Niall O'Sullivan – författare

Three experts provide an authoritative guide to the theory and practice of derivatives Derivatives: Theory and Practice and its companion website explore the practical uses of derivatives and offer a guide to the key results on pricing, hedging and speculation using derivative securities. The book links the theoretical and practical aspects of derivatives in one volume whilst keeping mathematics and statistics to a minimum. Throughout the book, the authors put the focus on explanations and applications. Designed as an engaging resource, the book contains commentaries that make serious points in a lighthearted manner. The authors examine the real world of derivatives finance and include discussions on a wide range of topics such as the use of derivatives by hedge funds and the application of strip and stack hedges by corporates, while providing an analysis of how risky the stock market can be for long-term investors, and more. To enhance learning, each chapter contains learning objectives, worked examples, details of relevant finance blogs technical appendices and exercises.

'The mouthmark Book of Poetry' is an anthology of the individual-author titles published under the mouthmark poetry pamphlet series, comprising the work of Nick Makoha, Inua Ellams, Jacob Sam-La Rose, Jessica Horn, Truth Thomas, Denise Saul, Malika Booker, Janett Plummer and Warsan Shire. The series was conceived by flipped eye publishing's senior editor, Nii Ayikwei Parkes, as a means to get poets from non-mainstream backgrounds - including performance - into print. It was revolutionary for two reasons; first, it was a pamphlet series developed with a specific aim (later, tall-lighthouse would launch its pilot series, and, much later, Faber would launch its New Poets Initiative); second, it was a finite series - to end after ten pamphlets. After some success with the first two pamphlets in the series, Nick Makoha's 'The Lost Collection of an Invisible Man' (2005) and Inua Ellams' '13 Fairy Negro Tales' (2005), the Arts Council of England provided funding for the next four. It took six years for the series to be completed, but its impact far exceeded expectations.Authors such as Inua Ellams, Jacob Sam-La Rose (later editor of the last pamphlet in the series), Nick Makoha and Warsan Shire, have risen to international prominence; three of the pamphlets were cited by the Poetry Book Society pamphlet selectors for their quality; five of the poets have since been chosen for the ground-breaking national Complete Works development programme for UK poets of minority ethnic backgrounds; and Truth Thomas's from his pamphlet 'Party of Black' (2006) was chosen for Nikki Giovanni's 'The 100 Best African American Poems' (Sourcebooks, 2010). Crucially, the series retailed admirably as well, with over 10,000 copies sold at events - and through conventional retail channels. Now, with the release of 'The mouthmark Book of Poetry', readers can experience all nine individual poets published under the mouthmark poetry pamphlet series in this collectible volume that retains hallmarks of the iconic series, such as the distinctive brown paper-look cover with bold black designs.

For no particular reason, and at no-one else's behest, Niall O'Sullivan set about writing a sonnet a day during the month of September 2010. Never missing his daily deadline, Niall published first drafts with accompanying videos on his website www.niallosullivan.co.uk. The resulting body of work went to places that few sonnets have gone to before: searching for snow leopards on the mountains of Afghanistan; finding erotic links between lycanthropy and botany; joining the final Neanderthal on his last night on Earth; justifying the clown costume bomb disposal scene in Octopussy. Months after the project finished, the poems can now be read for the first time in their finished forms. The Sonnet Hack pamphlet marks the completion of an ambitious project that sought to link formal poetry more intimately to our social condition and our time.