Neil Sadler – författare

With the rise and rise of social media, today’s communication practices are significantly different from those of even the recent past. A key change has been a shift to very small units, exemplified by Twitter and its strict 280-character limit on individual posts. Consequently, highly fragmented communication has become the norm in many contexts. Fragmented Narrative sets out to explore the production and reception of fragmentary stories, analysing the Twitter-based narrative practices of Donald Trump, the Spanish political movement Podemos, and Egyptian activists writing in the context of the 2013 military intervention in Egypt. Sadler draws on narrative theory and hermeneutics to argue that narrative remains a vital means for understanding, allowing fragmentary content to be grasped together as part of significant wholes. Using Heideggerian ontology, he proposes that our capacity to do this is grounded in the centrality of narrative to human existence itself. The book strives to provide a new way of thinking about the interpretation of fragmentary information, applicable both to social media and beyond. Contributing to the emerging literature in existential media studies, this timely volume will interest students, scholars and researchers of narrative, new media and language and communication studies.

With the rise and rise of social media, today’s communication practices are significantly different from those of even the recent past. A key change has been a shift to very small units, exemplified by Twitter and its strict 280-character limit on individual posts. Consequently, highly fragmented communication has become the norm in many contexts. Fragmented Narrative sets out to explore the production and reception of fragmentary stories, analysing the Twitter-based narrative practices of Donald Trump, the Spanish political movement Podemos, and Egyptian activists writing in the context of the 2013 military intervention in Egypt. Sadler draws on narrative theory and hermeneutics to argue that narrative remains a vital means for understanding, allowing fragmentary content to be grasped together as part of significant wholes. Using Heideggerian ontology, he proposes that our capacity to do this is grounded in the centrality of narrative to human existence itself. The book strives to provide a new way of thinking about the interpretation of fragmentary information, applicable both to social media and beyond. Contributing to the emerging literature in existential media studies, this timely volume will interest students, scholars and researchers of narrative, new media and language and communication studies.

Contesting Translation, a celebratory edited volume, honours Professor Mona Baker, one of the most influential scholars in translation, interpreting, and intercultural studies. The 11 original chapters were especially commissioned from scholars who have developed enduring personal, professional, and intellectual connections with Baker through her teaching and research.The chapters are framed by a reflective introduction, and clustered into three inter-related sections: "Trajectories and Concepts", "Narratives and Corpora", and "Activism and Solidarity", which together map the routes and approaches that characterize Baker’s oeuvre. Individual chapters offer studies on topics ranging from literary translation, knowledge translation, journalistic translation, and museum translation to political and aspirational translation. Studies are situated in diverse temporal and geographical environments, extending from the seventeenth-century Low Countries to present-day Palestine. Chapters resonate with each other through critical scholarly engagement with the history, discourse, and politics of translation, and through a shared interest in the significance of the stories we tell each other and ourselves.Relevant for students new to translation and interpreting studies as well as established and emerging scholars more familiar with the field’s contours, Contesting Translation is a landmark contribution to a dynamic discipline that has itself been significantly shaped by one of its most forthright and creative scholars.Chapters: Chapter 4 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC BY-NC-ND)] 4.0 license.

Contesting Translation, a celebratory edited volume, honours Professor Mona Baker, one of the most influential scholars in translation, interpreting, and intercultural studies. The 11 original chapters were especially commissioned from scholars who have developed enduring personal, professional, and intellectual connections with Baker through her teaching and research.The chapters are framed by a reflective introduction, and clustered into three inter-related sections: "Trajectories and Concepts", "Narratives and Corpora", and "Activism and Solidarity", which together map the routes and approaches that characterize Baker’s oeuvre. Individual chapters offer studies on topics ranging from literary translation, knowledge translation, journalistic translation, and museum translation to political and aspirational translation. Studies are situated in diverse temporal and geographical environments, extending from the seventeenth-century Low Countries to present-day Palestine. Chapters resonate with each other through critical scholarly engagement with the history, discourse, and politics of translation, and through a shared interest in the significance of the stories we tell each other and ourselves.Relevant for students new to translation and interpreting studies as well as established and emerging scholars more familiar with the field’s contours, Contesting Translation is a landmark contribution to a dynamic discipline that has itself been significantly shaped by one of its most forthright and creative scholars.Chapters: Chapter 4 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC BY-NC-ND)] 4.0 license.