Naomi Jackson – författare

Two sisters are suddenly sent from their home in Brooklyn to Barbados to live with their grandmother, in this stunning debut novel This lyrical novel of community, betrayal, and love centers on an unforgettable matriarchal family in Barbados. Two sisters, ages ten and sixteen, are exiled from Brooklyn to Bird Hill in Barbados after their mother can no longer care for them. The young Phaedra and her older sister, Dionne, live for the summer of 1989 with their grandmother Hyacinth, a midwife and practitioner of the local spiritual practice of obeah.Dionne spends the summer in search of love, testing her grandmother’s limits, and wanting to go home. Phaedra explores Bird Hill, where her family has lived for generations, accompanies her grandmother in her role as a midwife, and investigates their mother’s mysterious life.This tautly paced coming-of-age story builds to a crisis when the father they barely know comes to Bird Hill to reclaim his daughters, and both Phaedra and Dionne must choose between the Brooklyn they once knew and loved or the Barbados of their family.Jackson’s Barbados and her characters are singular, especially the wise Hyacinth and the heartbreaking young Phaedra, who is coming into her own as a young woman amid the tumult of her family.Praise for The Star Side of Bird Hill“Jackson has written a first novel full of heart and heartbreak, a novel about going home, about the ties that bind three generations of women across years and despite absence. It is a bittersweet lesson in learning to recognize love.”—Ayana Mathis, author of The Twelve Tribes of Hattie (Oprah’s Book Club 2.0 selection)“Naomi Jackson has written a tender novel exploring the complexities of motherhood and childhood. The Star Side of Bird Hill holds together opposing elements—the book is quiet in the telling, but the story being told is sharp and vibrant. It is as much a story of the fears of childhood as it is a story about welcoming old age with optimism. A book that knows death and discovery. A book laced with pain but shimmering with hope. With care, the narrative addresses huge issues, such as mental illness, mortality, sexuality, and, at its very core, what it means to love another person as they are.”—Tiphanie Yanique, author of Land of Love and Drowning

Dance, Human Rights, and Social Justice: Dignity in Motion presents a wide-ranging compilation of essays, spanning more than 15 countries. Organized in four parts, the articles examine the regulation and exploitation of dancers and dance activity by government and authoritative groups, including abusive treatment of dancers within the dance profession; choreography involving human rights as a central theme; the engagement of dance as a means of healing victims of human rights abuses; and national and local social/political movements in which dance plays a powerful role in helping people fight oppression. These groundbreaking papers—both detailed scholarship and riveting personal accounts—encompass a broad spectrum of issues, from slavery and the Holocaust to the Bosnian and Rwandan genocides to the Israeli-Palestinian conflict; from First Amendment cases and the AIDS epidemic to discrimination resulting from age, gender, race, and disability. A range of academics, choreographers, dancers, and dance/movement therapists draw connections between refugee camp, courtroom, theater, rehearsal studio, and university classroom.

The Y located at 92nd Street and Lexington Avenue in New York City is the largest and oldest continuously operating YM-YWHA in the US. Many of the most important figures in modern dance premiered on its stage, but until now no one has thought to ask why this should have been so. As Naomi Jackson shows in Converging Movements, the Y's particular conception of Jewishness laid the groundwork for the establishment of a center for dance in the 1930s.William Kolodney, who served as the Y's education director from 1934 until 1969, expanded its educational and arts programming to include a great deal of nonsectarian material, and as Jackson shows, modern dance epitomized Kolodney's humanistic ideals regarding the uplifting role of the arts.Together with his dance advisors, most notably Doris Humphrey, John Martin, and Louis Horst, Kolodney oversaw a program characterized by a broad mix of Jewish and non-Jewish performers from Alvin Ailey, Katherine Dunham, and Ruth St. Denis to Anna Sokolow, José Limón, Erick Hawkins, Hanya Holm, Pearl Primus, and national and folk companies from Israel, the Philippines, Russia, Mexico, and elsewhere. Drawing on the Y's extensive archives and illustrated with rare photographs, Jackson's book locates modern dance at the heart of the Jewish encounter with America.