Nancy Erber – författare

Eight gay men wrote their autobiographies in French between 1845 and 1905;  some of them reflected on their childhood, adolescence, and adulthood, others provided brief impressions of their loves and desires. A few of them dramatized their lives following contemporary theatrical and fictional models, while others wrote for medical doctors, who used the men's writings as case studies to illustrate their theories on sexual deviance. In some instances the doctors' extensive interpretations cannot be separated from the men's own stories, but in others the authors speak for themselves. The remarkable autobiographies in Queer Lives, translated into English for the first time here, give present-day readers a rare glimpse into otherwise shrouded existences. They relate the experiences of a man about town, a cross-dressing entertainer, a troubled adolescent, and two fetishists, among others. The autobiographies will interest a wide audience today at a time when readers are seeking new views on the lives of ordinary men and women from the past, when gay people are looking for the roots of their communities, and when scholars are trying to understand the formation of sexual identities at a crucial moment in the history of modern Europe.

At the turn of the century, a spate of sensational trials kept French and English readers spellbound and ignited bitter tugs of war over marriage and divorce laws, women's rights, temperance, gay prostitution, and lesbian literature. The chapters in Disorder in the Court each focus on a specific high-profile trial, and the public debates surrounding it, in order to address the role of the state in regulating sexual morality. The authors draw on police archives, records of coroners' inquests, magistrates' courts, and news coverage to bring to life social conflicts sparked by differing ideologies of class, gender, and sexuality. Also explored is the role of the police and 'scientific' methods of criminology in an era when working class marital conflicts were resolved by an axe blow, unwanted middle class spouses were dispatched with an arsenic diet, and government agents scanned sensational novels or loitered in Paris urinals in search of vice.

Raffalovich's 1896 magnum opus of sexology, Uranism and Unisexuality (never before translated into English until now), provides an ethical justification for same-sex desire. Drawing on cross-cultural and transhistorical narratives, the gentleman scholar argues for the rights of the homosexual in society and its responsibility to him.

In 1857 the French poet Charles Baudelaire, who was fascinated by lesbianism, created a scandal with Les Fleurs du Mal [The Flowers of Evil]. This collection was originally entitled "The Lesbians" and described women as "femmes damnees," with "disordered souls" suffering in a hypocritical world. Then twenty years later, lesbians in Paris dared to flaunt themselves in that extraordinarily creative period at the turn of the 19th and 20th centuries which became known as the Belle Epoque. Lesbian Decadence, now available in English for the first time, provides a new analysis and synthesis of the depiction of lesbianism as a social phenomenon and a symptom of social malaise as well as a fantasy in that most vibrant place and period in history. In this newly translated work, praised by leading critics as "authoritative," "stunning," and "a marvel of elegance and erudition," Nicole G. Albert analyzes and synthesizes an engagingly rich sweep of historical representations of the lesbian mystique in art and literature.Albert contrasts these visions to moralists' abrupt condemnations of "the lesbian vice," as well as the newly emerging psychiatric establishment's medical fury and their obsession on cataloging and classifying symptoms of "inversion" or "perversion" in order to cure these "unbalanced creatures of love." Lesbian Decadence combines literary, artistic, and historical analysis of sources from the mainstream to the rare, from scholarly studies to popular culture. The English translation provides a core reference/text for those interested in the Decadent movement, in literary history, in French history and social history. It is well suited for courses in gender studies, women's studies, LGBT history, and lesbianism in literature, history, and art.