Natsume Sōseki – författare

Kokoro (1914) is a novel by Natsume Sōseki. Set during a period of modernization in Japan, Kokoro is a story of family, faith, and tragedy that explores timeless themes of isolation and identity. Spanning generations, Kokoro is a classic novel from one of Japan’s most successful twentieth century writers.Tradition and change, life and death—such are the subjects of Sōseki’s masterful, understated tale of unassuaged guilt. On vacation with a friend, the narrator meets an older man who becomes a patient mentor for the young student. Soon, he begins visiting Sensei and his wife at their home in Tokyo, where they live an affluent, simple life. As the years go by, the narrator becomes aware of a secret from Sensei’s past, which his mentor promises to reveal when the time is right. When his father falls ill—around the time of the end of Meiji society—the narrator returns home to be closer to his family. As he tries to remain positive around so much sorrow, he begins to miss his Sensei, who is now getting old himself. As his father prepares to leave the mortal world, the narrator receives a lengthy letter from Tokyo, containing his Sensei’s story within. As one era merges into the next, he reads of the suffering and mistakes his Sensei experienced and incurred on his path through life, drawing them closer and leaving the narrator with some wisdom to remember him by. Eminently human, Kokoro is a beloved story of isolation, morality, and conflict from a master of Japanese fiction.With a beautifully designed cover and professionally typeset manuscript, this edition of Natsume Sōseki’s Kokoro is a classic work of Japanese literature reimagined for modern readers.

Discover the original Japanese Cat classic, now in a vibrant new translation by Nick Bradley, author of The Cat and the City.'I am a Cat. But I still don't have a name...' Once a stray kitten, I Am a Cat’s narrator finds himself adopted by a local scholar and thrown headfirst into the absurd upper middle-class world of Meiji-era Japan. Now a noble but somewhat world-weary observer, he has ample opportunity to dissect the strange ways and convoluted conversations of the human race.First published at the turn of the 20th century, and regarded as one of Japan’s most iconic classics, I Am a Cat is a captivating exploration of identity, society, and the often bewildering nature of the human condition—all seen through the eyes of a very special, uncompromising cat.‘A biting satire of Meiji-era Japan' Jessie Burton, Guardian‘Soseki is the representative modern Japanese novelist, a figure of truly national stature’ Haruki Murakami

A gorgeous new clothbound edition of Soseki's cherished novel, with an introduction by Haruki Murakami'Even bigger than Japan is the inside of your head. Don't ever surrender yourself - not to Japan, not to anything'Soseki's work of gentle humour and doomed innocence depicts twenty-three-year-old Sanshiro, a recent graduate from a provincial college, as he begins university life in the big city of Tokyo. Baffled and excited by the traffic, the academics and - most of all - the women, Sanshiro must find his way amongst the sophisticates that fill his new life. An incisive social and cultural commentary, Sanshiro is also a subtle study of first love, tradition and modernization, and the idealism of youth against the cynicism of middle age.This Penguin Classics edition of Soseki's beloved novel is translated by Jay Rubin with an introduction by Haruki Murakami.

From Japan's most famous, classic novelist comes a remarkable gem of wit, irony, and feline observationA stray kitten, catapulted to literary fame loudly observes the world of Meiji Japan in all its absurdity. But he’s not the only cat in the neighbourhood, and as he rallies against the stupidity of human habit, he grows closer to the sophisticated Miss Calico – but he can’t hide his own inadequacies for long.BRIEF ENCOUNTERS: classic novellas and captivating stories, to be read in a single sitting or savoured over days

Botchan is a modern young man from the Tokyo metropolis, sent to the ultra-traditional Matsuyama district as a Maths teacher after his the death of his parents. Cynical, rebellious and immature, Botchan finds himself facing several tests, from the pupils - prone to playing tricks on their new, naïve teacher; the staff - vain, immoral, and in danger of becoming a bad influence on Botchan; and from his own as-yet-unformed nature, as he finds his place in the world. One of the most popular novels in Japan where it is considered a classic of adolescence, as seminal as The Catcher in the Rye, Botchan is as funny, poignant and memorable as it was when first published, over 100 years ago.In J. Cohn's introduction to his colourful translation, he discusses Botchan's success, the book's clash between Western intellectualism and traditional Japanese values, and the importance of names and nicknames in the novel.

'Even bigger than Japan is the inside of your head. Don't ever surrender yourself - not to Japan, not to anything'Soseki's work of gentle humour and doomed innocence depicts twenty-three-year-old Sanshiro, a recent graduate from a provincial college, as he begins university life in the big city of Tokyo. Baffled and excited by the traffic, the academics and - most of all - the women, Sanshiro must find his way amongst the sophisticates that fill his new life. An incisive social and cultural commentary, Sanshiro is also a subtle study of first love, tradition and modernization, and the idealism of youth against the cynicism of middle age.This Penguin Classics edition of Soseki's beloved novel is translated by Jay Rubin with an introduction by Haruki Murakami.

One of Soseki's most beloved works of fiction, the novel depicts the 23-year-old Sanshiro leaving the sleepy countryside for the first time in his life to experience the constantly moving 'real world' of Tokyo, its women and university. In the subtle tension between our appreciation of Soseki's lively humour and our awareness of Sanshiro's doomed innocence, the novel comes to life. Sanshiro is also penetrating social and cultural commentary.

Literally meaning 'Pillow of Grass', Kusamakura is Soseki's portrayal of an artist who opposes convention and logic, and shuns emotional involvement. Soseki's artist attempts to live as a hermit using other people as his stimuli for his sensations and reflections. The artist fluently and prolifically composes poetry, but finds himself unable to paint - despite befriending a beautiful young divorcee. He remains emotionally distanced from her for a long time and it is only one day when he sees compassion in her eyes that he finds himself able to paint her, but also reconnected with the emotional undercurrents he had hitherto tried to avoid, thereby ending his retreat from the world. Siseko's beautiful and haikuesque novel is infused with his own musings on art and nature, and helped to establish the novel as a major literary form in Japan.

Kokoro, meaning 'heart', is a tantalising novel about the friendship between a young man and an enigmatic elder whom he calls Sensei. Set in the early twentieth century, when the death of the emperor Meiji gave way to a new era in Japanese politicial and cultural life, the novel enacts the transition from one generation to the next in the dynamic between Sensei, who is haunted by mysterious events in his past, and the unnamed young man, one of the new generation's elite who will inherit the coming era.

Light and Dark, Natsume Soseki's longest novel and masterpiece, although unfinished, is a minutely observed study of haute-bourgeois manners on the eve of World War I. It is also a psychological portrait of a new marriage that achieves a depth and exactitude of character revelation that had no precedent in Japan at the time of its publication and has not been equaled since. With Light and Dark, Soseki invented the modern Japanese novel. Recovering in a clinic following surgery, thirty-year-old Tsuda Yoshio receives visits from a procession of intimates: his coquettish young wife, O-Nobu; his unsparing younger sister, O-Hide, who blames O-Nobu's extravagance for her brother's financial difficulties; his self-deprecating friend, Kobayashi, a ne'er-do-well and troublemaker who might have stepped from the pages of a Dostoevsky novel; and his employer's wife, Madam Yoshikawa, a conniving meddler with a connection to Tsuda that is unknown to the others. Divergent interests create friction among this closely interrelated cast of characters that explodes into scenes of jealousy, rancor, and recrimination that will astonish Western readers conditioned to expect Japanese reticence.Released from the clinic, Tsuda leaves Tokyo to continue his convalescence at a hot-springs resort. For reasons of her own, Madam Yoshikawa informs him that a woman who inhabits his dreams, Kiyoko, is staying alone at the same inn, recovering from a miscarriage. Dissuading O-Nobu from accompanying him, Tsuda travels to the spa, a lengthy journey fraught with real and symbolic obstacles that feels like a passage from one world to another. He encounters Kiyoko, who attempts to avoid him, but finally manages a meeting alone with her in her room. Soseki's final scene is a sublime exercise in indirection that leaves Tsuda to "explain the meaning of her smile."

Light and Dark, Natsume Soseki's longest novel and masterpiece, although unfinished, is a minutely observed study of haute-bourgeois manners on the eve of World War I. It is also a psychological portrait of a new marriage that achieves a depth and exactitude of character revelation that had no precedent in Japan at the time of its publication and has not been equaled since. With Light and Dark, Soseki invented the modern Japanese novel. Recovering in a clinic following surgery, thirty-year-old Tsuda Yoshio receives visits from a procession of intimates: his coquettish young wife, O-Nobu; his unsparing younger sister, O-Hide, who blames O-Nobu's extravagance for her brother's financial difficulties; his self-deprecating friend, Kobayashi, a ne'er-do-well and troublemaker who might have stepped from the pages of a Dostoevsky novel; and his employer's wife, Madam Yoshikawa, a conniving meddler with a connection to Tsuda that is unknown to the others. Divergent interests create friction among this closely interrelated cast of characters that explodes into scenes of jealousy, rancor, and recrimination that will astonish Western readers conditioned to expect Japanese reticence.Released from the clinic, Tsuda leaves Tokyo to continue his convalescence at a hot-springs resort. For reasons of her own, Madam Yoshikawa informs him that a woman who inhabits his dreams, Kiyoko, is staying alone at the same inn, recovering from a miscarriage. Dissuading O-Nobu from accompanying him, Tsuda travels to the spa, a lengthy journey fraught with real and symbolic obstacles that feels like a passage from one world to another. He encounters Kiyoko, who attempts to avoid him, but finally manages a meeting alone with her in her room. Soseki's final scene is a sublime exercise in indirection that leaves Tsuda to "explain the meaning of her smile."

Recounting the hilarious misadventures of a reckless young man who rebels against 'the system' in a country school, this irresistible coming of age tale is one of Japan's most popular novelsBotchan is a modern young man from the Tokyo metropolis, sent to the ultra-traditional Matsuyama district as a Maths teacher after his the death of his parents. Cynical, rebellious and immature, Botchan finds himself facing several tests, from the pupils - prone to playing tricks on their new, naïve teacher; the staff - vain, immoral, and in danger of becoming a bad influence on Botchan; and from his own as-yet-unformed nature, as he finds his place in the world. One of the most popular novels in Japan where it is considered a classic of adolescence, as seminal as The Catcher in the Rye, Botchan is as funny, poignant and memorable as it was when first published, over 100 years ago.

A murderer discovers his true nature from a talking infant, a samurai is frustrated in his attempts to meditate, and a dying man bestows his hat on a friend in these surrealistic short stories. Written by the father of Japanese modernist literature, the dream-like, open-ended tales offer thought-provoking reading. This edition includes a fine new English translation by a noted expert.

Recounting the hilarious misadventures of a reckless young man who rebels against 'the system' in a country school, this irresistible coming of age tale is one of Japan's most popular novelsBotchan is a modern young man from the Tokyo metropolis, sent to the ultra-traditional Matsuyama district as a Maths teacher after his the death of his parents. Cynical, rebellious and immature, Botchan finds himself facing several tests, from the pupils - prone to playing tricks on their new, naïve teacher; the staff - vain, immoral, and in danger of becoming a bad influence on Botchan; and from his own as-yet-unformed nature, as he finds his place in the world. One of the most popular novels in Japan where it is considered a classic of adolescence, as seminal as The Catcher in the Rye, Botchan is as funny, poignant and memorable as it was when first published, over 100 years ago.In J. Cohn's introduction to his colourful translation, he discusses Botchan's success, the book's clash between Western intellectualism and traditional Japanese values, and the importance of names and nicknames in the novel.

The Three Cornered World is the novelistic expression of the contrast between the Western ethical view of reality and the Eastern ethical view by one of Japan's most beloved authors. Natsume Soseki tells of an artist who retreats to a country resort and becomes involved in a series of mysterious encounters with the owner's daughter. Intricately interwoven with the author's reflections on art and nature, conversations with Zen monks and writers of haiku, are a plethora of unique Japanese characters offering the reader an exquisite "word painting."

A stunning new English translation—the first in more than forty years—of a major novel by the father of modern Japanese fictionNatsume Soseki''s Kusamakura—meaning “grass pillow”—follows its nameless young artist-narrator on a meandering walking tour of the mountains. At the inn at a hot spring resort, he has a series of mysterious encounters with Nami, the lovely young daughter of the establishment. Nami, or "beauty," is the center of this elegant novel, the still point around which the artist moves and the enigmatic subject of Soseki''s word painting. In the author''s words, Kusamakura is "a haiku-style novel, that lives through beauty." Written at a time when Japan was opening its doors to the rest of the world, Kusamakura turns inward, to the pristine mountain idyll and the taciturn lyricism of its courtship scenes, enshrining the essence of old Japan in a work of enchanting literary nostalgia.From the Trade Paperback edition.

The great Japanese author’s most famous novel, in its first new English translation in half a century   No collection of Japanese literature is complete without Natsume Soseki''s Kokoro, his most famous novel and the last he completed before his death. Published here in the first new translation in more than fifty years, Kokoro—meaning "heart"—is the story of a subtle and poignant friendship between two unnamed characters, a young man and an enigmatic elder whom he calls "Sensei." Haunted by tragic secrets that have cast a long shadow over his life, Sensei slowly opens up to his young disciple, confessing indiscretions from his own student days that have left him reeling with guilt, and revealing, in the seemingly unbridgeable chasm between his moral anguish and his student''s struggle to understand it, the profound cultural shift from one generation to the next that characterized Japan in the early twentieth century.From the Trade Paperback edition.

A modern classic in Japan on par with The Adventures of Huckleberry Finn or The Catcher in the Rye, Botchan is a very popular Japanese novel and still widely read decades after its first publication. Botchan, a timeless Japanese novel written by Japan''s most beloved novelist, Soseki Natsume, is now available in a revised edition featuring a new foreword by Dennis Washburn, Professor of Asian and Middle Eastern Languages at Dartmouth College. Prof. Washburn''s foreword places the importance of both the author and the book into perspective for the modern reader.Botchan''s story is a familiar one: the youngest son in a middle-class Tokyo family, he is consistently in the shadow of his elder brother. With a practically nonexistent relationship with his family, Botchan finds himself cast adrift after both his parents die. Now on his own, Botchan drifts through college only to find himself thrust into a teaching job in the unfamiliar realm of a country school, far from Tokyo and the life he has known. Botchan''s difficulty adjusting to his new life is eloquently described, from his nosy landlord to his students, who delight in tormenting the newcomer from the big city. Through it all, Botchen''s life is threaded with his vacillating concern for Kiyo, the family servant he left behind who was the only person to give him love and understanding in his life. Regardless of where he goes or what he does, he is always trying to apply the lessons she taught him to his life.

"A nonchalant string of anecdotes and wisecracks, told by a fellow who doesn''t have a name, and has never caught a mouse, and isn''t much good for anything except watching human beings in action…" —The New Yorker Written over the course of 1904-1906, Soseki Natsume''s comic masterpiece, I Am a Cat, satirizes the foolishness of upper-middle-class Japanese society during the Meiji era. With acerbic wit and sardonic perspective, it follows the whimsical adventures of a world-weary stray kitten who comments on the follies and foibles of the people around him. A classic of Japanese literature, I Am a Cat is one of Soseki''s best-known novels. Considered by many as the greatest writer in modern Japanese history, Soseki''s I Am a Cat is a classic novel sure to be enjoyed for years to come.

First published as Nihyaku Toka in 1906, The 210th Day is published here for the first time in English. Focusing on two strongly contrasting characters, Kei and Roku, as they attempt to climb the rumbling Mount Aso as it threatens to erupt, it is a celebration of personal experience and subjective reaction to an event in the author''s life. During their progress up the mountain—where they encounter a storm on the 210th day (the lunar calendar day traditionally associated with typhoons)—and during a stopover at an inn along the way, Roku, the main protagonist, banters with Kei about his background, behavior and his reaction to the things they see. Kei surprises his easy–going friend by advocating a radical social agenda.Written almost entirely in the form of an extended dialogue, carried over several episodes, the book reveals Soseki''s gift for the striking image and his vivid imagination, as well as his talent for combining Eastern and Western genres—the Western auto–biography and the Japanese traditional literary diary—into a work with a unified theme and atmosphere. In his Introduction to the book, Dr Marvin Marcus, Associate Professor of Japanese Language and Literature at Washington University, provides insight into Soseki''s life and work.

Originally published as Garusudo no Uchi in daily serialization in the Asahi newspaper in 1915, before appearing in book form, this is the first time Inside My Glass Doors has been published in English. It is a moving literary reminiscence, a collection of thirty-nine autobiographical essays penned a year before the author''s death. Written in the genre of shohin (little items), the personal vignettes provide a kaleidoscopic view of Natsume Soseki''s private world and shed light on his concerns as a novelist.Readers are at once ushered into Soseki''s book-lined study, in his residence in Kikui-cho, as he muses on his present situation and reflects on the past. The story is filled with flashbacks to Soseki''s youth-his classmates, his family, and his old neighborhood-as well as episodes from the more recent past, all related in considerable detail. There are his characteristic ruminations about his physical well-being, and from the quiet spaces inside the glass doors of his study, he also calmly observes the clamorous state of the world outside.The essays in this book, crafted with extraordinary subtlety and psychological depth, reflect the work of a great author at the height of his powers.

Published here for the first time in English, My Individualism and The Philosophical Foundations of Literature are essays which explore issues close to famed Japanese novelist Soseki Natsume''s heart: the philosophical and cultural significance of isolation, belonging and identity associated with rapid technological, industrial and cultural change. Set against the background of the Meiji era, in which Soseki believed modern man was dislocated from Japan''s past as well as its future, he defines the role of art and the artist in light of the loneliness and individualism of the modern world.True to his self-conscious style, each essay includes individual biographical anecdotes, inviting their allegorical reading as stories about the fate of Japan. In My Individualism, Soseki gives a rare account of his stay in London from the perspective of twelve years after his return, allowing us to see the profound shift in his thinking about literature that occurred during this time. In The Philosophical Foundations of Literature, we find one of Soseki''s principal attempts to provide a cross-cultural framework for the interpretation of literature. Together, the essays reveal Soseki''s attempts to create a theory of literature that is characteristically Japanese.