Nancy Spector – författare

Drs. Robert Wachter and Lee Goldman coined the term hospitalist in their New England Journal of Medicine article in 1996. Hospital Medicine is now the fastest growing medical specialty in the United States, due in part to the evolution of inpatient care. In this issue, the Guest Editor, Dr. Nancy Spector, and Consulting Editor Dr. Bonita Stanton, have assembled expert authors to examine the changing nature of inpatient care, including the major movements and trends that have influenced hospital-based practice, patient centered care, and education in this clinical learning environment. Articles are focused on the following: Quality of Care and Quality Improvement; Evidence-based Medicine; Patient Outcomes and Metrics; Inter-professional Teams; Handoffs; Patient Centeredness; Communication with Patients; Health Literacy; Bedside Rounds; Education in the Inpatient; Clinical Learning Environment and Workplace-based Assessment; Simulation in Medical Education; Feedback; Bedside Teaching and Learning; and Hospital Medicine: State of the Specialty, Looking Forward. The intended audience for this issue are frontline providers that provide care in community hospitals and faculty in academic medical centers. Pediatricians will come away with the information they need to improve patient outcomes with evidentiary support.

A revised and expanded edition of one the most popular titles in the Contemporary Artists SeriesBorn in Lebanon, Palestinian artist Mona Hatoum was exiled to London, where she has lived and worked since the mid-1970s. Through performance, video, sculpture, and installation, she creates architectonic spaces that relate to the body, language, and the condition of exile as well as transforming everyday, domestic objects into things foreign, threatening, and dangerous. Often exquisitely beautiful, Hatoum’s works combine states of emotion and longing with the formal simplicity of Minimalism, creating powerful evocations of displacement, denial, and otherness.

The Guggenheim Museum’s sold-out publication Maurizio Cattelan: All is returning to print. Hailed as a provocateur, prankster and tragic poet of our times, Maurizio Cattelan (born 1960, Padua, Italy) has created some of the most unforgettable images in contemporary art – most notoriously `The Ninth Hour’ (1999), a sculpture of Pope John Paul II struck by a meteorite. Derived from popular culture, history and organized religion, Cattelan’s subjects range widely, and his work, while bold and irreverent, is deadly serious in its scathing cultural critiques. The second edition of All updates the catalogue that accompanied the Solomon R. Guggenheim Museum’s 2011–12 retrospective survey of the artist. For this exhibition, Cattelan sidestepped the totalizing effect of a retrospective by devising a site-specific installation in which his entire oeuvre was suspended from the oculus of the museum’s iconic rotunda. This book offers an equally unique response to the conventions of the catalogue. It is a faux-leather-bound hardcover with gold stamping and thin paper that is designed to resemble an old textbook or bible. The volume details almost every work of Cattelan’s from the late 1980s to the present within a double-column page format, featuring full-colour reproductions and accompanying entries. The revised edition describes the artist’s return to art making after a five-year `retirement’ with a special, ongoing project opening at the Guggenheim in May 2016. It also features a redesigned cover and installation images of the exhibition All. Nancy Spector has augmented her critical overview of Cattelan – which documents not only his artistic output but also his ongoing activities as a curator, editor and publisher – with a new coda. Since its original publication, All has become the Cattelan bible, and this revised edition exploring the latest chapter of the artist’s influential career ensures it will remain the definitive source on his work for years to come.

This revised and redesigned edition of the Guggenheim Museum’s guide to its New York collection is a concise primer on art of the late 19th to the early 21st centuries Revised, updated, and completely redesigned, the fourth edition of the Guggenheim Museum’s popular guide to its New York collection is a beautifully produced volume, not only a handy overview of the museum’s holdings but also a concise, engaging primer on the art of the late 19th through the early 21st centuries. Organized alphabetically, the book consists of entries on more than 170 of the most important paintings, sculptures, photographs, videos, site-specific installations, and other works in the collection by artists from Marina Abramovic to Maurizio Cattelan to Julie Mehretu to Gilberto Zorio. Also included are definitions of key terms and concepts of modern art, from “Appropriation” to “Non-Objective” to “Postcolonial” and beyond. The Guggenheim Museum Collection is beloved for this wealth of masterpieces by leading modern artists, such as Marc Chagall, Vasily Kandinsky, and Pablo Picasso. Reflecting the recent growth in the collection, this edition of the guide includes new entries on Romare Bearden, Tacita Dean, Cao Fei, David Hammons, Catherine Opie and Adrian Piper, among many others. The text is by the museum’s curators as well as prominent authors and scholars, including Homi Bhabha, Tom Crow, Nikki Greene and Jeffrey Schnapp.

The definitive publication on one of America’s most influential contemporary artists, revised and updated almost two decades after its publicationFelix Gonzalez-Torres uniquely blended the personal and the political in rigorously conceptual and purposely mutable work that is highly relevant today.Almost two decades after its original publication, the monograph accompanying Gonzalez-Torres’s 1995 retrospective at the Guggenheim Museum is still the canonical text on the artist. Phaidon is proud to publish a newly revised and expanded edition of this art-world cult classic. Felix Gonzalez-Torres is the first and only book to thematically explore the totality of the artist’s oeuvre, reading it against the backdrop of 1990s artistic production and arguing for its cultural, social, and political relevancy, then and now.