Nahum Dimitri Chandler – författare

X—The Problem of the Negro as a Problem for Thought offers an original account of matters African American, and by implication the African diaspora in general, as an object of discourse and knowledge. It likewise challenges the conception of analogous objects of study across dominant ethnological disciplines (e.g., anthropology, history, and sociology) and the various forms of cultural, ethnic, and postcolonial studies.With special reference to the work of W. E. B. Du Bois, Chandler shows how a concern with the Negro is central to the social and historical problematization that underwrote twentieth-century explorations of what it means to exist as an historical entity—referring to their antecedents in eighteenth-century thought and forward into their ongoing itinerary in the twenty-first century.For Du Bois, "the problem of the color line" coincided with the inception of a supposedly modern horizon. The very idea of the human and its avatars—the idea of race and the idea of culture—emerged together with the violent, hierarchical inscription of the so-called African or Negro into a horizon of commonness beyond all natal premises, a horizon that we can still situate with the term global. In ongoing struggles with the idea of historical sovereignty, we can see the working out of then new concatenations of social and historical forms of difference, as both projects of categorical differentiation and the irruption of originary revisions of ways of being.In a word, the world is no longer—and has never been—one. The world, if there is such—from the inception of something like "the Negro as a problem for thought"— could never be, only, one.The problem of the Negro in "America" is thus an exemplary instance of modern historicity in its most fundamental sense. It renders legible for critical practice the radical order of an ineluctable and irreversible complication at the heart of being—its appearance as both life and history—as the very mark of our epoch.

X—The Problem of the Negro as a Problem for Thought offers an original account of matters African American, and by implication the African diaspora in general, as an object of discourse and knowledge. It likewise challenges the conception of analogous objects of study across dominant ethnological disciplines (e.g., anthropology, history, and sociology) and the various forms of cultural, ethnic, and postcolonial studies.With special reference to the work of W. E. B. Du Bois, Chandler shows how a concern with the Negro is central to the social and historical problematization that underwrote twentieth-century explorations of what it means to exist as an historical entity—referring to their antecedents in eighteenth-century thought and forward into their ongoing itinerary in the twenty-first century.For Du Bois, "the problem of the color line" coincided with the inception of a supposedly modern horizon. The very idea of the human and its avatars—the idea of race and the idea of culture—emerged together with the violent, hierarchical inscription of the so-called African or Negro into a horizon of commonness beyond all natal premises, a horizon that we can still situate with the term global. In ongoing struggles with the idea of historical sovereignty, we can see the working out of then new concatenations of social and historical forms of difference, as both projects of categorical differentiation and the irruption of originary revisions of ways of being.In a word, the world is no longer—and has never been—one. The world, if there is such—from the inception of something like "the Negro as a problem for thought"— could never be, only, one.The problem of the Negro in "America" is thus an exemplary instance of modern historicity in its most fundamental sense. It renders legible for critical practice the radical order of an ineluctable and irreversible complication at the heart of being—its appearance as both life and history—as the very mark of our epoch.

This volume assembles essential essays—some published only posthumously, others obscure, another only recently translated—by W. E. B. Du Bois from 1894 to early 1906. They show the first formulations of some of his most famous ideas, namely, "the veil," "double-consciousness," and the "problem of the color line." Moreover, the deep historical sense of the formation of the modern world that informs Du Bois's thought and gave rise to his understanding of "the problem of the color line" is on display here. Indeed, the essays constitute an essential companion to Du Bois's masterpiece published in 1903 as The Souls of Black Folk.The collection is based on two editorial principles: presenting the essays in their entirety and in strict chronological order. Copious annotation affords both student and mature scholar an unprecedented grasp of the range and depth of Du Bois's everyday intellectual and scholarly reference.These essays commence at the moment of Du Bois's return to the United States from two years of graduate-level study in Europe at the University of Berlin. At their center is the moment of Du Bois's first full, self-reflexive formulation of a sense of vocation: as a student and scholar in the pursuit of the human sciences (in their still-nascent disciplinary organization—that is, the institutionalization of a generalized "sociology" or general "ethnology"), as they could be brought to bear on the study of the situation of the so-called Negro question in the United States in all of its multiply refracting dimensions. They close with Du Bois's realization that the commitments orienting his work and intellectual practice demanded that he move beyond the institutional frames for the practice of the human sciences.The ideas developed in these early essays remained the fundamental matrix for the ongoing development of Du Bois's thought. The essays gathered here will therefore serve as the essential reference for those seeking to understand the most profound registers of this major American thinker.

This volume assembles essential essays—some published only posthumously, others obscure, another only recently translated—by W. E. B. Du Bois from 1894 to early 1906. They show the first formulations of some of his most famous ideas, namely, "the veil," "double-consciousness," and the "problem of the color line." Moreover, the deep historical sense of the formation of the modern world that informs Du Bois's thought and gave rise to his understanding of "the problem of the color line" is on display here. Indeed, the essays constitute an essential companion to Du Bois's masterpiece published in 1903 as The Souls of Black Folk.The collection is based on two editorial principles: presenting the essays in their entirety and in strict chronological order. Copious annotation affords both student and mature scholar an unprecedented grasp of the range and depth of Du Bois's everyday intellectual and scholarly reference.These essays commence at the moment of Du Bois's return to the United States from two years of graduate-level study in Europe at the University of Berlin. At their center is the moment of Du Bois's first full, self-reflexive formulation of a sense of vocation: as a student and scholar in the pursuit of the human sciences (in their still-nascent disciplinary organization—that is, the institutionalization of a generalized "sociology" or general "ethnology"), as they could be brought to bear on the study of the situation of the so-called Negro question in the United States in all of its multiply refracting dimensions. They close with Du Bois's realization that the commitments orienting his work and intellectual practice demanded that he move beyond the institutional frames for the practice of the human sciences.The ideas developed in these early essays remained the fundamental matrix for the ongoing development of Du Bois's thought. The essays gathered here will therefore serve as the essential reference for those seeking to understand the most profound registers of this major American thinker.

Examines the thought of W. E. B. Du Bois, with attention to its potential for reorienting present-day critical theory and political philosophy.Widely known for his probing analysis of W. E. B. Du Bois's early work, in this book Nahum Dimitri Chandler references writing from across the whole of Du Bois's long career, while bringing sharp focus on two later texts issued in the immediate aftermath of World War II-Color and Democracy: Colonies and Peace and The World and Africa: An Inquiry into the Part which Africa Has Played in World History. In these texts, "the problem of the color line," which Du Bois had already characterized as the problem not only of the twentieth century, but of the modern epoch as a whole, is further figured as a global problem, as a horizon linking the contemporary conjuncture of the history of modern systems of enslavement with the ongoing impact of modern colonialism and imperialism on the world's possible futures. On this line of thought, Chandler proposes that the name of "Africa" is a theoretical metaphor that enables a hyperbolic re-narrativization of modern historicity. Du Bois thus emerges as an exemplary thinker of history and hope for the world beyond the limit of the present.

Examines the thought of W. E. B. Du Bois, with attention to its potential for reorienting present-day critical theory and political philosophy.Widely known for his probing analysis of W. E. B. Du Bois's early work, in this book Nahum Dimitri Chandler references writing from across the whole of Du Bois's long career, while bringing sharp focus on two later texts issued in the immediate aftermath of World War II-Color and Democracy: Colonies and Peace and The World and Africa: An Inquiry into the Part which Africa Has Played in World History. In these texts, "the problem of the color line," which Du Bois had already characterized as the problem not only of the twentieth century, but of the modern epoch as a whole, is further figured as a global problem, as a horizon linking the contemporary conjuncture of the history of modern systems of enslavement with the ongoing impact of modern colonialism and imperialism on the world's possible futures. On this line of thought, Chandler proposes that the name of "Africa" is a theoretical metaphor that enables a hyperbolic re-narrativization of modern historicity. Du Bois thus emerges as an exemplary thinker of history and hope for the world beyond the limit of the present.

In “Beyond This Narrow Now” Nahum Dimitri Chandler shows that the premises of W. E. B. Du Bois's thinking at the turn of the twentieth century stand as fundamental references for the whole itinerary of his thought. Opening with a distinct approach to the legacy of Du Bois, Chandler proceeds through a series of close readings of Du Bois's early essays, previously unpublished or seldom studied, with discrete annotations of The Souls of Black Folk: Essays and Sketches of 1903, elucidating and elaborating basic epistemological terms of his thought. With theoretical attention to how the African American stands as an example of possibility for Du Bois and renders problematic traditional ontological thought, Chandler also proposes that Du Bois's most well-known phrase-“the problem of the color line”-sustains more conceptual depth than has yet been understood, with pertinence for our accounts of modern systems of enslavement and imperial colonialism and the incipient moments of modern capitalization. Chandler's work exemplifies a more profound engagement with Du Bois, demonstrating that he must be re-read, appreciated, and studied anew as a philosophical writer and thinker contemporary to our time.

In “Beyond This Narrow Now” Nahum Dimitri Chandler shows that the premises of W. E. B. Du Bois's thinking at the turn of the twentieth century stand as fundamental references for the whole itinerary of his thought. Opening with a distinct approach to the legacy of Du Bois, Chandler proceeds through a series of close readings of Du Bois's early essays, previously unpublished or seldom studied, with discrete annotations of The Souls of Black Folk: Essays and Sketches of 1903, elucidating and elaborating basic epistemological terms of his thought. With theoretical attention to how the African American stands as an example of possibility for Du Bois and renders problematic traditional ontological thought, Chandler also proposes that Du Bois's most well-known phrase-“the problem of the color line”-sustains more conceptual depth than has yet been understood, with pertinence for our accounts of modern systems of enslavement and imperial colonialism and the incipient moments of modern capitalization. Chandler's work exemplifies a more profound engagement with Du Bois, demonstrating that he must be re-read, appreciated, and studied anew as a philosophical writer and thinker contemporary to our time.

In Annotations Nahum Dimitri Chandler offers a philosophical interpretation of W. E. B. Du Bois’s 1897 American Negro Academy address, “The Conservation of Races.” Chandler approaches Du Bois as a generative and original philosophical thinker-writer on the status and historical implication of matters of human difference, both the fact of and the very idea thereof. Chandler proposes both a close reading of Du Bois’s engagement of the concept of so-called race and a deep meditation on Du Bois’s conceptualization of historicity in general. He elaborates on the way Du Bois’s thought in this address can give an account of the organization of the historicity that yields the emergence of something like the African American, at once with its own internal dimensions and yet also as an originary articulation of forces and possibilities that have world historical implications. Chandler refigures Du Bois’s thought as a vital theoretical resource for rethinking our concepts of differences among humans and, so too, our understanding of modern historicity itself.

In Annotations Nahum Dimitri Chandler offers a philosophical interpretation of W. E. B. Du Bois’s 1897 American Negro Academy address, “The Conservation of Races.” Chandler approaches Du Bois as a generative and original philosophical thinker-writer on the status and historical implication of matters of human difference, both the fact of and the very idea thereof. Chandler proposes both a close reading of Du Bois’s engagement of the concept of so-called race and a deep meditation on Du Bois’s conceptualization of historicity in general. He elaborates on the way Du Bois’s thought in this address can give an account of the organization of the historicity that yields the emergence of something like the African American, at once with its own internal dimensions and yet also as an originary articulation of forces and possibilities that have world historical implications. Chandler refigures Du Bois’s thought as a vital theoretical resource for rethinking our concepts of differences among humans and, so too, our understanding of modern historicity itself.

In “Beyond This Narrow Now” Nahum Dimitri Chandler shows that the premises of W. E. B. Du Bois''s thinking at the turn of the twentieth century stand as fundamental references for the whole itinerary of his thought. Opening with a distinct approach to the legacy of Du Bois, Chandler proceeds through a series of close readings of Du Bois''s early essays, previously unpublished or seldom studied, with discrete annotations of The Souls of Black Folk: Essays and Sketches of 1903, elucidating and elaborating basic epistemological terms of his thought. With theoretical attention to how the African American stands as an example of possibility for Du Bois and renders problematic traditional ontological thought, Chandler also proposes that Du Bois''s most well-known phrase—“the problem of the color line”—sustains more conceptual depth than has yet been understood, with pertinence for our accounts of modern systems of enslavement and imperial colonialism and the incipient moments of modern capitalization. Chandler''s work exemplifies a more profound engagement with Du Bois, demonstrating that he must be re-read, appreciated, and studied anew as a philosophical writer and thinker contemporary to our time.

In Annotations Nahum Dimitri Chandler offers a philosophical interpretation of W. E. B. Du Bois’s 1897 American Negro Academy address, “The Conservation of Races.” Chandler approaches Du Bois as a generative and original philosophical thinker-writer on the status and historical implication of matters of human difference, both the fact of and the very idea thereof. Chandler proposes both a close reading of Du Bois’s engagement of the concept of so-called race and a deep meditation on Du Bois’s conceptualization of historicity in general. He elaborates on the way Du Bois’s thought in this address can give an account of the organization of the historicity that yields the emergence of something like the African American, at once with its own internal dimensions and yet also as an originary articulation of forces and possibilities that have world historical implications. Chandler refigures Du Bois’s thought as a vital theoretical resource for rethinking our concepts of differences among humans and, so too, our understanding of modern historicity itself.

In The Possible Form of an Interlocution, Nahum Dimitri Chandler provides an epistemological and theoretical elaboration of the correspondence between W. E. B. Du Bois and Max Weber in 1904 and 1905. Their interlocution took place under the heading of Du Bois’s famous formulation “the problem of the color line.” This study takes as its incipient reference Weber’s statement to Du Bois that “I am absolutely convinced that the ‘color-line’ problem will be the paramount problem of the time to come, here and everywhere in the world.” Chandler provides a concise statement of Du Bois’s idea of “the problem of the color line” as a general formulation for understanding African American matters within modern historicity on a worldwide scale. He then examines Weber’s earliest writings to understand in just what way “the ‘color-line’ problem," served as a problematization for Weber in both his thought and itinerary, across the 1890s and through the time of his interlocution with Du Bois