Nathan Taylor – författare

Master the art of double knitting to produce reversible, double-layered, multi-coloured knits. In its simplest form, double knitting is a form of colour work that creates a dual-layered, two-sided fabric, without there being an unattractive or float-ridden ‘wrong side’. It is therefore different to any other knitting technique and can mystify novices and experienced knitters alike. Demystifying Double Knitting takes the mystery out of the process with step-by-step explanations of the key techniques, illustrated with detailed photographs. Once the fundamentals are mastered, you can then learn to move beyond basic stocking stitch and introduce texture, shaping and even non-mirrored designs to your work. Whether you’re new to the technique or simply want to understand it better, this book offers an accessible introduction to double knitting and a celebration of the creative opportunities it offers.

Master the art of double knitting to produce reversible, double-layered, multi-coloured knits. In its simplest form, double knitting is a form of colour work that creates a dual-layered, two-sided fabric, without there being an unattractive or float-ridden ‘wrong side’. It is therefore different to any other knitting technique and can mystify novices and experienced knitters alike. Demystifying Double Knitting takes the mystery out of the process with step-by-step explanations of the key techniques, illustrated with detailed photographs. Once the fundamentals are mastered, you can then learn to move beyond basic stocking stitch and introduce texture, shaping and even non-mirrored designs to your work. Whether you’re new to the technique or simply want to understand it better, this book offers an accessible introduction to double knitting and a celebration of the creative opportunities it offers.

Reading plays evokes a wide array of reactions, from fear to excitement and joy. Without the guiding hand of a director, or the specific interpretation of actors, however, reading a theatrical play instead of viewing a performance offers its own challenges. The plays included in this text—A Midsummer Night's Dream by William Shakespeare and Cyrano de Bergerac by Edmond Rostand—are intended to introduce readers to the theatrical play in an accessible, insightful, and entertaining way.  An introduction and historical notes for each play help readers both understand and enjoy the material. Discussion questions follow each play to prompt critical thinking about the plot, characters, setting, themes, and other essential aspects of these works. Although this book is a companion text for the free edX.org course, "e;College Writing 11.3x, AP® English Literature and Composition: Plays,"e; offered through the University of California, Berkeley, it is suitable for anyone who wants to learn more about some monumental theatrical plays.

Aus Anlass ihrer Frankfurter Poetikvorlesungen erscheint der erste Sammelband über das Werk der Lyrikerin, Essayistin und Übersetzerin Monika Rinck. Die Aufsätze decken ein methodisch und thematisch breites Feld ab: von Close Readings bis zu subjekttheoretischen Fragestellungen, von Barockbezügen bis zur Analyse der Selbstpositionierung der Autorin im Feld der Gegenwartsliteraturen. Insbesondere geraten dabei die für die Autorin charakteristischen Grenzüberschreitungen zwischen Lyrik und Essay, zwischen poetischer Praxis und Lebensform in den Blick. Den Band rundet ein Gespräch mit der Autorin ab.

Aus Anlass ihrer Frankfurter Poetikvorlesungen erscheint der erste Sammelband über das Werk der Lyrikerin, Essayistin und Übersetzerin Monika Rinck. Die Aufsätze decken ein methodisch und thematisch breites Feld ab: von Close Readings bis zu subjekttheoretischen Fragestellungen, von Barockbezügen bis zur Analyse der Selbstpositionierung der Autorin im Feld der Gegenwartsliteraturen. Insbesondere geraten dabei die für die Autorin charakteristischen Grenzüberschreitungen zwischen Lyrik und Essay, zwischen poetischer Praxis und Lebensform in den Blick. Den Band rundet ein Gespräch mit der Autorin ab.