Nicholas Bradley – författare

From the 1960s until his death in 2000, Al Purdy was one of the most prominent writers in Canada, famous for his frank language and his boisterous personality. He travelled the country and wrote about its people and places from Newfoundland to Vancouver Island. A central figure in the CanLit explosion of the sixties and seventies, Purdy has been called the best, the most, and the last Canadian poet. But Purdy's Canada no longer exists. A changing country and shifting attitudes toward Canadian literature demand new perspectives on Purdy's impact and accomplishments. An Echo in the Mountains reassesses Purdy's works, the shape of his career, and his literary legacy, grappling with the question of how to read Purdy today, a century after his birth and in a new era of Canadian literature. Contributors to the volume examine Purdy's critical reception, explore little-known documents and textual problems, and analyze his representations of Canadian history and Indigenous peoples and cultures. They show that much remains to be discovered and understood about the poet and his immense body of work.The first sustained examination of Al Purdy's works in over a decade, An Echo in the Mountains showcases the critical challenges and rewards of rereading an iconic and influential Canadian writer.

Ecocriticism can be described in very general terms as the investigation of the many ways in which culture and the environment are interrelated and conceptualized. Ecocriticism aspires to understand and often to celebrate the natural world, yet it does so indirectly by focusing primarily on written texts. Hailed as one of the most timely and provocative developments in literary and cultural studies of recent decades, it has also been greeted with bewilderment or scepticism by those for whom its aims and methods are unclear.This book seeks to bring into view the development of ecocriticism in the context of Canadian literary studies. Selections include work by Margaret Atwood, Northrop Frye, Sherrill Grace, and Rosemary Sullivan.

Current, Climate is an introduction to the environmental and social-justice poetry of Rita Wong. Selections from her poetic oeuvre show how Wong has responded to local and global inequities with outrage, linguistic inventiveness, and sometimes humour. Wong's poetry explores the meeting places of life, language, and land - from downtown Vancouver to the headwaters of the Columbia River. Her poems are deeply attentive to places and their names, and especially to the imposition of foreign words on the unceded Indigenous lands of what is otherwise known as British Columbia. Exhorting readers to recognize their responsibilities to the planet and to their communities, Wong's watershed poetics encompass anger, grief, wit, and hope.Nicholas Bradley's introduction situates Wong's poetry in its literary and cultural contexts, focusing on the role of the author in a time of crisis. In Wong's case, poetry and political activism are intertwined - and profoundly connected to the land and water that sustain us. The volume concludes with an afterword by Rita Wong.

Rain Shadow is a collection of poetry that explores the fraught relationship between the natural world and humans yearning to connect with something greater than themselves. The poems range through destabilized lives and landscapes, fathoming presence and absence, transformation and oblivion. They outline the major questions of our time as the poet crisscrosses western Canada and the Pacific Northwest. Witty, playful, serious, and heartsore, Rain Shadow seeks to understand the space in which people and nature are inextricably entwined.I walk like a bear—I have a bear’s gait—but the gate to the bear’s mind is closed.—from “The Bear and the Wind”