Nathalie Aubert – författare

Proust and the Visual is an edited volume of essays written by Proustian specialists, concerned with a rich phenomenological category, the "visual" whose prominent role in the novel is at the heart of its modernity. The "visual" is defined as manifesting in the image not only space, but also time. The "visual" is considered as a category that delineates the conditions of possibility of all visibility and constitutes an integral part of both the progression of the narrator's journey towards becoming a writer and of the unfolding of the novel itself.

"In this innovative study, Nathalie Aubert demonstrates how the experience of translating Ruskin led Proust to see creative writing as itself an act of translation. She makes use of phenomenology to show how the Proustian metaphor operates as translation as it bridges the gap between reality and language."

"In this innovative study, Nathalie Aubert demonstrates how the experience of translating Ruskin led Proust to see creative writing as itself an act of translation. She makes use of phenomenology to show how the Proustian metaphor operates as translation as it bridges the gap between reality and language."

This volume of edited essays is the first one in English to offer a critical overview of the specific features of Belgian modernity from 1880 to 1940 in a multiplicity of disciplines: literature and poetry, politics, music, photography and drama. The first half of the book investigates the roots of twentieth century modernity in Belgian fin de siecle across a variety of genres (novel, poetry and drama), not only within but also beyond the boundaries of Symbolism. The contributors go on to examine the explosion of Belgian culture on the international scene with the rise of the avant-gardes, notably Surrealism: and the contribution made in minor genres, such as the popular novels of Simenon and Jean Ray, and the Tintin comics of Herge.

This volume of edited essays is the first one in English to offer a critical overview of the specific features of Belgian modernity from 1880 to 1940 in a multiplicity of disciplines: literature and poetry, politics, music, photography and drama. The first half of the book investigates the roots of twentieth century modernity in Belgian fin de siecle across a variety of genres (novel, poetry and drama), not only within but also beyond the boundaries of Symbolism. The contributors go on to examine the explosion of Belgian culture on the international scene with the rise of the avant-gardes, notably Surrealism: and the contribution made in minor genres, such as the popular novels of Simenon and Jean Ray, and the Tintin comics of Herge.

This book explores an artistic culture, which produces the unclassifiable, as a rule. It presents Belgian artistic culture from the 1890s to the 1940s. The book examines the theme of doubleness and reflection in Belgian Symbolism.