Nathan Ballingrud – författare

In New Orleans a rare bookdealer is forced to track down an infernal atlas dragged from hell itself and now stashed in the swamps of the bayou. A dive bartender picks up a phone left behind after a brawl and is pulled into a waking nightmare. On a sea voyage, a decadent group of diabolists are intent on an audience with the Devil himself. Across six tales The Atlas of Hell takes us to the fringe of sanity, the limit of infernal ambition, and the very border of our reality. Nathan Ballingrud has earned a reputation as one of the leading voices in contemporary horror fiction and in The Atlas of Hell he shows us the deepest and darkest recesses of his imagination. Ballingrud probes the wounds that are the human condition and peels back the skin to reveal the monstrous and miraculous beneath. From the author of North American Lake Monsters, this is a collection for readers unafraid to gaze into the abyss and meet the eyes of what stares back.

Winner of the Bram Stoker Award!The sequel to Crypt of the Moon Spider, Cathedral of the Drowned is an oozing, squirming, scuttling tale of altered bodies and minds.There are two halves of Charlie Duchamp's brain. One is in a jar stranded on Jupiter's jungle moon, Io, who just wants to go home to the woman he loves. The other half is still locked in his body, hanging from a wall in Barrowfield Home on Earth's own moon, host to the eggs of the Moon Spider and filled with a murderous rage. On Io, deep in the flooded remains of a crashed Cathedral ship, lives a giant centipede called the Bishop, who has taken control of the drowned astronaut-clergy inside. Both Charlies converge here, stalking each other in the haunted ruins, while more Moon Spiders prepare to be born.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

“Stretch[es] the boundaries of the genre...It’s horrifying, but there’s beauty.” —The New York Times “One of the field’s most accomplished short story writers.” —The Washington Post A gripping collection of six stories of terror—including the novella “The Visible Filth,” the basis for the upcoming major motion picture—by Shirley Jackson Award–winning author Nathan Ballingrud, hailed as a major new voice by Jeff VanderMeer, Paul Tremblay, and Carmen Maria Machado—“one of the most heavyweight horror authors out there” (The Verge). In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books). Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

“Stretch[es] the boundaries of the genre...It’s horrifying, but there’s beauty.” —The New York Times “One of the field’s most accomplished short story writers.” —The Washington Post A gripping collection of six stories of terror—including the novella “The Visible Filth,” the basis for the upcoming major motion picture—by Shirley Jackson Award–winning author Nathan Ballingrud, hailed as a major new voice by Jeff VanderMeer, Paul Tremblay, and Carmen Maria Machado—“one of the most heavyweight horror authors out there” (The Verge). In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books). Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

A Locus Award Finalist “Stretches the boundaries of the genre.” —The New York Times 1931, New Galveston, Mars: Fourteen-year-old Anabelle Crisp sets off through the wastelands of the Strange to find Silas Mundt’s gang who have stolen her mother’s voice, destroyed her father, and left her solely with a need for vengeance in this “page-turner” (Rebecca Roanhorse, New York Times bestselling author of Black Sun) from Nathan Ballingrud.Since Anabelle’s mother left for Earth to care for her own ailing mother, her days in New Galveston have been spent at school and her nights at her laconic father’s diner with Watson, the family Kitchen Engine and dishwasher, as her only companion. When the Silence came, and communication and shipments from Earth to its colonies on Mars stopped, life seemed stuck in foreboding stasis until the night Silas Mundt and his gang attacked. At once evoking the dreams of an America explored in Ray Bradbury’s The Martian Chronicles and the harsher realities of frontier life in Charles Portis True Grit, Ballingrud’s “brilliant” (Paul Tremblay, New York Times bestselling author of The Cabin at the End of the World) novel is haunting in its evocation of Annabelle’s quest for revenge amidst a spent and angry world accompanied by a domestic Engine, a drunken space pilot, and the toughest woman on Mars. Nathan Ballingrud’s stories have been adapted into the film Wounds and the Hulu series Monsterland, The Strange is his first novel.

Nathan Ballingrud's Shirley Jackson Award winning debut collection is a shattering and luminous experience not to be missed by those who love to explore the darker parts of the human psyche. Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible. These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape. Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

Nathan Ballingrud''s Shirley Jackson Award winning debut collection is a shattering and luminous experience not to be missed by those who love to explore the darker parts of the human psyche. Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud''s intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

Previously published as North American Lake Monsters. Monsterland is a new anthology TV series from Hulu based on Nathan Ballingrud's striking, bleak, and luminous debut collection, starring Kaitlyn Dever, Kelly Marie Tran, Jonathan Tucker, and Taylor Schilling, and more.Ballingrud s Shirley Jackson Award winning collection of gothic and uncanny stories investigates the loneliest and darkest corners of contemporary American life. Ballingrud s stories are love stories. They re also monster stories. Sometimes the monsters collected here are vampires or werewolves. Sometimes they wear the faces of parents, lovers, brothers, ex-wives or the faces we see in our mirrors.The people in these stories, ex-cons, single parents, unemployed laborers, kids seduced by extremism, are stranded by life, driven to desperate acts by love and a longing for connection. Sometimes they re ruined; sometimes redeemed. They are always recognizably, wonderfully, terrifyingly human, even at their most monstrous.

A Locus Award Finalist “Stretches the boundaries of the genre.” —The New York Times 1931, New Galveston, Mars: Fourteen-year-old Anabelle Crisp sets off through the wastelands of the Strange to find Silas Mundt’s gang who have stolen her mother’s voice, destroyed her father, and left her solely with a need for vengeance in this “page-turner” (Rebecca Roanhorse, New York Times bestselling author of Black Sun) from Nathan Ballingrud.Since Anabelle’s mother left for Earth to care for her own ailing mother, her days in New Galveston have been spent at school and her nights at her laconic father’s diner with Watson, the family Kitchen Engine and dishwasher, as her only companion. When the Silence came, and communication and shipments from Earth to its colonies on Mars stopped, life seemed stuck in foreboding stasis until the night Silas Mundt and his gang attacked. At once evoking the dreams of an America explored in Ray Bradbury’s The Martian Chronicles and the harsher realities of frontier life in Charles Portis True Grit, Ballingrud’s “brilliant” (Paul Tremblay, New York Times bestselling author of The Cabin at the End of the World) novel is haunting in its evocation of Annabelle’s quest for revenge amidst a spent and angry world accompanied by a domestic Engine, a drunken space pilot, and the toughest woman on Mars. Nathan Ballingrud’s stories have been adapted into the film Wounds and the Hulu series Monsterland, The Strange is his first novel.

Ray Bradbury meets The Martian in this chilling page-turning tale of Mars' first colony, fallen to madness after all contact with Earth ceased, perfect for fans of Jeff VanderMeer.Anabelle Crisp is fourteen when the Silence arrives, severing all communication between Earth and her new home on Mars. One evening, while she and her father are closing their diner in the colony of New Galveston, they are robbed at gunpoint.Among the stolen items is a recording of her absent mother’s voice. Driven by righteous fury and desperation to lift her father’s broken spirits, Anabelle sets out to confront the thieves and bring back the sole vestige of her mother. Accompanied by her loyal robot, an outcast pilot and a hardened outlaw, Anabelle must travel through derelict mining towns where a mineral called the Strange has transformed its residents in bizarre ways, across the Martian desert and to the shadowy Peabody Crater where she will discover than New Galveston, once a safe haven, is nothing more than a guttering candle in a dark world.

Ray Bradbury meets The Martian in this chilling page-turning tale of Mars' first colony, fallen to madness after all contact with Earth ceased, perfect for fans of Jeff VanderMeer.Anabelle Crisp is fourteen when the Silence arrives, severing all communication between Earth and her new home on Mars. One evening, while she and her father are closing their diner in the colony of New Galveston, they are robbed at gunpoint.Among the stolen items is a recording of her absent mother''s voice. Driven by righteous fury and desperation to lift her father''s broken spirits, Anabelle sets out to confront the thieves and bring back the sole vestige of her mother. Accompanied by her loyal robot, an outcast pilot and a hardened outlaw, Anabelle must travel through derelict mining towns where a mineral called the Strange has transformed its residents in bizarre ways, across the Martian desert and to the shadowy Peabody Crater where she will discover than New Galveston, once a safe haven, is nothing more than a guttering candle in a dark world.

A young woman, committed to an asylum, undergoes a bizarre treatment that unlocks a vast well of power in this cosmic horror novella, perfect for fans of T. Kingfisher.Veronica Brinkley has been committed to The Barrowfield Home, run by Dr. Cull, to treat her depression. The institution is built on the crypt of a giant Lunar Spider, tended to by a monastic group of worshippers called the Alabaster Scholars. Dr. Cull is using the lunar silk from the dead spider to "repair" people's brains.As Veronica's memories are tampered with, she finds a surprising reserve of power within herself, upending everyone else's plans for her and stepping into a grand new role she had never imagined for herself.

Lovecraftian horror meets the wildly inventive mind of Shirley Jackson award-winning author Nathan Ballingrud, in this Bram Stoker Award-winning cosmic horror sequel to Crypt of the Moon Spider, perfect for fans of T. KingfisherThere are two halves of Charlie Duchamp. One is a brain in a jar, stranded on Jupiter’s jungle moon, Io, who just wants to go home. The other is hanging on the wall of Barrowfield Home on Earth’s own moon, host to the eggs of the Moon Spider and filled with a murderous rage.On Io, deep in the flooded remains of a crashed cathedral ship, lives a giant centipede called The Bishop, who has taken control of the drowned astronauts inside. Both Charlies converge here, stalking each other in the haunted ruins, while a new Moon Spider prepares to hatch.

Lovecraftian horror meets the wildly inventive mind of Shirley Jackson award-winning author Nathan Ballingrud, in this Bram Stoker Award-winning cosmic horror sequel to Crypt of the Moon Spider, perfect for fans of T. KingfisherThere are two halves of Charlie Duchamp. One is a brain in a jar, stranded on Jupiter's jungle moon, Io, who just wants to go home. The other is hanging on the wall of Barrowfield Home on Earth's own moon, host to the eggs of the Moon Spider and filled with a murderous rage. On Io, deep in the flooded remains of a crashed cathedral ship, lives a giant centipede called The Bishop, who has taken control of the drowned astronauts inside. Both Charlies converge here, stalking each other in the haunted ruins, while a new Moon Spider prepares to hatch.

Hugo Award winning editor and horror legend Ellen Datlow presents this chilling horror anthology of 19 original short stories from a world-class line-up of the masters of horror, delving into the histories and traditions of the spookiest season of the year.Featuring stories by Josh Malerman, Stephen Graham Jones, Garth Nix and many more.Halloween, Samhain, Dia de los Muertos-festivals across the world where we can commune with those we have lost, when spirits can cross over, and when the boundary between the living and the dead is far, far too thin.A young boy encounters a woman with an ancient and terrifying link to the holiday, a group of college students attend a Halloween party to die for, and a troubled girl exploits a local urban legend to try and turn her life around.From America to New Zealand via the rural Romanian wilderness, this anthology explores our worldwide obsession with the spookiest season of the year, when the veil is lifted and the spirits come alive. Featuring 19 original stories from bestselling and award-winning masters of the genre, and from Hugo, World Fantasy, Locus, Bram Stoker and Shirley Jackson award-winning editor and horror legend Ellen Datlow, this anthology invites you to carve a pumpkin, light the lanterns and welcome in trick or treaters from across the world. With stories by:Josh MalermanLee MurrayRich LarsonClay McLeod ChapmanLivia LlewellynMichael Marshall SmithStephen Graham JonesLinda D. AddisonChristopher GoldenAlma KatsuBrian EvensonSiobhan CarrollChikodili EmelumaduTheresa DeLucciGarth NixJeffrey FordRichard KadreyNathan BallingrudJohn Langan

Nathan Ballingrud's award winning debut collection is a cornerstone of contemporary horror fiction that dismantles the boundaries around genre fiction. Shattering and luminous, North American Lake Monsters explores the darker parts of the human psyche to reveal monsters, real and imagined, external and internal. They are us and we are them. What is revealed in these stories is a working class portrait of 21st century American life that is as cruel as it is fragile and as precarious as it is tenacious.These are love stories and monster stories. Monsters who wear the faces of parents, lovers, or ourselves. The people in these stories are driven to extremes by love and by desperation. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to escape.

Previously published as North American Lake Monsters. Monsterland is a new anthology TV series from Hulu based on Nathan Ballingrud’s striking, bleak, and luminous debut collection, starring Kaitlyn Dever, Kelly Marie Tran, Jonathan Tucker, and Taylor Schilling, and more.Ballingrud’s Shirley Jackson Award winning collection of gothic and uncanny stories investigates the loneliest and darkest corners of contemporary American life. Ballingrud’s stories are love stories. They’re also monster stories. Sometimes the monsters collected here are vampires or werewolves. Sometimes they wear the faces of parents, lovers, brothers, ex-wives—or the faces we see in our mirrors.The people in these stories, ex-cons, single parents, unemployed laborers, kids seduced by extremism, are stranded by life, driven to desperate acts by love and a longing for connection. Sometimes they’re ruined; sometimes redeemed. They are always recognizably, wonderfully, terrifyingly human, even at their most monstrous.