Nicholas Blincoe – författare

**SHORTLISTED FOR THE JAMES TAIT BLACK BIOGRAPHY PRIZE**"Idiosyncratic and entertaining," Sunday Times"A fascinating family and social history," Catherine Taylor, author of The Stirrings: A Memoir in Northern Time"A fascinating dual story," Edel Coffey, The GlossWe all think we know the tale. As a child, Charles Dickens was forced to work in a mouldering Thames-side blacking factory, an event that scarred him for life and inspired Oliver Twist. Except that's only part of the story. In reality, Dickens appropriated the stories of foundlings and orphans - including Robert Blincoe, whose memoir supplied the source material for his great novel of childhood. In Oliver Twist & Me, novelist Nicholas Blincoe presents a dual biography of Dickens and his great-great-great-grandfather Robert, showing how the story of an orphan took off in different directions, helping Dickens project himself as an inimitable literary one-off, just as Robert's memoir of a workhouse boy gave a voice to the masses.By playing off the lives of a working-class hero and a classic author, Oliver Twist & Me reveals Dickens - and his world - as they have never been seen before.

"A fascinating family and social history and a savage indictment of the role of child slavery in the growth of the Industrial Revolution," Catherine Taylor, author of The Stirrings: A Memoir in Northern Time"A fascinating dual story," Edel Coffey, The GlossWe all think we know the tale. As a child, Charles Dickens was forced to work in a mouldering Thames-side blacking factory, an event that scarred him for life and inspired Oliver Twist. Except that's only part of the story. In reality, Dickens appropriated the stories of foundlings and orphans - including Robert Blincoe, whose memoir supplied the source material for his great novel of childhood. In Oliver Twist & Me, novelist Nicholas Blincoe presents a dual biography of Dickens and his great-great-great-grandfather Robert, showing how the story of an orphan took off in different directions, helping Dickens project himself as an inimitable literary one-off, just as Robert's memoir of a workhouse boy gave a voice to the masses.From London and Kent to the factories of Manchester, Blincoe retraces the steps of both men, along the way discovering the Camden workhouse that inspired Dickens and revisiting the great stage musical. His journeys with his family and his dog Fredo lead him to an affectionate reassessment of a beloved classic, while also revealing how Dickens shaped the story of his lonely childhood to suppress his debt to his family, hide his affairs and, as his career ignited, abandon the people who had helped him. By playing off the lives of a working-class hero and a classic author, Oliver Twist & Me reveals Dickens - and his world - as they have never been seen before.

By turns tragic and hopeful, the history of Israel and Palestine through the lens of the world's most popular sport.Football has never been shy of politics. This is especially true for Israel and Palestine. A sport introduced by Victorian churchmen swiftly became a vehicle for nationalism and pride. Under British military rule, Jewish and Palestinian teams competed in the same leagues, not only on the pitch, but in smoky committee rooms and street corners, as the two communities fought for control of the sport. After the creation of Israel in 1948, Palestinian football survived among refugees, with Jordan's greatest side hailing from the poorest of the camps on the fringes of the capital. In recent years, Israel's dynamic Premier League has seen some of the country's best teams and players emerge from the Palestinian community - inspiring hope that football might help Arabs and Jews become friends and equals. Meanwhile, in the West Bank and Gaza, a series of shock wins by a new Palestinian national side saw Palestine climb the FIFA rankings, making football the one field where Palestinians could compete with pride on a world stage, as one nation among the others. This is a vibrant and often shocking story filled with driven, even ferocious people who are inspired by nationalism as much as a love of the game. There are many sacrifices, as brilliant teams are scattered by wars, side-lined through boycotts, and stories of players arrested, expelled, driven to hunger strikes, and beaten or shot. It is a story not simply of Jewish-Arab rivalry, but also of the deep fracture lines within each community.In this unusual history of the world's most intractable conflict, Nicholas Blincoe sets out to ask: is it hopelessly romantic to think of football as a level playing field, governed by sportsmanship and the love of the game? Or will it always be just another space to be fought over and polluted?

The town of Bethlehem carries so many layers of meaning--some ancient, some mythical, some religious--that it feels like an unreal city, even to the people who call it home. Today, the city is hemmed in by a wall and surrounded by forty-one Israeli settlements and hostile settlers and soldiers. The population is undergoing such enormous strains it is close to falling apart. Any town with an eleven-thousand-year history has to be robust, but Bethlehem may soon go the way of Salonica or Constantinople: the physical site might survive, but the long thread winding back to the ancient past will have snapped, and the city risks losing everything that makes it unique.Still, for many, Bethlehem remains the "little town" of the Christmas song. Nicholas Blincoe will tell the history of the famous little town, through the visceral experience of living there, taking readers through its stone streets and desert wadis, its monasteries, aqueducts and orchards, showing the city from every angle and era. Inevitably, a portrait of Bethlehem will shed light on one of the world's most intractable political problems. Bethlehem is a much-loved Palestinian city, a source of pride and wealth but also a beacon of co-existence in a region where hopelessness, poverty and violence has become the norm. Bethlehem could light the way to a better future, but if the city is lost then the chances of an end to the Israel-Palestine conflict will be lost with it.

The town of Bethlehem carries so many layers of meaning--some ancient, some mythical, some religious--that it feels like an unreal city, even to the people who call it home. Today, the city is hemmed in by a wall and surrounded by forty-one Israeli settlements and hostile settlers and soldiers. The population is undergoing such enormous strains it is close to falling apart. Any town with an eleven-thousand-year history has to be robust, but Bethlehem may soon go the way of Salonica or Constantinople: the physical site might survive, but the long thread winding back to the ancient past will have snapped, and the city risks losing everything that makes it unique.Still, for many, Bethlehem remains the "little town" of the Christmas song. Nicholas Blincoe will tell the history of the famous little town, through the visceral experience of living there, taking readers through its stone streets and desert wadis, its monasteries, aqueducts and orchards, showing the city from every angle and era. Inevitably, a portrait of Bethlehem will shed light on one of the world's most intractable political problems. Bethlehem is a much-loved Palestinian city, a source of pride and wealth but also a beacon of co-existence in a region where hopelessness, poverty and violence has become the norm. Bethlehem could light the way to a better future, but if the city is lost then the chances of an end to the Israel-Palestine conflict will be lost with it.

‘All Hail, the New Puritans’ is the collection of new stories from the most exciting young novelists today. Inspired by the Dogme 95 group of film makers, the New Puritans are attempting to rediscover fiction as a discipline rather than a category.1. Primarily storytellers, we are dedicated to the narrative form.2. We are prose writers and recognise that prose is the dominant form of expression.For this reason we shun poetry and poetic licence in all its forms.3. While acknowledging the value of genre fiction, whether classical or modern, we will always move towards new openings, rupturing existing genre expectations.4. We believe in textual simplicity and vow to avoid all devices of voice: rhetoric, authorial asides.5. In the name of clarity, we recognise the importance of temporal linearity and eschew flashbacks, dual temporal narratives and foreshadowing.6. We believe in grammatical purity and avoid any elaborate punctuation.7. We recognise that published works are also historical documents. As fragments of our time, all our texts are dated and set in the present day. All products, places, artists and objects named are real.8. As faithful representation of the present, our texts will avoid all improbable or unknowable speculations on the past or the future.9. We are moralists, so all text feature a recognisable ethical reality.10. Nevertheless, our aim is integrity of expression, above and beyond any commitment to form.