Nancy Wood – författare

This timely volume charts the discussions and debates which have led to the rediscovery of "Central Europe" within the political cultures of Eastern and Western Europe alike. From various historical, economic, cultural and political perspectives, the volume's contributors offer an appraisal of the distinctive features of a Central European identity and its relevance to contemporary European thought and politics. Contents: Central Europe: Definitions Old and New; What is Europe, Where is Europe? From Mystique to Politique; The Meaning of the Social Evolution of Europe; Central Europe: A Historical Region in Modern Times: A Contribution to the Debate About the Regions of Europe; Intellectuals in East-Central Europe: Continuity and Change; We, Central-European East Europeans; The European Ideal: Reality or Wishful Thinking in Eastern-Central Europe?; Central European Attitudes; Central European Writers About Central Europe: Introduction to a Non-Existent Book of Readings; Milan Kundera's Lament; ; Central Europe: What It Is and What It Is Not; Another Civilization? An Other Civilization?; Is the Russian Intelligentsia European?; Who Excluded Russia From Europe?; Which Way Back to Europe?; Central Europe Seen From the East of Europe; Does Central Europe Exist?

This title explores the close and vital relationship between the contemporary media and immigration. Drawing on newspapers, magazines, film, television and photography, the contributors examine the effects of mass media on migration behaviour and ethnic identity. Using examples from a range of countries, Media and Migration illustrates how the media intervenes to affect the reception migrants receive, how it stimulates prospective migrants to move and how it plays a dynamic role in the cultural politics and cultural identity of diasporic communities.

This work maps the rich, varied cinema of Eastern Europe, Russia and the former USSR. Over 200 entries cover a variety of topics spanning a century of endeavour and turbulent history from Czech animation to Soviet montage, from the silent cinemas dating back to World War I through to the varied responses to the conflicts in the former Yugoslavia. It includes entries on actors and actresses, film festivals, studios, genres, directors, film movements, critics, producers and technicians, taking the coverage up to the late 1990s. In addition to the historical material of key figures like Eisenstein and Wadja, the editors provide separate accounts of the trajectory of the cinemas of Eastern Europe and of Russia in the wake of the collapse of communism.

Due to its potent mix of triumph and controversy, the Liberation of France from Nazi Occupation continues to reverberate in the post-war politics and culture of France. Presenting new research by leading specialists in the fields of history, literature and film studies, this stimulating volume is the very best in interdisciplinary scholarship and will define the subject for years to come. It situates the Liberation in the broadest possible context of image and event and incorporates subtle layers of ambiguity. Gender issues are given prominence and the challenging task of examining the ideas and reality of liberation for French people lends the book its originality and purpose.

Due to its potent mix of triumph and controversy, the Liberation of France from Nazi Occupation continues to reverberate in the post-war politics and culture of France. Presenting new research by leading specialists in the fields of history, literature and film studies, this stimulating volume is the very best in interdisciplinary scholarship and will define the subject for years to come. It situates the Liberation in the broadest possible context of image and event and incorporates subtle layers of ambiguity. Gender issues are given prominence and the challenging task of examining the ideas and reality of liberation for French people lends the book its originality and purpose.

The topic of memory has shot to prominence in recent years, engaging the attention of academics and a wider public alike. This is partly due to a spate of anniversaries and commemorations of events, such as the Holocaust and the Second World War, whose significance for the present is affirmed even as their meanings continue to be debated. In Germany and France, contested memories, representations and commemorations of this period have become virtually a defining feature of their respective political cultures. Equally contested are France's memories of a decolonization process whose legacy still makes its presence felt in the political landscape. This book uses the concept of 'vectors' of memory to designate the conduits of that memorial activity, and examines in detail a range of vectors - historiography, war crimes trials, novels and films - that have focused public attention and debate in this era of so-called 'commemorative obsession'. More than a descriptive summary of such developments, the author elucidates the identity politics that is being expressed through these channels.In the course of these investigations, concepts such as 'sites of memory', 'testimony', and 'trauma' - much invoked in recent work on 'collective memory' - are critically examined in a number of historical, juridical and representational contexts.Interdisciplinary in its scope and in the manner in which it bridgeshistoriographical and cultural analysis, this book will appeal tostudents and scholars of history, cultural and media studies, French and German political culture, Holocaust studies and postcolonialism.

The topic of memory has shot to prominence in recent years, engaging the attention of academics and a wider public alike. This is partly due to a spate of anniversaries and commemorations of events, such as the Holocaust and the Second World War, whose significance for the present is affirmed even as their meanings continue to be debated. In Germany and France, contested memories, representations and commemorations of this period have become virtually a defining feature of their respective political cultures. Equally contested are France's memories of a decolonization process whose legacy still makes its presence felt in the political landscape. This book uses the concept of 'vectors' of memory to designate the conduits of that memorial activity, and examines in detail a range of vectors - historiography, war crimes trials, novels and films - that have focused public attention and debate in this era of so-called 'commemorative obsession'. More than a descriptive summary of such developments, the author elucidates the identity politics that is being expressed through these channels.In the course of these investigations, concepts such as 'sites of memory', 'testimony', and 'trauma' - much invoked in recent work on 'collective memory' - are critically examined in a number of historical, juridical and representational contexts.Interdisciplinary in its scope and in the manner in which it bridgeshistoriographical and cultural analysis, this book will appeal tostudents and scholars of history, cultural and media studies, French and German political culture, Holocaust studies and postcolonialism.