Naomi Pollock – författare

Highly commended in the Architecture Book Awards, 2024: the definitive overview of and ultimate resource on the iconic architect-designed houses built in Japan from 1945 to the present. Imagine a terraced house whose courtyard separates the kitchen from the bedroom. Or a tiny, triangular tower of rooms stacked one above another. Quirky, experimental and utterly fascinating, the houses produced in Japan since the end of the Second World War are among the most exceptional in the world. The Japanese House Since 1945 is a cohesive chronology of the most compelling architect-designed Japanese homes, showing developments in form, material, architectural expression and family living over almost eight decades. Unparallelled in their conceptual purity, many Japanese houses have become icons at home as well as abroad. Presented with clear prose and accompanied by compelling photographs and drawings, this book features 97 houses, divided among nine chapters and organized by decade. In addition to acquainting the reader with individual homes, the book illuminates the social, technological, geographic and historical factors behind these era-defining houses. Developments over the period are underscored by the visual presentation, as it evolves from monochrome to colour and from hand-drawn to digital. Decade lead-ins set the historical context for each chapter, while ‘Spotlight’ segments draw attention to the separate components of the Japanese house. ‘At Home’ sections, most written by architects and their family members, bring to life the experience of living in these unique houses.

Design in Japan is deeply rooted in the country’s historic craft culture, profound understanding of materials and commitment to functionality. These qualities yield chairs, cups and other daily use items which are easy on the eye, comfortable in the hand and always do their job well. Even as mass manufacturing became widespread in the post-war period and cross-cultural exchanges began to take place with the West, Japan held fast to these core values and practices. This dedication has given rise to timeless objects of great beauty and utility as well as innovations in materials, form and technology. Far beyond design icons such as the Kikkoman Soy Sauce Bottle, Sori Yanagi’s Butterfly Stool, and the Sony Walkman®, the products and objects created in Japan over the past seven decades serve to delight and draw admiration. In recent years, a new generation of designers, including Naoto Fukasawa, nendo and Tokujin Yoshioka, have taken Japanese creativity into exciting new territory: some are eliminating objects entirely, others are reimagining what an object could be. Though Japan has developed some of the world’s most sophisticated robotic manufacturing complexes, many of its most appealing products are made by small factories and workshops whose artisans use their hands as much as machines. This impressive volume is the most complete overview of Japanese design to date and its exquisite presentation is itself a beautiful example of Japanese design. Including profiles of over 70 creators, the book is based on the author’s interviews with designers, their colleagues and family members, as well as leading curators and critics. The profiles are accompanied by short takes on iconic products and essays on related topics by Japanese and Western design experts. Featuring hundreds of objects, this volume will become the definitive work on the subject for many years to come.

A visual celebration and record in duotone of Japan's demolished post-war architectural gems and a look at why they've been torn down. As in other countries, not every mid-century modern building in Japan can or even deserves to be saved. Yet a swathe of these works – those that achieved new architectural milestones and those that became landmarks in the public eye – warrant international attention. Vanishing Japan is the first book to shine a light on these gems, becoming an important record of buildings that have already been lost and making their memory available to a wide, global audience. The book focuses on some ninety buildings demolished since 2000, while the introduction, afterword and 'deep dive' interludes provide additional context. The project selection features beloved theatres, shopping centres and offices built between the 1950s and 1970s, with select examples from the 1980s and 1990s as well. While many of these buildings were in Tokyo and Osaka, the book draws on examples from all over the country, charting the once recognizable local landmarks that continue to inspire as examples of architectural innovation. High real-estate values, cost and improvements to construction techniques in a country plagued by earthquakes are just some of the reasons that buildings regularly get torn down in Japan. This and more is explored in this smart, accessible book designed in elegant duotone that will have readers look at their own built environment in a different light.

Quirky, surprising and entertaining - with more than 400 houses, Jutaku is architecture at the speed of Japan.Frenetic. Pulsating. Disorienting. Japan's contemporary culture is constantly in flux. In stark contrast to the centuries old imperial architecture of Kyoto, recent Japanese architectural practices have ushered in an era of continuous experimentation.With 500 houses, one house per page, one image per house, Jutaku: Japanese Houses is a fast-paced, "quick hit" shock to the system that shines a Harajuku-bright neon light on the sheer volume, variety and novelty of contemporary Japanese residential architecture.Featuring the work of many of Japan's most famous architects including Shigeru Ban, Sou Fujimoto, Toyo Ito, Kengo Kuma, Jun Igarishi, Shuhei Endo and dozens of up and coming and completely unknown young architects, Jutaku is organized geographically taking readers on a bullet train journey across Japan's architectural landscape. Essential reading for architects, designers and fans of contemporary Japanese culture.

'Made in Japan' is a simple phrase, but one full of meaning. From kettles and cutlery to chairs, Japan creates some of the most innovative, elegant, whimsical and well-made objects in the world. Combining high aesthetic standards with cutting-edge technology, many of these designs turn everyday items into functional works of art that would look as good in a museum as on a kitchen counter. Made in Japan surveys 100 of the country's recent design triumphs, among them furnishings, utensils, gadgets, clothing, office equipment and even a silent guitar. While the book features mainly mass-produced objects, it also includes one-off prototypes and limited-edition items that are immensely popular in Japan. Created specifically for the Japanese consumer, these products reflect the way people live, work and play in a country that prizes highly both exceptional craftsmanship and industrial perfection.

Brutalist Interiors reveals the hitherto overlooked interiors of Brutalist and concrete buildings around the world. The book combines photography of select interiors with essays by leading architectural writers and academics on subjects ranging from childhood inside Montreal's Habitat 67 to the interiors of Denys Lasdun in Ghana, Tadao Ando in Japan, and the use of Brutalist techniques in contemporary design

Edited by Naomi Pollock, with photography by Jimmy Cohrssen, the bilingual (Japanese and English) map serves as an expertly curated guide to Tokyo's unique concrete architecture. This map highlights the most unique and influential examples of concrete buildings and structures across the city. Architects featured include Tadao Ando, Le Corbusier, Toyo Ito, Tengo Kanze, Kunio Maekawa, Antonin Raymond and many others.