Neil Murphy – författare

The Routledge Companion to Death and Literature seeks to understand the ways in which literature has engaged deeply with the ever-evolving relationship humanity has with its ultimate demise. It is the most comprehensive collection in this growing field of study and includes essays by Brian McHale, Catherine Belling, Ronald Schleifer, Helen Swift, and Ira Nadel, as well as the work of a generation of younger scholars from around the globe, who bring valuable transnational insights.Encompassing a diverse range of mediums and genres – including biography and autobiography, documentary, drama, elegy, film, the novel and graphic novel, opera, picturebooks, poetry, television, and more – the contributors offer a dynamic mix of approaches that range from expansive perspectives on particular periods and genres to extended analyses of select case studies. Essays are included from every major Western period, including Classical, Middle Ages, Renaissance, and so on, right up to the contemporary.This collection provides a telling demonstration of the myriad ways that humanity has learned to live with the inevitability of death, where “live with” itself might mean any number of things: from consoling, to memorializing, to rationalizing, to fending off, to evading, and, perhaps most compellingly of all, to escaping. Engagingly written and drawing on examples from around the world, this volume is indispensable to both students and scholars working in the fields of medical humanities, thanatography (death studies), life writing, Victorian studies, modernist studies, narrative, contemporary fiction, popular culture, and more.

The Routledge Companion to Death and Literature seeks to understand the ways in which literature has engaged deeply with the ever-evolving relationship humanity has with its ultimate demise. It is the most comprehensive collection in this growing field of study and includes essays by Brian McHale, Catherine Belling, Ronald Schleifer, Helen Swift, and Ira Nadel, as well as the work of a generation of younger scholars from around the globe, who bring valuable transnational insights.Encompassing a diverse range of mediums and genres – including biography and autobiography, documentary, drama, elegy, film, the novel and graphic novel, opera, picturebooks, poetry, television, and more – the contributors offer a dynamic mix of approaches that range from expansive perspectives on particular periods and genres to extended analyses of select case studies. Essays are included from every major Western period, including Classical, Middle Ages, Renaissance, and so on, right up to the contemporary.This collection provides a telling demonstration of the myriad ways that humanity has learned to live with the inevitability of death, where “live with” itself might mean any number of things: from consoling, to memorializing, to rationalizing, to fending off, to evading, and, perhaps most compellingly of all, to escaping. Engagingly written and drawing on examples from around the world, this volume is indispensable to both students and scholars working in the fields of medical humanities, thanatography (death studies), life writing, Victorian studies, modernist studies, narrative, contemporary fiction, popular culture, and more.

Companion to the Contemporary Irish Novel traces the cultural shift that began in the 1980s and continues through new ideological structures, new ways of telling stories, and a radically transformed sense of the very meaning of Irishness. This period of relentless disruption of Ireland's social, demographic, religious, and economic frames also offered immense imaginative possibilities to its writers. In direct contrast to the longer history of Irish writing’s persistent fascination with stasis, insularity, tradition, and paralysis, this volume addresses one of the most tumultuous periods of social transformation in Irish history. Defined more by change and structural transformation as the guiding principles, this is a period of shifting values, a reimagining of cultural frames, and a rewriting of the primary narratives of what it meant to be Irish. Bringing together scholars from across the field, Companion to the Contemporary Irish Novel explores the anxieties expressed and examined within Irish contemporary novels to offer a complete contextualized reading that traces vital changes in Irish government, economy, social values, and national identity.

This Element examines the emergence of comprehensive plague management systems in early modern France. While the historiography on plague argues that the plague of Provence in the 1720s represented the development of a new and 'modern' form of public health care under the control of the absolutist monarchy, it shows that the key elements in this system were established centuries earlier because of the actions of urban governments. It moves away from taking a medical focus on plague to examine the institutions that managed disease control in early modern France. In doing so, it seeks to provide a wider context of French plague care to better understand the systems used at Provence in the 1720s. It shows that the French developed a polycentric system of plague care which drew on the input of numerous actors combat the disease.

This Element examines the emergence of comprehensive plague management systems in early modern France. While the historiography on plague argues that the plague of Provence in the 1720s represented the development of a new and 'modern' form of public health care under the control of the absolutist monarchy, it shows that the key elements in this system were established centuries earlier because of the actions of urban governments. It moves away from taking a medical focus on plague to examine the institutions that managed disease control in early modern France. In doing so, it seeks to provide a wider context of French plague care to better understand the systems used at Provence in the 1720s. It shows that the French developed a polycentric system of plague care which drew on the input of numerous actors combat the disease.

The Routledge Companion to Literature and Art explores the links between literature and visual art from classical ekphrasis through to contemporary experimental forms. The collection’s engagement with diverse literary and cultural artifacts offers a comprehensive survey of the vibrant interrelationships that currently inform literary studies and the arts.Featuring four sections, the first part provides an overview of theoretical approaches to art and literature from philosophy and aesthetics through to cognitive neuroscience. Part two examines one of the most important intersections between text and image: the workings of ekphrasis across poetry, fiction, drama, comics, life and travel writing, and architectural treatises. Parts three and four consider intermedial crossings from antiquity to the present. The contributors examine the rich intermedial experiments that range from manuscript studies to infographics in graphic narratives, illuminating the vibrant ways in which texts have intersected with illustration, music, dance, architecture, painting, photography, media installations, and television.Throughout this dynamic collection of 37 chapters, the contributors evolve existing critical debates in innovative new directions. The volume will be a critical resource for advanced undergraduate and graduate students, as well as specialist scholars working in literary studies, philosophy of art, text and image studies, and visual culture.The Introduction and Chapters 10, 14 and 37 of this book are freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution (CC-BY) 4.0 license.

The Routledge Companion to Literature and Art explores the links between literature and visual art from classical ekphrasis through to contemporary experimental forms. The collection’s engagement with diverse literary and cultural artifacts offers a comprehensive survey of the vibrant interrelationships that currently inform literary studies and the arts.Featuring four sections, the first part provides an overview of theoretical approaches to art and literature from philosophy and aesthetics through to cognitive neuroscience. Part two examines one of the most important intersections between text and image: the workings of ekphrasis across poetry, fiction, drama, comics, life and travel writing, and architectural treatises. Parts three and four consider intermedial crossings from antiquity to the present. The contributors examine the rich intermedial experiments that range from manuscript studies to infographics in graphic narratives, illuminating the vibrant ways in which texts have intersected with illustration, music, dance, architecture, painting, photography, media installations, and television.Throughout this dynamic collection of 37 chapters, the contributors evolve existing critical debates in innovative new directions. The volume will be a critical resource for advanced undergraduate and graduate students, as well as specialist scholars working in literary studies, philosophy of art, text and image studies, and visual culture.The Introduction and Chapters 10, 14 and 37 of this book are freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution (CC-BY) 4.0 license.

This book provides a systematic analysis of the innovations that occurred in the display of royal power during John II’s four years in English captivity.

Drawing together a wide range of focused critical commentary and observation by internationally renowned scholars and writers, this collection of essays offers a major reassessment of Aidan Higgins' body of work almost 50 years after the appearance of his first book, 'Felo De Se'.

Initially published in 1984, Dermot Healy’s stunning first novel, Fighting with Shadows, returns to print after almost thirty years. Largely set in the border village of Fanacross, Co. Fermanagh, as Ireland stumbles clumsily toward modernity, the Allen family negotiate a bitter and troubled terrain. Fighting with Shadows offers extraordinary and poetic glimpses of the compelling lives of ordinary people. The novel’s landscape is of borderlands, of in-between spaces; it tells of violently sundered geographical borders, of maddening religious differences, of the anguished gaps between people as they struggle to find each other, and of how the dead reside among its inhabitants long after they’ve passed. At once realist account and nightmarish magic realist fable, Fighting with Shadows occupies a truly important position in the history of modern Irish fiction.

Like many of the great Irish writers before him, Dermot Healy first announced himself as a writer of intricate and innovative short stories. Healy’s stories are set in small-town Ireland and its rural environs, and in the equally suffocating confines of the Irish expat communities in London. Throughout these texts, Healy demonstrates a deep sense of compassion towards the marginalized and the dispossessed, without ever becoming sentimental or clichéd. The language is earthy and imagistic by turn, and he continually seeks to extend the formal boundaries of the genre.Gathering all of Healy’s stories together for the first time, this collection includes the long prose-drama “Before the Off” and Healy’s final short works, “Along the Lines” and “Images.”

Writing the Sky: Observations and Essays on Dermot Healy is a comprehensive collection of critical essays, memoirs, poetry, and other writerly responses devoted to the life and work of the late Dermot Healy (1947– 2014). Healy was an accomplished poet, short story writer, novelist, playwright, and editor, and so these essays and observations address the entire range of his eclectic and exciting oeuvre. While paying due tribute to the memory of the man himself, the collection primarily seeks to establish a series of important critical perspec- tives through which Healy’s writings can be properly viewed and assessed. Contemporary writers and poets— including Colm Tóibín, Neil Jordan, Aidan Higgins, Alannah Hopkin, Kevin Barry, Annie Proulx, Michael Longley, Roddy Doyle, Tess Gallagher, Timothy O’Grady, Glenn Patterson, Patrick McCabe, and many others—of- fer creative reflections on Healy’s work, while literary critics provide a wide-ranging foundation for future Healy scholarship. In total, over forty contributors from more than a dozen countries provide insight into one of Ireland’s most powerful and unique literary voices. This collection is absolutely crucial for everyone interested in the work of Dermot Healy and for all devotees of Irish literature.

John Banville offers a close analysis of most of Banville’s major novels, his Quirke crime novels, and his dramatic adaptations of Heinrich von Kleist’s plays. Banville’s work has been marked by an embedded discourse about the significance of art and by a concurrent self-consciousness of its own status as art. His novels perpetually reveal an overt fascination with the visual arts, in particular, and with the aesthetic principle of literature as art. This study asserts that, as a whole, Banville’s work presents an elaborate and richly textured coded account of his relationship with art and with the self-referential fictional world that his novels conjure. It is from this critical context that John Banville’s central argument is derived: that his fiction can be viewed as an extended interrogation of the meaning and status of art and that it is itself representative of the type of art admired in the pages of the novels.Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

The first comprehensive study of this war helps us understand how each country to defend the frontier, and the political issues which drove the Anglo-Scottish wars of the 1520s.The Anglo-Scottish War of 1522-1524 saw the mobilisation of tens of thousands of men and vast amounts of resources in both England and Scotland. Beyond its British context, the war had a European significance: it formed an element in the wider Valois-Habsburg struggles over Italy, with the complex systems of alliances spreading the repercussions of this struggle far across the continent and to the borders of England and Scotland.Recent years have seen the emergence of a renewed debate around the status of the Anglo-Scottish frontier and the wider political and social conditions which predominated in the borderlands of each kingdom. Although there has been a move to present the Anglo-Scottish border as a porous frontier where the populations on either side were closely connected, these neighbourly links imploded rapidly in wartime when frontier populations were co-opted into a national struggle. It is significant that borderers were responsible for inflicting the heaviest violence on each other during the war.Drawing on an unprecedented access to English and Sottish sources of the conflict, this book offers an important new contribution to both Scottish and English history as well as the wider military history of late medieval and early modern Europe. Aspects of military mobilisation, logistics, the defence of frontiers, the use of violence against civilians and wartime espionage feature prominently.

Mental Health is an accessible introductory textbook aimed primarily at nursing and health care students who are not in the mental health field of practice but are seeking to understand mental health and become rounded practitioners. It will also be useful as a broad introduction for mental health nursing students.Through clear explanations, examples and activities, the book will help you to recognise and support people with mental health issues whenever they are encountered in your practice. You will learn:What mental health is and how it interacts with physical healthAbout different theories and models that are applied to understanding mental illnessHow to relate to and communicate with people experiencing mental health problemsHow to recognise the common diagnosable mental health disorders and understand the treatments and interventions that are applied to themAbout the impact that mental health issues can have on people at different stages of life, from childhood to adulthood and later lifeHow to apply legal and ethical frameworks and to assess risk when supporting people with mental health issues.Written by a team of highly experienced mental health academics and practitioners, this book will help you to develop the underpinning knowledge and skills you need and to apply them in your own field of practice.Pre-publication reviews“Accessible and thorough, and definitely well pitched for non-mental health clinicians.” Senior Lecturer, Mental Health Nursing“From an adult nursing point of view it’s got everything I would expect it to cover.” Adult nursing student"The book is very readable and accessible, I like the tone of the text as it is informative, and the activities give you chance to reflect.... The information is comprehensive without being too wordy, but academically sound. This book should be on the reading list for all nursing students and other HCP students. It should also be on the book shelf in all nursing offices, [social worker] offices, occupational health etc..” Mental health nursing student“I would definitely recommend this book to non-specialists. I like the breadth of areas that the book covers.” Senior Lecturer, Mental Health NursingEssentials is a series of accessible, introductory textbooks for students in nursing, health and social care. New and forthcoming titles in the series:The Care ProcessCommunication SkillsLeadershipLearning DisabilitiesMental HealthPromoting Health and WellbeingResearch and Evidence-Based PracticeStudy Skills

In a fresh examination of the French ceremonial entry, Neil Murphy considers the role these events played in the negotiation between urban elites and the Valois monarchy for rights and liberties. Moving away from the customary focus on the pageantry, this book focuses on how urban governments used these ceremonies to offer the ruler (or his representatives) petitions regarding their rights, liberties and customs. Drawing on extensive research, he shows that ceremonial entries lay at the heart of how the state functioned in later medieval and Renaissance France.

In 1544, Henry VIII led the largest army then ever raised by an English monarch to invade France. This book investigates the consequences of this action by examining the devastating impact of warfare on the native population, the methods the English used to impose their rule on the region (from the use of cartography to the construction of fortifications) and the development of English of colonial rule in France. As Murphy explores the significance of this major financial and military commitment by the Tudor monarchy, he situates the developments within the wider context of English actions in Ireland and Scotland during the mid-sixteenth century. Rather than consider the plantations established in the mid-sixteenth century Ireland as the 'laboratory' for a new form of empire, this book argues that they should be viewed along with the Boulogne venture as the English crown's final attempt to establish colonies through the use of state resources alone.

Aidan Higgins's great novel has long been unavailable, and is here reissued in a new and revised edition. "Balcony of Europe" tells the story of a young Jewish wife from San Francisco and a middle-aged Irish painter who meet in a village on the coast of Spain, beginning an affair during the coldest European winter in two hundred years--all the while surrounded by a cast of characters as bizarre and hilarious as they are, finally, touching. Lyrical and humorous, heartbreaking and hopeful, "Balcony of Europe "is Aidan Higgins's crowning achievement.

This riotous collection at last gathers together an expansive selection of Flann O'Brien's shorter fiction in a single volume, as well as O'Brien's last and unfinished novel, "Slattery's Sago Saga." Also included are new translations of several stories originally published in Irish, and other rare pieces. With some of these stories appearing here in book form for the very first time, and others previously unavailable for decades, "Short Fiction" is a welcome gift for every Flann O'Brien fan worldwide.

Although Dermot Healy (1947-2014) is probably best known as a novelist and poet, he was also a prolific playwright, screenwriter, and actor. Healy’s interest in drama was long-standing, and was central to his development as a writer. Between 1985 and 2010 he wrote thirteen stage plays, all of which are gathered here for the first time. Although the settings of Healy’s plays are often local and regional by design, their energy and vision transcend those boundaries. In this respect, the publication of The Collected Plays will be of interest to all scholars and practitioners of contemporary drama.