Nichola Khan – författare

Synthesizing political, anthropological and psychological perspectives, this book addresses the everyday causes and appeal of long-term involvement in extreme political violence in urban Pakistan. Taking Pakistan’s ethno nationalist Mohajir party, the Muttahida Qaumi Movement (MQM) as a case study, it explores how certain men from the ethnic community of Mohajirs are recruited to the roles and statuses of political killers, and sustain violence as a primary social identity and lifestyle over a period of some years. By drawing on detailed fieldwork in areas involved in the Karachi conflict, the author contributes to understandings of violence, tracing the development of violent aspects of Mohajir nationalism via an exploration of political and cultural contexts of Pakistan’s history, and highlighting the repetitive homology of the conflict with the earlier violence of Partition. Through a local comparison of ethnic and religious militancy she also updates the current situation of social and cultural change in Karachi, which is dominantly framed in terms of Islamist radicalization and modernization. In her examination, governance and civil society issues are integrated with the political and psychological dimensions of mobilization processes and violence at micro-, meso- and macro- levels. This book injects a critical and innovative voice into the ongoing debates about the nature and meaning of radicalization and violence, as well as the specific implications it has for similar, contemporary conflicts in Pakistan and the developing world.

Synthesizing political, anthropological and psychological perspectives, this book addresses the everyday causes and appeal of long-term involvement in extreme political violence in urban Pakistan. Taking Pakistan’s ethno nationalist Mohajir party, the Muttahida Qaumi Movement (MQM) as a case study, it explores how certain men from the ethnic community of Mohajirs are recruited to the roles and statuses of political killers, and sustain violence as a primary social identity and lifestyle over a period of some years. By drawing on detailed fieldwork in areas involved in the Karachi conflict, the author contributes to understandings of violence, tracing the development of violent aspects of Mohajir nationalism via an exploration of political and cultural contexts of Pakistan’s history, and highlighting the repetitive homology of the conflict with the earlier violence of Partition. Through a local comparison of ethnic and religious militancy she also updates the current situation of social and cultural change in Karachi, which is dominantly framed in terms of Islamist radicalization and modernization. In her examination, governance and civil society issues are integrated with the political and psychological dimensions of mobilization processes and violence at micro-, meso- and macro- levels. This book injects a critical and innovative voice into the ongoing debates about the nature and meaning of radicalization and violence, as well as the specific implications it has for similar, contemporary conflicts in Pakistan and the developing world.

This brief book introduces the ways in which contemporary anthropology engages with the "psych" disciplines: psychology, psychiatry, and medicine. Khan also widens the conversation by including the perspectives of epidemiologists, addiction and legal experts, journalists, filmmakers, activists, patients, and sufferers. New approaches to mental illness are situated in the context of historical, political, psychoanalytic, and postcolonial frameworks, allowing readers to understand how health, illness, normality, and abnormality are constructed and produced. Using case studies from a variety of regions, Khan explores what anthropologically informed psychology, psychiatry, and medicine can tell us about mental illness across cultures.

A monumental account of one migrant community’s everyday lives, struggles, and aspirations Forty years of continuous war and conflict have made Afghans the largest refugee group in the world. In this first full-scale ethnography of Afghan migrants in England, Nichola Khan examines the imprint of violence, displacement, kinship obligations, and mobility on the lives and work of Pashtun journeyman taxi drivers in Britain. Khan’s analysis is centered in the county of Sussex, site of Brighton’s orientalist Royal Pavilion and the former home of colonial propagandist Rudyard Kipling. Her nearly two decades of relationships and fieldwork have given Khan a deep understanding of the everyday lives of Afghan migrants, who face unrelenting pressures to remit money to their struggling relatives in Pakistan and Afghanistan, adhere to traditional values, and resettle the wives and children they have left behind. This kaleidoscopic narrative is enriched by the migrants’ own stories and dreams, which take on extra significance among sleep-deprived taxi drivers. Khan chronicles the way these men rely on Pashto poems and aphorisms to make sense of what is strange or difficult to bear. She also attests to the pleasures of local family and friends who are less demanding than kin back home-sharing connection and moments of joy in dance, excursions, picnics, and humorous banter. Khan views these men’s lives through the lenses of movement-the arrival of friends and family, return visits to Pakistan, driving customers, even the journey to remit money overseas-and immobility, describing the migrants who experience “stuckness” caused by unresponsive bureaucracies, chronic insecurity, or struggles with depression and other mental health conditions. Arc of the Journeyman is a deeply humane portrayal that expands and complicates current perceptions of Afghan migrants, offering a finely analyzed description of their lives and communities as a moving, contingent, and fully contemporary force.

A monumental account of one migrant community’s everyday lives, struggles, and aspirations Forty years of continuous war and conflict have made Afghans the largest refugee group in the world. In this first full-scale ethnography of Afghan migrants in England, Nichola Khan examines the imprint of violence, displacement, kinship obligations, and mobility on the lives and work of Pashtun journeyman taxi drivers in Britain. Khan’s analysis is centered in the county of Sussex, site of Brighton’s orientalist Royal Pavilion and the former home of colonial propagandist Rudyard Kipling. Her nearly two decades of relationships and fieldwork have given Khan a deep understanding of the everyday lives of Afghan migrants, who face unrelenting pressures to remit money to their struggling relatives in Pakistan and Afghanistan, adhere to traditional values, and resettle the wives and children they have left behind. This kaleidoscopic narrative is enriched by the migrants’ own stories and dreams, which take on extra significance among sleep-deprived taxi drivers. Khan chronicles the way these men rely on Pashto poems and aphorisms to make sense of what is strange or difficult to bear. She also attests to the pleasures of local family and friends who are less demanding than kin back home-sharing connection and moments of joy in dance, excursions, picnics, and humorous banter. Khan views these men’s lives through the lenses of movement-the arrival of friends and family, return visits to Pakistan, driving customers, even the journey to remit money overseas-and immobility, describing the migrants who experience “stuckness” caused by unresponsive bureaucracies, chronic insecurity, or struggles with depression and other mental health conditions. Arc of the Journeyman is a deeply humane portrayal that expands and complicates current perceptions of Afghan migrants, offering a finely analyzed description of their lives and communities as a moving, contingent, and fully contemporary force.

This Palgrave Pivot combines anthropological, biographical and autoethnographic perspectives onto imperial intimacies, the transgenerational transmission of colonial and familial trauma, and violence in two kinds of household: the Chinese family in British Hong Kong and wider imperial Asia, and the Anglo-Chinese family in England.