Nanno Marinatos – författare

Ancient Minoan culture has been typically viewed as an ancestor of classical Greek civilization, but this book shows that Minoan Crete was on the periphery of a powerfully dynamic cultural interchange with its neighbors. Rather than viewing Crete as the autochthonous ancestor of Greece's glory, Nanno Marinatos considers ancient Crete in the context of its powerful competitors to the east and south.Analyzing the symbols of the Minoan theocratic system and their similarities to those of Syria, Anatolia, and Egypt, Marinatos unlocks many Minoan visual riddles and establishes what she calls a "cultural koine," or standard set of cultural assumptions, that circulated throughout the Near East and the eastern Mediterranean at the time Minoan civilization reached its peak. With more than one hundred and fifty illustrations, Minoan Kingship and the Solar Goddess delivers a comprehensive reading of Minoan art as a system of thought.

Ancient Minoan culture has been typically viewed as an ancestor of classical Greek civilization, but this book shows that Minoan Crete was on the periphery of a powerfully dynamic cultural interchange with its neighbors. Rather than viewing Crete as the autochthonous ancestor of Greece's glory, Nanno Marinatos considers ancient Crete in the context of its powerful competitors to the east and south.Analyzing the symbols of the Minoan theocratic system and their similarities to those of Syria, Anatolia, and Egypt, Marinatos unlocks many Minoan visual riddles and establishes what she calls a "cultural koine," or standard set of cultural assumptions, that circulated throughout the Near East and the eastern Mediterranean at the time Minoan civilization reached its peak. With more than one hundred and fifty illustrations, Minoan Kingship and the Solar Goddess delivers a comprehensive reading of Minoan art as a system of thought.

The history of Greek sanctuaries reflects the development of ancient Greek culture and civilization. Traditionally studies of sanctuaries have been mainly descriptive, with much emphasis on the architectural features. This collection rakes a wider view. The articles, all by archaeologists or historians of religion, explore the ongm and development of sanctuaries through detailed investigations of some of the most major and some less well-known sites. They stress the social significance of sanctuaries, as well as the important role they played within particular cults. Greek Sanctuaries: New Approaches is important and engaging reading for students of ancient Greek history or archaeology. Ir will also be of interest to people visiting the sites.

The history of Greek sanctuaries reflects the development of ancient Greek culture and civilization. Traditionally studies of sanctuaries have been mainly descriptive, with much emphasis on the architectural features. This collection rakes a wider view. The articles, all by archaeologists or historians of religion, explore the ongm and development of sanctuaries through detailed investigations of some of the most major and some less well-known sites. They stress the social significance of sanctuaries, as well as the important role they played within particular cults. Greek Sanctuaries: New Approaches is important and engaging reading for students of ancient Greek history or archaeology. Ir will also be of interest to people visiting the sites.

First Published in 2004. Naked Goddesses can take on various forms: mistresses of animals, seductresses, fertility figures, even monsters. Nudity, however, has a consistent message: power. This book explores the power of naked females in the art of the Levant and Early Greece, tracing the path and transformation of these magical symbols from their place of origin to Crete and the mainland. The Goddess and the Warrior presents a stimulating, provocative and lavishly illustrated analysis of the role of the naked goddess and the mistress of the animals within Greek Religion.

A stimulating, provocative and lavishly illustrated analysis of the role of the naked goddess and the mistress of the animals within Greek religion. This book explores the power of naked females in the art of the Levant and Greece.

Before Sir Arthur Evans, the principal object of Greek prehistoric archaeology was the reconstruction of history in relation to myth. European travellers to Greece viewed its picturesque ruins as the gateway to mythical times, while Heinrich Schliemann, at the end of the nineteenth century, allegedly uncovered at Troy and Mycenae the legendary cities of the Homeric epics. It was Evans who, in his controversial excavations at Knossos, steered Aegean archaeology away from Homer towards the broader Mediterranean world. Yet in so doing he is thought to have done his own inventing, recreating the Cretan Labyrinth via the Bronze Age myth of the Minotaur. Nanno Marinatos challenges the entrenched idea that Evans was nothing more than a flamboyant researcher who turned speculation into history. She argues that Evans was an excellent archaeologist, one who used scientific observation and classification. Evans's combination of anthropology, comparative religion and analysis of cultic artefacts enabled him to develop a bold new method which Sir James Frazer called 'mental anthropology'.It was this approach that led him to propose remarkable ideas about Minoan religion, theories that are now being vindicated as startling new evidence comes to light. Examining the frescoes from Akrotiri, on Santorini, that are gradually being restored, the author suggests that Evans's hypothesis of one unified goddess of nature is the best explanation of what they signify. Evans was in 1901 ahead of his time in viewing comparable Minoan scenes as a blend of ritual action and mythic imagination. Nanno Marinatos is a leading authority on Minoan religion. In this latest book she combines history, archaeology and myth to bold and original effect, offering a wholly new appraisal of Evans and the significance of his work. Sir Arthur Evans and Minoan Crete will be essential reading for all students of Minoan civilization, as well as an irresistible companion for travellers to Crete.

Before Sir Arthur Evans, the principal object of Greek prehistoric archaeology was the reconstruction of history in relation to myth. European travellers to Greece viewed its picturesque ruins as the gateway to mythical times, while Heinrich Schliemann, at the end of the nineteenth century, allegedly uncovered at Troy and Mycenae the legendary cities of the Homeric epics. It was Evans who, in his controversial excavations at Knossos, steered Aegean archaeology away from Homer towards the broader Mediterranean world. Yet in so doing he is thought to have done his own inventing, recreating the Cretan Labyrinth via the Bronze Age myth of the Minotaur. Nanno Marinatos challenges the entrenched idea that Evans was nothing more than a flamboyant researcher who turned speculation into history. She argues that Evans was an excellent archaeologist, one who used scientific observation and classification. Evans's combination of anthropology, comparative religion and analysis of cultic artefacts enabled him to develop a bold new method which Sir James Frazer called 'mental anthropology'.It was this approach that led him to propose remarkable ideas about Minoan religion, theories that are now being vindicated as startling new evidence comes to light. Examining the frescoes from Akrotiri, on Santorini, that are gradually being restored, the author suggests that Evans's hypothesis of one unified goddess of nature is the best explanation of what they signify. Evans was in 1901 ahead of his time in viewing comparable Minoan scenes as a blend of ritual action and mythic imagination. Nanno Marinatos is a leading authority on Minoan religion. In this latest book she combines history, archaeology and myth to bold and original effect, offering a wholly new appraisal of Evans and the significance of his work. Sir Arthur Evans and Minoan Crete will be essential reading for all students of Minoan civilization, as well as an irresistible companion for travellers to Crete.

The history of Greek sanctuaries reflects the development of ancient Greek culture and civilization. Traditionally studies of sanctuaries have been mainly descriptive, with much emphasis on the architectural features. This collection rakes a wider view. The articles, all by archaeologists or historians of religion, explore the ongm and development of sanctuaries through detailed investigations of some of the most major and some less well-known sites. They stress the social significance of sanctuaries, as well as the important role they played within particular cults. Greek Sanctuaries: New Approaches is important and engaging reading for students of ancient Greek history or archaeology. Ir will also be of interest to people visiting the sites.

The history of Greek sanctuaries reflects the development of ancient Greek culture and civilization. Traditionally studies of sanctuaries have been mainly descriptive, with much emphasis on the architectural features. This collection rakes a wider view. The articles, all by archaeologists or historians of religion, explore the ongm and development of sanctuaries through detailed investigations of some of the most major and some less well-known sites. They stress the social significance of sanctuaries, as well as the important role they played within particular cults. Greek Sanctuaries: New Approaches is important and engaging reading for students of ancient Greek history or archaeology. Ir will also be of interest to people visiting the sites.

Before Sir Arthur Evans, the principal object of Greek prehistoric archaeology was the reconstruction of history in relation to myth. European travellers to Greece viewed its picturesque ruins as the gateway to mythical times, while Heinrich Schliemann, at the end of the nineteenth century, allegedly uncovered at Troy and Mycenae the legendary cities of the Homeric epics. It was Evans who, in his controversial excavations at Knossos, steered Aegean archaeology away from Homer towards the broader Mediterranean world. Yet in so doing he is thought to have done his own inventing, recreating the Cretan Labyrinth via the Bronze Age myth of the Minotaur. Nanno Marinatos challenges the entrenched idea that Evans was nothing more than a flamboyant researcher who turned speculation into history. She argues that Evans was an excellent archaeologist, one who used scientific observation and classification. Evans's combination of anthropology, comparative religion and analysis of cultic artefacts enabled him to develop a bold new method which Sir James Frazer called 'mental anthropology'.It was this approach that led him to propose remarkable ideas about Minoan religion, theories that are now being vindicated as startling new evidence comes to light. Examining the frescoes from Akrotiri, on Santorini, that are gradually being restored, the author suggests that Evans's hypothesis of one unified goddess of nature is the best explanation of what they signify. Evans was in 1901 ahead of his time in viewing comparable Minoan scenes as a blend of ritual action and mythic imagination. Nanno Marinatos is a leading authority on Minoan religion. In this latest book she combines history, archaeology and myth to bold and original effect, offering a wholly new appraisal of Evans and the significance of his work. Sir Arthur Evans and Minoan Crete will be essential reading for all students of Minoan civilization, as well as an irresistible companion for travellers to Crete.

This volume sheds new light on the religion of Minoan Crete through the presentation of thirteen articles by specialists in this field. The contributions provide important new information on ritual places and archaeological contexts, votive offerings and iconographic depictions of rituals and deities, as well as reconstructions of religious ceremonies, the meaning of symbols, and reflections of the spirituality of Minoan religion. Additionally, contributions deal with the nature of the deities, the debate on monotheism versus polytheism, and the interrelation of religion and political power. Although the focus of the book is on Neopalatial Crete, the collection also includes material from other periods and Aegean regions under Minoan influence. Through a dialogue with past interpretations and by using manifold methods and approaches, it reflects the progress made in the field of Minoan religion.