Natalie Harris – författare

Robert Jones is a man defined by control. As the high-powered CEO of a digital agency, his life is a calculated sequence of data points, deadlines, and executive decisions. But beneath the bespoke suits and the clinical perfection of his minimalist home, a profound exhaustion has taken root-a soul-deep craving to stop choosing, stop leading, and simply be. When the enigmatic Elena moves into the house next door, she brings more than just moving boxes. She brings a vision of absolute sanctuary. A Master Governess specializing in the art of total regression, Elena sees the fraying edges of Robert s composure and offers him the ultimate trade: his autonomy for her care. What begins as a neighbourly favour quickly spirals into a meticulous dismantling of Robert s adult identity. From the first drop of warm milk to the chilling finality of a custom-built oak cot, Elena reconstructs Robert s world within the four walls of a designer nursery. Clad in a infantile romper and elevated in a high-capacity throne, Robert finds that the relief of surrender is more addictive than any professional success. But as Elena prepares for his "e;New Birth Day,"e; the line between care and consumption blurs. With his home being hollowed out and his voice replaced by a star-patterned dummy, Robert must face the reality of his new life. In the quiet cul-de-sac, a man is being erased, and a boy is being born one who will never again have to worry about the world outside the garden fence. In the nursery at Number 14, there are no choices, no deadlines, and no escapes. There is only the rhythmic ticking of the clock, the scent of sandalwood, and the terrifying, beautiful authority of Mummy.

At thirty-five, David is the definition of "e;nice."e; He is handsome, reliable, and professionally successful, yet he moves through the world with a crushing sense of exhaustion. For years, his relationships have crumbled the moment he confessed his hidden truth: he doesn't want to be the man in charge. He wants to be guided, corrected, and cared for. He wants to surrender the heavy burden of adulthood and be made small in the presence of someone firm. His search for a different kind of life leads him to Mrs. Hart. Living in a quiet, affluent suburb, she is exactly what her website promises: "e;a strict Mummy for adults who need one."e;What begins as a tentative meeting quickly spirals into a total psychological immersion. In Mrs. Hart s "e;blue room,"e; David s tailored suits are traded for hooded onesies and the constant, rhythmic crinkle of heavy padding. Here, the world of spreadsheets and deadlines is replaced by nursery grids, wooden blocks, and the absolute authority of a woman who demands total submission. Looking For Mummy is an intimate and provocative dive into the world of adult regression. It explores the thin line between shame and relief, tracing one man s journey as he sheds his professional skin to find peace in a highchair. But as the weekends deepen and the rules become more absolute, David must face a haunting realization: the "e;nice man"e; the world sees is merely a shell and the only place he truly feels alive is in a cot, waiting for the next bottle

For Mary, the discovery was accidental. A night out with an old friend revealed a hidden world of power and obedience that sparked a dormant fire in her own marriage. She didn't want a partner to dominate; she wanted a "e;Little Lamb"e; to nurture, mold, and own. What began as a simple "e;Good boy"e; and a denied glass of wine quickly spiraled into a meticulously engineered reality. David, a high-powered Senior Analyst by day, finds himself trading his suits for rompers and his boardroom authority for a nursery s silence. Under Mary s firm, maternal hand, the boundaries between a playful fantasy and a total power exchange begin to dissolve. Through a calculated regime of sensory deprivation, infantile discipline, and the "e;Good Boy"e; reward chart, Mary strips away David s adult ego. From the crinkle of thick training pants beneath his professional slacks to the forced silence of a pacifier, David is guided deeper into a state of "e;growing down"e; until the man he once was becomes a distant, fading memory. In this house, there are no meetings, no bills, and no autonomy. There is only the bottle, the nursery, and the absolute will of "e;Mama."e;A hauntingly intimate exploration of psychological regression, Mary Has A Little Lamb follows the transformation of a modern marriage into a sanctuary of total dependency where the ultimate freedom is found in having no choices at all.

The professional world he knew is gone. His new reality is pastel, plush, and permanent. Josh thought he had landed a prestigious internship at a high-end product development firm. He thought he was helping test the next generation of childcare "e;assets."e; He was wrong. Now, the sharp suits of the corporate world have been replaced by soft cotton onesies and white booties. His days of deadlines and meetings have devolved into a monotonous cycle of feedings, nap times, and "e;tummy time"e; on a nursery rug. At the centre of this domestic prison is Lena the woman who has meticulously dismantled his adulthood, piece by piece. With every bottle pressed to his lips and every diaper fastened with practiced ease, Josh s adult identity slips further away. But the true horror is only beginning. Lena has guests coming. She has a "e;special"e; sailor suit waiting. And she has a silver case of pills designed to silence his last screams of protest. As the line between "e;trial participant"e; and "e;permanent possession"e; vanishes, Josh is forced to face a terrifying truth: This was never a job. It was a breaking-in. And Lena isn't just his supervisor she s his "e;Mummy,"e; and she never intends to let him grow up again.

Employee of the Year: A Promotion He Can't RefuseJosh thought his "e;Employee of the Year"e; prize was a promotion. Instead, it s a terrifying, total regression. Kidnapped by his coolly manipulative boss, Isabelle, and her equally predatory assistant, Lena, Josh is dumped in a custom-built, adult-sized nursery. Stripped of his clothes, his dignity, and his ability to speak like a grown man, he is forced into a humiliating new role: their helpless sweet pea, dressed in thick nappies and pacified with infantilizing toys. As Isabelle and Lena meticulously plan every stage of his "e;training"e; from forced baby talk and video lessons to chemical dependency and total body hair removal Josh must navigate a chilling new corporate structure. His performance review is now an ongoing test of his absolute submission, where the only path to freedom is through complete, humiliating compliance. Will Josh find a way to escape his tormentors, or will he be utterly broken and reprogrammed into the perfect, obedient 'little man' they demand?

The sterile air of the corporate conference room feels less like an office and more like a cage to intern Josh. His task seems simple: subjectively test a new line of high-end silicone baby bottle nipples for his impossibly commanding boss, Isabelle, and the lead designer, Lena. But the moment Lena's dark, predatory gaze locks onto his, Josh knows this isn't standard product development. What begins as a bizarre, intimate oral-sensory test soon spirals into a full-scale psychological evaluation. As Josh is forced to catalog every sensation from the subtle give of the silicone to the warm, cloying taste of milk his professional dignity crumbles. The line between research subject and captive dissolves, especially after he gives a "e;subjective human response"e; so unguarded it reveals a deep, shameful compliance he never knew he possessed. His 'enthusiastic cooperation' earns him a promotion, a hefty bonus, and a frightening new role: Product Reliability Specialist for a niche market focused on adult infantilism. Now confined to a nursery-themed workspace, his attire has changed to a locked bib and a thick, rustling nappy, and his tools are custom-made pacifiers and fleece sleepers. Every humiliating moment is captured by a blinking babycam, a constant threat of exposure used to enforce his silence and submission. When Isabelle and Lena casually order an adult-sized high chair and bouncer for "e;The Restriction Series,"e; Josh knows his new career is a life sentence. Trapped, isolated, and utterly exposed, he is forced to crawl across the office floor in a humiliating demonstration of "e;mobility,"e; his professional ambition slowly being smothered by the suffocating weight of his own shameful, undeniable surrender. The Restriction Series is a chilling descent into corporate-mandated degradation, where compliance is rewarded, humiliation is product research, and the only way out is to embrace the shame.

David Harris is a man of impeccable precision. As a high-functioning accountant, his life is defined by spreadsheets, sharp suits, and the quiet authority of the corporate world. But when the clock strikes 4:30 PM on Friday, the professional facade doesn't just slip-it is systematically dismantled. Driven by a desperate need to escape the crushing weight of adulthood, David retreats to the secluded estate of Mrs. Hart. Within the walls of her "e;blue room,"e; David the Accountant ceases to exist. In his place is a helpless, silent subject, surrendered to a regime of absolute nursery discipline. Through a series of escalating rituals involving restrictive canvas suits, locking mittens, and sensory deprivation, Mrs. Hart and her equally predatory friend Evelyn strip away David's autonomy layer by layer. What begins as a midweek secret becomes a total psychological erasure. From being used as a living footstool at high-society tea parties to being monitored 24/7 via remote cameras, David s descent into infancy is absolute. As the boundaries between his professional life and his nursery reality dissolve, he faces a terrifyingly beautiful prospect: the permanent deletion of his adult identity. Ledgers and Lace is a dark, immersive exploration of power, regression, and the intoxicating relief found in total surrender. In Mrs. Hart s world, there are no taxes or titles only the rhythmic crinkle of plastic and the silent, unblinking eye of the camera.

At sixty-two, Mark thought retirement would mean golf and high-yield portfolios. Instead, he finds himself "e;liquidated"e; in a way he never saw coming. Under the firm, sugary-sweet command of his wife, Susie, the former corporate titan has been rebranded as a Full-Time Nursery Trainee, traded into a world of lace-trimmed bonnets, locked mittens, and the relentless, heavy-duty crinkle of "e;Super-Sorb"e; padding. What began as a playful retreat has evolved into a total sensory takeover. Stripped of his executive autonomy and "e;weaned"e; onto a permanent liquid diet, Mark s life is now measured in ounces and "e;output."e; Pinned beneath weighted star-blankets or paraded through the neighborhood in a high-chassis executive stroller, he is no longer a man of industry he is a "e;Liquid Asset"e; in a pink-quilted sarcophagus. As the "e;Night-No-Night"e; sleepers grow heavier and the lavender-scented fog of infancy thickens, Mark discovers a treacherous, shameful peace in his absolute surrender. In Susie s nursery, there are no boardrooms, no taxes, and no trousers only the rhythmic suction of a pacifier and the undeniable, sodden reality of being someone s permanent, pampered project. "e;A Curious Retirement"e; is a provocative tale of regressive domesticity, exploring the fine line between care and control, where the ultimate retirement plan involves losing oneself completely in the soft, crinkly embrace of the nursery.

Neil Harrison was a ghost in the machine. He didn't use a gun to rob his victims; he used a keyboard to bleed them dry, a few quid at a time, until he'd amassed a GBP30 million fortune. He figured he'd do a soft five years in a low-security cage, come out, and vanish into a sunset bought with stolen silver. But the law has a new shadow, and Judge Halloway is the one holding the lantern. She offered him a choice. He took the one that sounded like a velvet sentence: the RtR Programme. He thought it was a home-stay. He thought he d played the system one last time. He was wrong. The "e;Redemption through Regression"e; protocol is a cold, clinical kind of hell. Neil s thirty-year-old mind slick, greedy, and unrepentant is stripped from his frame and poured into the helpless body of a newborn. For the next twenty years, he won t be a high-stakes grifter. He ll be a "e;subject."e; He ll be wrapped in blankets by handlers who look at him with clinical pity. He ll remember every penny he stole while he s being burped, bathed, and put to bed. Ten cycles. Two years an infant. Over and over until the man he was is nothing but a memory in a cradle. In a world where technology can rewrite the soul, Neil Harrison is about to learn that some debts aren't paid in time they're paid in innocence. The lights are dimming, the milk is warm, and the nightmare is just beginning. Welcome to your first birthday, Neil. You've got nineteen more to go.

By day, he's a corporate shark. By night, he's in a bunny suit. Simon is the golden boy of the regional sales firm handsome, high-powered, and headed straight for the corner office. But Simon has a secret that crinkles. Underneath his bespoke charcoal suits lies a wardrobe designed for a nursery, curated by his wife and "e;Chairman of the Board,"e; Andrea. To Andrea, Simon s striking looks are a liability. To protect her interests, she s traded his silk boxers for thick training pants and his autonomy for a feeding bottle. When Simon is sent on a three-day business trip, he thinks he s stepping into a world of executive independence. Instead, he s stepping into a portable nursery. Locked duffel bags, anniversary-coded padlocks, and a cloud-shaped nanny cam ensure that even two hundred miles away, Simon is never out of reach. As he navigates high-stakes board meetings and suspicious secretaries, Simon must balance the pressure of closing a million-pound deal with the strict requirement of being "e;Mummy s good boy."e;In the cut throat world of regional sales, Simon is about to find out exactly how much "e;synergy"e; it takes to lead a double life in plastic pants.

The book is inspired by messages I have received from the spiritual realms about how it all began, why we are here and how we can connect to our own light within.I hope to bring you the reader comfort and hope. The book explains that we can have both creation and evolution together; we are evolving towards God and one day earth will become the first realm of the heavenly realms. The book explains how we are instruments of light and that we also carry some negativity, so that through our life journey we can help God transform this negativity into light. The first part of the book is an overview of how it all began and why we are here. As the book continues I explore spirituality through religion, forgiveness, love and what happens to us when we pass away. The book is positive in its approach and I hope to bring a new way of looking at things to help bring clarity to the reader. I hope you enjoy reading this book and that it will help you to make sense of the way things are in the world.