Naomi McAreavey – författare

Women’s Life Writing and Early Modern Ireland provides an original perspective on both new and familiar texts in this first critical collection to focus on seventeenth-century women’s life writing in a specifically Irish context. By shifting the focus away from England-even though many of these writers would have identified themselves as English-and making Ireland and Irishness the focus of their essays, the contributors resituate women’s narratives in a powerful and revealing landscape.This volume addresses a range of genres, from letters to book marginalia, and a number of different women, from now-canonical life writers such as Mary Rich and Ann Fanshawe to far less familiar figures such as Eliza Blennerhassett and the correspondents and supplicants of William King, archbishop of Dublin. The writings of the Boyle sisters and the Duchess of Ormonde-women from the two most important families in seventeenth-century Ireland-also receive a thorough analysis. These innovative and nuanced scholarly considerations of the powerful influence of Ireland on these writers’ construction of self, provide fresh, illuminating insights into both their writing and their broader cultural context.

This book explores how different kinds of traumatic wartime experiences were remembered and recorded by survivors of the Irish rebellion of 1641. A literary-critical methodology is used to re-examine the 1641 Depositions, a collection of approximately 8,000 testimonies of mostly Protestant settler-colonists of English and Scottish descent who recorded their experiences of the Irish rebellion in the 1640s and 1650s.Through a series of thematic chapters, the book establishes: first, that there were distinctive ways in which the different experiences of exposure, hunger, sexual violence, burning, and drowning were remembered by deponents; and second, that these memories were shaped by the material, social, cultural, religious, and political conditions of colonial Ireland and the victims’ lived experiences of gender, age, socio-economic status, ethnicity, and religion. The book makes the case that attending to these different kinds of traumatic expression gives us a more nuanced understanding of the workings of traumatic memory and recall in the early modern period as well as a richer understanding of survivors’ lived experience of colonial conflict.Survivor Testimonies of the Irish Rebellion of 1641 is the perfect resource for scholars and students of early modern history, literature, memory studies, trauma studies and Irish history.

This book explores how different kinds of traumatic wartime experiences were remembered and recorded by survivors of the Irish rebellion of 1641. A literary-critical methodology is used to re-examine the 1641 Depositions, a collection of approximately 8,000 testimonies of mostly Protestant settler-colonists of English and Scottish descent who recorded their experiences of the Irish rebellion in the 1640s and 1650s.Through a series of thematic chapters, the book establishes: first, that there were distinctive ways in which the different experiences of exposure, hunger, sexual violence, burning, and drowning were remembered by deponents; and second, that these memories were shaped by the material, social, cultural, religious, and political conditions of colonial Ireland and the victims’ lived experiences of gender, age, socio-economic status, ethnicity, and religion. The book makes the case that attending to these different kinds of traumatic expression gives us a more nuanced understanding of the workings of traumatic memory and recall in the early modern period as well as a richer understanding of survivors’ lived experience of colonial conflict.Survivor Testimonies of the Irish Rebellion of 1641 is the perfect resource for scholars and students of early modern history, literature, memory studies, trauma studies and Irish history.

This volume is the first to bring together the entire extant correspondence of one of the most significant women in early modern Ireland, Elizabeth Butler, first Duchess of Ormonde. She was the wife of James Butler, twelfth Earl and first Duke of Ormonde, who, as Ireland’s only duke and three times its lord lieutenant, was a figure of considerable importance in seventeenth-century Ireland. But far from being overshadowed by her powerful husband, Butler was a person of significant power and influence in her own right. Descended from the tenth Earl of Ormonde, she brought a hefty portion of the Ormonde estate to the marriage. As Countess, Marchioness, then Duchess of Ormonde, as well as three times vicereine and a high-status courtier, she sat at the pinnacle of Irish and English society, unmatched by any other Irish woman of the period in terms of her wealth, social standing, and power. Her surviving correspondence reveals her importance within the Ormonde-Butler family and in the social, cultural, and political life of seventeenth-century Ireland.The volume comprises more than three hundred letters written by Ormonde to her husband and family, agents and servants, and friends and clients. Spanning six decades, these letters are meticulously transcribed, edited, and annotated, and the volume includes a substantial scholarly introduction, family trees, a glossary, and other resources.

This book elucidates the ways the pained and suffering body has been registered and mobilized in specifically Irish contexts across more than four hundred years of literature and culture. There is no singular approach to what pain means: the material addressed in this collection covers diverse cultural forms, from reports of battles and executions to stage and screen representations of sexual violence, produced in response to different historical circumstances in terms that confirm our understanding of how pain – whether endured or inflicted, witnessed or remediated – is culturally coded.Pain is as open to ongoing redefinition as the Ireland that features in all of the essays gathered here. This collection offers new paradigms for understanding Ireland’s literary and cultural history.

This book elucidates the ways the pained and suffering body has been registered and mobilized in specifically Irish contexts across more than four hundred years of literature and culture. There is no singular approach to what pain means: the material addressed in this collection covers diverse cultural forms, from reports of battles and executions to stage and screen representations of sexual violence, produced in response to different historical circumstances in terms that confirm our understanding of how pain – whether endured or inflicted, witnessed or remediated – is culturally coded.Pain is as open to ongoing redefinition as the Ireland that features in all of the essays gathered here. This collection offers new paradigms for understanding Ireland’s literary and cultural history.