Neil Printz – författare

The 607 paintings and one sculpture documented in Volume 4 of The Andy Warhol Catalogue Raisonné were produced during a period of less than three years, from late 1974 through early 1977. In September 1974, Warhol changed studios, moving across Union Square from the sixth floor of 33 Union Square West to the third floor of 860 West Broadway. Like Volumes 2 and 3, Volume 4 is identified with a new studio, where Warhol continued to work for a decade, until he moved into his last studio at 22 East 33rd Street on December 3, 1984. Volume 4 may be seen as the first in a series of books associated with one studio that will document an enormously productive ten-year period in Warhol's oeuvre from the mid seventies to the mid eighties.

Andy Warhol (1928-1987) is one of the most iconic figures of twentieth-century art, a highly enigmatic personality who not only altered the definition of art but also left in his wake a vast and staggeringly complex record of his daily activities.The Andy Warhol Catalogue Raisonné, the definitive record of the artist's paintings, sculptures and drawings, cover some 15,000 works produced by Warhol between 1948 and 1987. Also included is an incredible array of rarely published source material, including newspaper scraps and movie star publicity stills that inspired Warhol's boundlessly fascinating life and career.The Andy Warhol Catalogue Raisonné was initiated in 1977 by Thomas Ammann. The editors Georg Frei and Neil Printz began primary research in 1993 and have been advised throughout the project by the distinguished curators and art historians Kynaston McShine and Robert Rosenblum. Experts from the Andy Warhol Foundation personally examined the vast majority of Warhol's works and began a thorough review of his archive, which at his death consisted of some 1,500 cardboard boxes, flat files, and trunks filled with source material, memorabilia, correspondence and junk mail.The editors examined works in museum conservation facilities and discussed them with conservators, submitted works for review by the Andy Warhol Art Authentication Board, and interviewed Warhol's assistants and colleagues to assemble a customized database of works unparalleled in Warhol scholarship. All of their findings are documented in this unprecendented project.Each annotated catalogue entry includes the works title, date, medium, dimensions and present owner, followed by a record of inscriptions, provenance, exhibitions and literature. Related works are linked by general introductory texts that explore historical circumstances, shared themes and studio practices. Supplementary figures to the texts illustrate source materials that Warhol appropriated for his works: newspaper articles and advertisements, soup cans and publicity stills, as well as related drawings, works by other artists, and studio and exhibition views. Volume 1 includes classic and much-prized Warhols such as the Campbell Soup paintings, images of the iconic figures of Marilyn, Liz and Elvis, and early self-portraits.

The sculpture and paintings of 1970–4 are the subject of this third volume of the catalogue dedicated to publishing the complete paintings, sculptures and drawings of Andy Warhol (1928–87). As authoritative and detailed as the highly praised first two volumes, here Warhol's sculptures and paintings of these four years are comprehensively catalogued and illustrated. Early in this period Warhol was concentrating on film and sculpture, as he had been since being shot in 1968, but by late 1971 or early 1972 he was returning to painting and developing his painterly, 'sloppy and fast' style; a dramatic shift from his 'hard' mechanical style of before 1968. The volume covers major sculptures, such as the Rain Machine, the series of paintings Mao and Man Ray, and commissioned portraits of important, celebrated and fashionable people of the day – many from Warhol's travels through Europe during this time. It is a time of great transition for Warhol, including developing his relationships with various media and the impact of his first purchase of a Big Shot Polaroid camera. His diaries and the photographs he took on travels and of his subjects enliven the narrative and give intriguing insights into his works of these years and his unique engagement with the culture and society of that time.

The highly anticipated fifth volume of The Andy Warhol Catalogue Raisonné, covering his paintings from 1976 to 1978This two-book addition to The Andy Warhol Catalogue Raisonné persuasively demonstrates the subversive core of Warhol's art. Intent on radical departure from his portraiture in the early seventies, Warhol's production gradually became anything but 'just faces'. From portraits of athletes and self-portraits to his Skull and Hammer and Sickle series, the Torso and Sex Parts paintings, and his abstract Piss, Oxidation, and Cum canvases, volume 5 showcases Warhol's work as powerful, and provocative as ever.