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10 produkter
10 produkter
525 kr
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Timeless, evocative and hauntingly beautiful: a retrospective monograph by a truly innovative image maker whose female gaze transformed fashion photography. American photographer Deborah Turbeville defies classification. She belongs to no school or movement. Her unique visual signature has been recognizable since her emergence as a major talent in the 1970s. Her images are evocative, difficult to date at first glance, and seem dreamlike to our 21st-century eyes. Turbeville stands apart from her male contemporaries, whose hard-edged, highly sexualized photographs of women now seem to be of their time in comparison with Turbeville’s very different representation of beauty. This book focuses on the area of Turbeville’s practice where her genius as an artist can be found: photocollage. In contrast to her contemporaries in fashion photography, she was deliberately playful with her images: xeroxing, cutting, scraping and pinning prints together, writing in the margins and creating narrative sequences. Her work is located far from single, glossy images. It inhabits a liminal zone between art and commerce. Built upon extensive research in the Deborah Turbeville archive, the work shown spans commercial and personal projects, with many images published for the first time. With texts by Vince Aletti, Anna Tellgren and Felix Hoffmann, this book brings into the spotlight the ways in which Turbeville redefined fashion photography, moving away from the sexual provocation and stereotypes assigned by male photographers to an idea of femininity on her terms. Deborah Turbeville: Photocollage will be an essential publication with modern relevance for all with a passion for fashion photography.
337 kr
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Published in connection with an exhibition opening at Photo Elysée in spring 2024, this book presents more than 150 of Man Ray’s portraits, primarily from the 1920s and 30s. Man Ray (1890–1976) was a man both of and ahead of his time. With his conceptual approach and innovative techniques, he liberated photography from previous constraints and opened the floodgates to new ways of thinking about the medium. A close friend of Marcel Duchamp and André Breton, he was one of the few photographers to be mentioned among the Dada artists and Surrealists. He also worked as a fashion photographer, first for Vogue, and later for Harper’s Bazaar and Vanity Fair. Renowned as the creator of Ingres’ Violin – a photograph from 1924 that broke records when it was sold for $12.4 million in 2022 – Man Ray remains an influential figure in the worlds of art, fashion and pop culture, with many other artists referencing his work. Published in connection with an exhibition at Photo Elysée and in the centenary year of the publication of André Breton’s Surrealist Manifesto, this book presents more than 150 of Man Ray’s portraits, primarily from the 1920s and 30s. It includes portraits of the leading lights of the Paris art scene, among them Marcel Duchamp, Robert Delaunay, Georges Braque, Alberto Giacometti and Pablo Picasso, as well as a selection of his fashion work. As an innovator of photographic techniques and compositional form, Man Ray found the studio portrait – be it of the artists and writers with whom he had longstanding friendships, or of the objects and sculptures he collected – to be the playground in which he could express the visual wit and experimentation for which he is renowned.
421 kr
Kommande
The ultimate guide to the magic and mystery of photography, featuring the landmark photographs, inventions, innovations, exhibitions and publications that changed the way we see the world. Photography has not simply changed how we capture the world: it has changed how we view it, structuring our very ways of seeing. This ambitious publication, timed to coincide with the 200th anniversary of the first-ever photograph, brings together photographs from leading image-makers – including Zanele Muholi, Andreas Gursky, Man Ray, Sebastião Salgado, Hannah Höch, Barbara Kruger and Edward Steichen – alongside unexpected selections. From the earliest 19th-century experiments in fixing light on paper, photography has blossomed and proliferated to a point where some 1.9 trillion photographs are snapped annually. Photographs are now at the core of our image-dominated culture. This is Photography: The First 200 Years carves a cohesive, compelling path through this dizzying mass of information. Presented chronologically, the book showcases key photographs and objects year by year, each one accompanied by a short text entry offering historical, technical or critical context. Interleaved throughout are longer thematic texts by contributing writers, as well as extracts from the writings of photographers and major thinkers on the subject, bringing a depth of understanding to the principal genres and developments in photography. Alongside pivotal and instantly recognizable photographic works – from Eadweard Muybridge’s motion studies to Rosalind Franklin’s DNA imaging, and from the documentary work of Robert Frank to Cindy Sherman – This is Photography records the objects, cameras, technical developments, exhibitions and publications that have shaped the medium, making this an essential resource for anyone interested in photography.
243 kr
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The definitive survey of contemporary photography of the human body. The body remains a battleground. Politicized, conceptualized and increasingly shared, our often-paradoxical relationship with the human form is nothing new, but finds itself heightened in the digitised, virtualised era of the ‘post-industrial’ body. No longer a tool but a work-in-progress, our bodily expectations bound from fantasy to reality, beauty to tyranny, art to commerce and curiosity to obsession, leaving us dreaming of other bodies and alternate lives. Surveying a range of over 360 photographic re-presentations from the worlds of art, fashion, scientific and vernacular photography - including the work of Nobuyoshi Araki, Bettina Rheims, Lauren Greenfield, Viviane Sassen, Cindy Sherman, Wolfgang Tillmans, Daido Moriyama, Sally Mann, Pieter Hugo and Juergen Teller, Sølve Sundsbø and Daniel Sannwald - Body: The Photobook explores what our imaging of the human form, and the ways in which those images have been used and shared, might reflect of our relationship to the body. Supporting the broad range of photography is an essay by the psychologist Professor David Sander, who discusses the neurological representation of our own bodies.
337 kr
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Established on the global stage by the international success and influence of architects such as Peter Zumthor and Herzog & de Meuron, today’s generation of architects in Switzerland draws on the country’s distinctive landscape of alpine peaks, crystalline lakes and efficient cities, and fuses traditional Swiss materials with new high-tech tools and innovative construction methods. New Swiss Architecture documents fifty of the most important buildings of the last decade through architectural photographs that highlight their exceptional detail, attention to context and material experimentation. Because of their isolated locations, many of these buildings are little known, despite having been designed by leading architects, including Christ & Gantenbein, Gigon/Guyer, Valerio Olgiati, Charles Pictet, Richter Dahl Rocha and Diener & Diener. The book is presented in two sections: the first comprises a photographic portfolio of projects organized into themes: Alpine, Infrastructural, Recreational, Rural, Suburban, Urban. The second section describes each of the featured buildings through drawings, plans and concise texts.
308 kr
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Le Corbusier’s development was inextricably connected to the rise of the century’s most popular visual medium: photography. Marking the 125th anniversary of the architect’s birth in La Chaux-de-Fonds, Switzerland, this remarkable book traces the many ways in which he used photography to define and disseminate his work and ideas around the world. This unique portrait presents the architect and his work in six chapters, each by an expert in a particular facet of Le Corbusier’s work: a photographic biography; his secret travel photographs; the ways in which the architect used photography for promotion; an examination of his approach to the printed page; an overview of his use of large-scale imagery in his buildings and exhibitions; and contemporary photographic interpretations of his work. Because Le Corbusier’s buildings are usually shown in a documentary manner, the candid, personal, artistic and often unexpected images that appear in this volume offer new insights and ways to appreciate the facets of the man behind his works.
454 kr
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318 kr
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231 kr
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312 kr
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As elsewhere in the world, mountains have been instrumental in defining identities in Switzerland. The theme has not ceased to fascinate artists and mountain landscapes have attracted photographers since the earliest days of the new art, when masterful work was produced during the last decades of the nineteenth century. Today mountain chains are seen differently, recognised as having an unsettling fragility in the face of their occupation by human beings. What remains of the myths linked to mountains? Are mountains still a source of inspiration for today's artists? How do perceptions of them shift as their populations disappear, and references are increasingly centred on an urban existence? High Altitude provides some of the answers to these questions.This book has been conceived as a companion to the Swiss photography festival, Alt. +1000, held in Rossinière, a well-known village in the foothills of the Alps. High Altitude features works of contemporary photographers who record mountains in their various and multiple states: spectacular, sublime, domesticated, constructed (even artificial!) and frightening. Young artists from around the world, many of whom live far from a mountainous environment, celebrate and challenge deeply-rooted myths, and each in his own way tries to interpret this elusive landscape. The famous landscape photographer Olaf Otto Becker (Germany 1959), renowned for his views of Greenland, has been invited to make a portrait of a natural park situated close to the festival. He was chosen for the breathtaking beauty of his work, a beauty that nonetheless reminds us that nature is being radically modified by climate change.Unspoiled nature versus mountains altered by man is the theme interpreted by talented artists, whose visions are far removed from those of tourist postcards.Text in English and French.