Naomi Lindstrom – författare

Jose de Alencar's prose-poem Iracema, first published in 1865, is a classic of Brazilian literature--perhaps the most widely-known piece of fiction within Brazil, and the most widely-read of Alencar's many works. Set in the sixteenth century, it is an extremely romantic portrayal of a doomed love between a Portuguese soldier and an Indian maiden. Iracema reflects the gingerly way that mid-nineteenth cenury Brazil dealt with race mixture and multicultural experience. Precisely because of its nineteenth-century romanticism, Iracema strongly contributed to a Brazilian sense of nationhood - contemporary Brazilian writers and literary critics still cite it as a foundation for their own work.

Jose de Alencar''s prose-poem Iracema, first published in 1865, is a classic of Brazilian literature--perhaps the most widely-known piece of fiction within Brazil, and the most widely-read of Alencar;s many works. Set in the sixteenth century, it is an extremely romantic portrayal of a doomed live between a Portuguese soldier and an Indian maiden. Iracema reflects the gingerly way that mid-nineteenth century Brazil dealt with race mixture and multicultural experience. Precisely because of its nineteenth-century romanticism, Iracema strongly contributed to a Brazilian sense of nationhood--contemporary Brazilian writers and literary critics still cite it as a foundation for their own work.

Jose de Alencar''s prose-poem Iracema, first published in 1865, is a classic of Brazilian literature--perhaps the most widely-known piece of fiction within Brazil, and the most widely-read of Alencar;s many works. Set in the sixteenth century, it is an extremely romantic portrayal of a doomed live between a Portuguese soldier and an Indian maiden. Iracema reflects the gingerly way that mid-nineteenth century Brazil dealt with race mixture and multicultural experience. Precisely because of its nineteenth-century romanticism, Iracema strongly contributed to a Brazilian sense of nationhood--contemporary Brazilian writers and literary critics still cite it as a foundation for their own work.

The world discovered Latin American literature in the twentieth century, but the roots of this rich literary tradition reach back beyond Columbus's discovery of the New World. The great pre-Hispanic civilizations composed narrative accounts of the acts of gods and kings. Conquistadors and friars, as well as their Amerindian subjects, recorded the clash of cultures that followed the Spanish conquest. Three hundred years of colonization and the struggle for independence gave rise to a diverse body of literature-including the novel, which flourished in the second half of the nineteenth century. To give everyone interested in contemporary Spanish American fiction a broad understanding of its literary antecedents, this book offers an authoritative survey of four centuries of Spanish American narrative. Naomi Lindstrom begins with Amerindian narratives and moves forward chronologically through the conquest and colonial eras, the wars for independence, and the nineteenth century. She focuses on the trends and movements that characterized the development of prose narrative in Spanish America, with incisive discussions of representative works from each era. Her inclusion of women and Amerindian authors who have been downplayed in other survey works, as well as her overview of recent critical assessments of early Spanish American narratives, makes this book especially useful for college students and professors.

Spanish American fiction became a world phenomenon in the twentieth century through multilanguage translations of such novels as Gabriel Garcia Marquez's One Hundred Years of Solitude, Manuel Puig's Kiss of the Spider Woman, Octavio Paz's Labyrinth of Solitude, and Isabel Allende's House of the Spirits. Yet these "blockbusters" are only a tiny fraction of the total, rich outpouring of Spanish-language literature from Latin America.In this book, Naomi Lindstrom offers English-language readers a comprehensive survey of the century's literary production in Latin America (excluding Brazil). Discussing movements and trends, she places the famous masterworks in historical perspective and highlights authors and works that deserve a wider readership. Her study begins with RodÓ's famous essay Ariel and ends with Rigoberta MenchÚ's 1992 achievement of the Nobel Prize. Her selection of works is designed to draw attention, whenever possible, to works that are available in good English translations.A special feature of the book is its treatment of the "postboom" period. In this important concluding section, Lindstrom discusses documentary narratives, the new interrelations between popular culture and literary writing, and underrepresented groups such as youth cultures, slum dwellers, gays and lesbians, and ethnic enclaves. Written in accessible, nonspecialized language, Twentieth-Century Spanish American Fiction will be equally useful for general readers as a broad overview of this vibrant literature and for scholars as a reliable reference work.