Reading a range of texts from popular romance to the realist novel, she investigates how the complex figure of the Jewess brought the instabilities of nineteenth-century religious, racial and national identity into uniquely sharp focus. Tracing the narrative of the Jewess from its beginnings in Romantic and Evangelical literature, and reading canonical writers including Walter Scott, George Eliot and Anthony Trollope alongside more minor figures such as Charlotte Elizabeth Tonna, Grace Aguilar and Amy Levy, Valman demonstrates the remarkable persistence of this narrative and its myriad transformations across the century.

Philosemitism, Antisemitism and 'the Jews' both honours and carries on the work of The Rev. Dr. James Parkes (1896-1981), a pioneer in the many different fields involving the study of Jewish/non-Jewish relations. The collection is designed to examine both the specific and broader themes of Parkes' life work in relation to tolerance and intolerance. From antiquity to today, Jews have often been defined as 'aliens'; these essays consider the effects of such legislative and socio-cultural exclusion on the self-definition of the dominant society. Philosemitism, Antisemitism and 'the Jews' employs an interdisciplinary framework, bringing together the work of scholars from both sides of the Atlantic and Israel, who work in history, theology, political philosophy, legal theory and literary studies. Eminent historians and theorists of tolerance and intolerance, including Gavin Langmuir, David Theo Goldberg, Norman Solomon and Tony Kushner, are joined by younger scholars researching new developments in the field.

Against a background of enormous cultural change during the nineteenth and twentieth centuries, writing by British Jewish women grappled with shifting meanings of Jewish identity, the pressure of social norms, and questions of assimilation. Until recently, however, the distinctive experiences and perspectives of Jewish women have been absent from accounts of both British Jewish literature and women’s writing in Britain. Drawing on new research in Jewish studies, postcolonial criticism, trauma theory and cultural geography, contributors in Jewish Women Writers in Britain examine the ways that these women writers interpreted the experience of living between worlds and imaginatively transformed it for a wide general readership.Editor Nadia Valman brings together contributors to consider writers whose Jewish identity was central to their practice as well as those whose relationship to their Jewish heritage was oblique, complicated, or mobile and figured in their work in varied and often unexpected ways. The chapters cover a range of genres including didactic fiction, devotional writing, modernist poetry, autobiographical fiction, the postmodern novel, memoir, and public poetry. Among the writers discussed are Grace Aguilar, Celia and Marion Moss, Katie Magnus, Lily Montagu, Amy Levy, Nina Salaman, Mina Loy, Betty Miller, Eva Figes, Ruth Fainlight, Elaine Feinstein, Anita Brookner, Julia Pascal, Diane Samuels, Jenny Diski, Linda Grant, and Sue Hubbard.Expanding the concerns of Jewish literature beyond existing male-centered narratives of the heroic conflict between family expectations and personal aspirations, women writers also produced fiction and poetry exploring the female body, maternity, sexual politics, and the transmission of memory. While some sought to appropriate traditional Jewish literary forms, others used formal and stylistic experimentation to challenge a religious establishment and social conventions that constrained women’s public freedoms. The extraordinary range of responses to Jewish culture and history in the work of these writers will interest literary scholars and readers interested in Jewish women’s history.Contributors Include: Cynthia Scheinberg, Rachel Potter, Sarah Sceats, Sue Vice, Peter Lawson, Louise Sylvester, Phyllis Lassner, David Brauner, Nadia Valman, Lucy Wright, Cheryl Verdon.

Amy Levy has risen to prominence in recent years as one of the most innovative and perplexing writers of her generation. Embraced by feminist scholars for her radical experimentation with queer poetic voice and her witty journalistic pieces on female independence, she remains controversial for her representations of London Jewry that draw unmistakably on contemporary antisemitic discourse.Amy Levy: Critical Essays brings together scholars working in the fields of Victorian cultural history, women’s poetry and fiction, and the history of Anglo-Jewry. The essays trace the social, intellectual, and political contexts of Levy’s writing and its contemporary reception. Working from close analyses of Levy’s texts, the collection aims to rethink her engagement with Jewish identity, to consider her literary and political identifications, to assess her representations of modern consumer society and popular culture, and to place her life and work within late-Victorian cultural debate.This book is essential reading for undergraduate and postgraduate students offering both a comprehensive literature review of scholarship-to-date and a range of new critical perspectives.Contributors:Susan David Bernstein, University of Wisconsin-MadisonGail Cunningham, Kingston UniversityElizabeth F. Evans, Pennslyvania State University–DuBoisEmma Francis, Warwick UniversityAlex Goody, Oxford Brookes UniversityT. D. Olverson, University of Newcastle upon TyneLyssa Randolph, University of Wales, NewportMeri-Jane Rochelson, Florida International University

Amy Levy has risen to prominence in recent years as one of the most innovative and perplexing writers of her generation. Embraced by feminist scholars for her radical experimentation with queer poetic voice and her witty journalistic pieces on female independence, she remains controversial for her representations of London Jewry that draw unmistakably on contemporary antisemitic discourse.Amy Levy: Critical Essays brings together scholars working in the fields of Victorian cultural history, women’s poetry and fiction, and the history of Anglo-Jewry. The essays trace the social, intellectual, and political contexts of Levy’s writing and its contemporary reception. Working from close analyses of Levy’s texts, the collection aims to rethink her engagement with Jewish identity, to consider her literary and political identifications, to assess her representations of modern consumer society and popular culture, and to place her life and work within late-Victorian cultural debate.This book is essential reading for undergraduate and postgraduate students offering both a comprehensive literature review of scholarship-to-date and a range of new critical perspectives.Contributors:Susan David Bernstein, University of Wisconsin-MadisonGail Cunningham, Kingston UniversityElizabeth F. Evans, Pennslyvania State University–DuBoisEmma Francis, Warwick UniversityAlex Goody, Oxford Brookes UniversityT. D. Olverson, University of Newcastle upon TyneLyssa Randolph, University of Wales, NewportMeri-Jane Rochelson, Florida International University

Amy Levy has risen to prominence in recent years as one of the most innovative and perplexing writers of her generation. Embraced by feminist scholars for her radical experimentation with queer poetic voice and her witty journalistic pieces on female independence, she remains controversial for her representations of London Jewry that draw unmistakably on contemporary antisemitic discourse.Amy Levy: Critical Essays brings together scholars working in the fields of Victorian cultural history, women’s poetry and fiction, and the history of Anglo-Jewry. The essays trace the social, intellectual, and political contexts of Levy’s writing and its contemporary reception. Working from close analyses of Levy’s texts, the collection aims to rethink her engagement with Jewish identity, to consider her literary and political identifications, to assess her representations of modern consumer society and popular culture, and to place her life and work within late-Victorian cultural debate.This book is essential reading for undergraduate and postgraduate students offering both a comprehensive literature review of scholarship-to-date and a range of new critical perspectives.Contributors:Susan David Bernstein, University of Wisconsin-MadisonGail Cunningham, Kingston UniversityElizabeth F. Evans, Pennslyvania State University–DuBoisEmma Francis, Warwick UniversityAlex Goody, Oxford Brookes UniversityT. D. Olverson, University of Newcastle upon TyneLyssa Randolph, University of Wales, NewportMeri-Jane Rochelson, Florida International University

The Routledge Handbook to Contemporary Jewish Cultures explores the diversity of Jewish cultures and ways of investigating them, presenting the different methodologies, arguments and challenges within the discipline. Divided into themed sections, this book considers in turn:

How the individual terms "Jewish" and "culture" are defined, looking at perspectives from Anthropology, Music, Literary Studies, Sociology, Religious Studies, History, Art History, and Film, Television, and New Media Studies. How Jewish cultures are theorized, looking at key themes regarding power, textuality, religion/secularity, memory, bodies, space and place, and networks. Case studies in contemporary Jewish cultures.

With essays by leading scholars in Jewish culture, this book offers a clear overview of the field and offers exciting new directions for the future.

The Routledge Handbook to Contemporary Jewish Cultures explores the diversity of Jewish cultures and ways of investigating them, presenting the different methodologies, arguments and challenges within the discipline. Divided into themed sections, this book considers in turn:

How the individual terms "Jewish" and "culture" are defined, looking at perspectives from Anthropology, Music, Literary Studies, Sociology, Religious Studies, History, Art History, and Film, Television, and New Media Studies. How Jewish cultures are theorized, looking at key themes regarding power, textuality, religion/secularity, memory, bodies, space and place, and networks. Case studies in contemporary Jewish cultures.

With essays by leading scholars in Jewish culture, this book offers a clear overview of the field and offers exciting new directions for the future.

The Routledge Handbook to Contemporary Jewish Cultures explores the diversity of Jewish cultures and ways of investigating them, presenting the different methodologies, arguments and challenges within the discipline. Divided into themed sections, this book considers in turn:How the individual terms "Jewish" and "culture" are defined, looking at perspectives from Anthropology, Music, Literary Studies, Sociology, Religious Studies, History, Art History, and Film, Television, and New Media Studies.How Jewish cultures are theorized, looking at key themes regarding power, textuality, religion/secularity, memory, bodies, space and place, and networks.Case studies in contemporary Jewish cultures.With essays by leading scholars in Jewish culture, this book offers a clear overview of the field and offers exciting new directions for the future.

Philosemitism, Antisemitism and 'the Jews' both honours and carries on the work of The Rev. Dr. James Parkes (1896-1981), a pioneer in the many different fields involving the study of Jewish/non-Jewish relations. The collection is designed to examine both the specific and broader themes of Parkes' life work in relation to tolerance and intolerance. From antiquity to today, Jews have often been defined as 'aliens'; these essays consider the effects of such legislative and socio-cultural exclusion on the self-definition of the dominant society. Philosemitism, Antisemitism and 'the Jews' employs an interdisciplinary framework, bringing together the work of scholars from both sides of the Atlantic and Israel, who work in history, theology, political philosophy, legal theory and literary studies. Eminent historians and theorists of tolerance and intolerance, including Gavin Langmuir, David Theo Goldberg, Norman Solomon and Tony Kushner, are joined by younger scholars researching new developments in the field.

Philosemitism, Antisemitism and ''the Jews'' both honours and carries on the work of The Rev. Dr. James Parkes (1896-1981), a pioneer in the many different fields involving the study of Jewish/non-Jewish relations. The collection is designed to examine both the specific and broader themes of Parkes'' life work in relation to tolerance and intolerance. From antiquity to today, Jews have often been defined as ''aliens''; these essays consider the effects of such legislative and socio-cultural exclusion on the self-definition of the dominant society. Philosemitism, Antisemitism and ''the Jews'' employs an interdisciplinary framework, bringing together the work of scholars from both sides of the Atlantic and Israel, who work in history, theology, political philosophy, legal theory and literary studies. Eminent historians and theorists of tolerance and intolerance, including Gavin Langmuir, David Theo Goldberg, Norman Solomon and Tony Kushner, are joined by younger scholars researching new developments in the field.

Philosemitism, Antisemitism and ''the Jews'' both honours and carries on the work of The Rev. Dr. James Parkes (1896-1981), a pioneer in the many different fields involving the study of Jewish/non-Jewish relations. The collection is designed to examine both the specific and broader themes of Parkes'' life work in relation to tolerance and intolerance. From antiquity to today, Jews have often been defined as ''aliens''; these essays consider the effects of such legislative and socio-cultural exclusion on the self-definition of the dominant society. Philosemitism, Antisemitism and ''the Jews'' employs an interdisciplinary framework, bringing together the work of scholars from both sides of the Atlantic and Israel, who work in history, theology, political philosophy, legal theory and literary studies. Eminent historians and theorists of tolerance and intolerance, including Gavin Langmuir, David Theo Goldberg, Norman Solomon and Tony Kushner, are joined by younger scholars researching new developments in the field.

One of London’s best-kept secrets, Hoxton Hall, built in 1863, is one of only a handful of surviving Victorian music halls in Britain. This book presents a history of the building and its role in the social life of a deprived but resilient area of the city, celebrating the Hall’s reopening in 2015 after a two-year, Heritage Lottery-funded, refurbishment.This landmark volume charts the Hall’s many different guises over more than a century and a half of activity, from its founding as exemplar of Victorian rational recreation to a working-class variety music hall; from headquarters of a prominent evangelical temperance movement to outpost of a Quaker East-End mission; from pioneer of 1970s community arts to today’s multipurpose centre reflecting the diversity of the neighbourhood it still serves.The wide-ranging contributions gathered here offer an invaluable lens for understanding an area of London that has experienced comprehensive social change during the lifetime of the venue. This unique history of a building brings together scholars of architectural, theatrical, musical and entertainment history, and of social and religious history, to chart the various lives of Hoxton Hall and those who have been drawn to this remarkable space.

This collection of essays explores the complex articulations and contexts of anti-Semitism in the literature of four cultures - Britain, Germany, France and Italy - in the long nineteenth century. The essays examine the presence both of explicitly anti-Semitic writing and apparently anti-Jewish stereotypes in the work of writers who were not consciously hostile to Jews. The book scrutinizes assumptions about the relative absence of anti-Semitism in Britain, the image of Germany as resistant to Jewish assimilation, and of Italy as particularly hospitable to Jews. The essays are placed in a comparative framework in order to examine the representation of Jews both within particular national cultures and in the context of Western European modernity. The volume considers the ways in which anti-Semitism functioned within liberal culture in the nineteenth century as part of the broader history of oppression with which Western modernity has been complicit.

This collection of essays explores the complex articulations and contexts of anti-Semitism in the literature of four cultures - Britain, Germany, France and Italy - in the long nineteenth century. The essays examine the presence both of explicitly anti-Semitic writing and apparently anti-Jewish stereotypes in the work of writers who were not consciously hostile to Jews. The book scrutinizes assumptions about the relative absence of anti-Semitism in Britain, the image of Germany as resistant to Jewish assimilation, and of Italy as particularly hospitable to Jews. The essays are placed in a comparative framework in order to examine the representation of Jews both within particular national cultures and in the context of Western European modernity. The volume considers the ways in which anti-Semitism functioned within liberal culture in the nineteenth century as part of the broader history of oppression with which Western modernity has been complicit.

Swimming Upstream is a remarkable life story. Born in 1922 into a Viennese Jewish family, T. Scarlett Epstein was catapulted into immediate adulthood by the Austrian Anschluss. She had to learn to think on her feet in order to save herself and her family from the nightmares of the Holocaust. Her dangerous escape route took her from Yugoslavia to Albania; finally, after a terrifying flight via Germany, she arrived in England. Her ambitions to become a surgeon were dashed as she found herself sitting at a sewing machine in one of the many sweatshops in London. She attended night school and was awarded a scholarship to study for an economics degree. Days before her final exams she was severely burned in an accident. Unable to write and in excruciating pain, she dictated her exam answers from her hospital bed. Unlucky in love, she concentrated on her work and spent two years in Indian villages as part of her doctoral studies, which marked the beginning of a brilliant academic career. On her return she met Bill Epstein, love blossomed over the seminar table, and for a time she experienced happiness as never before. The couple had an ideal working partnership that took them to such far-flung places as Papua New Guinea. However, plagued by childlessness and health problems, her private life continued to be a battle. Dr T. Scarlett Epstein's story of courage and determination, of love and loss will be an inspiration to many.