Nathaniel Isaacson – författare

This volume brings together emerging approaches and addresses shifting paradigms in Chinese science fiction studies, offering a window on fan cultures, internet fiction, gender, eco-criticism, post-humanism and biomedical discourse. These studies present a “second wave” of Chinese sf studies, re-evaluating the canon of Chinese sf print and cinematic production, and expand the range of critical approaches to the subject. The structure of the volume is both chronological and theme-focused. These studies also demonstrate that Chinese science fiction represents a significant contribution to modern Chinese cultural production, both in terms of its value, speaking powerfully to our modern condition, and its sheer volume in terms of production and consumption. Chinese science fiction speaks to both China’s rapidly shifting reality, its political multiplicity and its formless future, voicing the anticipations and anxieties of a new epoch filled with accelerating alterations and increasing uncertainty.

This volume brings together emerging approaches and addresses shifting paradigms in Chinese science fiction studies, offering a window on fan cultures, internet fiction, gender, eco-criticism, post-humanism and biomedical discourse. These studies present a “second wave” of Chinese sf studies, re-evaluating the canon of Chinese sf print and cinematic production, and expand the range of critical approaches to the subject. The structure of the volume is both chronological and theme-focused. These studies also demonstrate that Chinese science fiction represents a significant contribution to modern Chinese cultural production, both in terms of its value, speaking powerfully to our modern condition, and its sheer volume in terms of production and consumption. Chinese science fiction speaks to both China’s rapidly shifting reality, its political multiplicity and its formless future, voicing the anticipations and anxieties of a new epoch filled with accelerating alterations and increasing uncertainty.  

This volume brings together emerging approaches and addresses shifting paradigms in Chinese science fiction studies, offering a window on fan cultures, internet fiction, gender, eco-criticism, post-humanism and biomedical discourse. These studies present a “second wave” of Chinese sf studies, re-evaluating the canon of Chinese sf print and cinematic production, and expand the range of critical approaches to the subject. The structure of the volume is both chronological and theme-focused. These studies also demonstrate that Chinese science fiction represents a significant contribution to modern Chinese cultural production, both in terms of its value, speaking powerfully to our modern condition, and its sheer volume in terms of production and consumption. Chinese science fiction speaks to both China’s rapidly shifting reality, its political multiplicity and its formless future, voicing the anticipations and anxieties of a new epoch filled with accelerating alterations and increasing uncertainty.

Оспаривая предположения о западном происхождении научной фантастики, Натаниэль Айзексон прослеживает развитие жанра в Китае. Айзексон обосновывает понимание китайской научной фантастики как продукта колониальной современности. Рассматривая возникновение этого жанра в межнациональном движении идей и предметов материальной культуры, автор изучает отношения между научной фантастикой и ориенталистским дискурсом.