Nicholas Hammond – författare

Pascal's Pensées is generally acknowledged as one of the greatest masterpieces of seventeenth-century France, an unfinished work which has both inspired and perplexed readers in succeeding centuries.Playing with Truth is the first comprehensive book on Pascal to be devoted to his use of key terms depicting the central subject of the Pensées, the human condition. Nicholas Hammond explores such fundamental notions as language and order, proceeding with a detailed analysis of the words inconstance, ennui, inquiétude, bonheur, félicité, and justice. Developing and challenging the most recent scholarship about the text, Hammond identifies the crucial notion of play (as exemplified in the term divertissement) which underlies all these words and applies his findings to the notoriously unstable concept of truth. Through the fragmentary nature of the Pensées and the shifting meaning of terms, Pascal is shown to be deliberately engaging the reader in a game to make sense of the text. Giving an in-depth account of a many important critical controversies of the day, as well as offering a novel and provocative insight into the persuasive purpose of the Pensées, this study will be of interest to specialist and undergraduate readers alike.

The long and spectacular reign of Louis XIV of France is typically described in overwhelmingly visual terms. In this book, Nicholas Hammond takes a sonic approach to this remarkable age, opening our ears to the myriad ways in which sound revealed the complex acoustic dimensions of class, politics, and sexuality in seventeenth-century Paris.The discovery in the French archives of a four-line song from 1661 launched Hammond’s research into the lives of the two men referenced therein—Jacques Chausson and Guillaume de Guitaut. In retracing the lives of these two men (one sentenced to death by burning and the other appointed to the Ordre du Saint-Esprit), Hammond makes astonishing discoveries about each man and the ways in which their lives intersected, all in the context of the sounds and songs heard in the court of Louis XIV and on the streets and bridges of Paris. Hammond’s study shows how members of the elite and lower classes in Paris crossed paths in unexpected ways and, moreover, how noise in the ancien régime was central to questions of crime and punishment: street singing was considered a crime in itself, and yet street singers flourished, circulating information about crimes that others may have committed, while political and religious authorities wielded the powerful sounds of sermons and public executions to provide moral commentaries, to control crime, and to inflict punishment.This innovative study explores the theoretical, social, cultural, and historical contexts of the early modern Parisian soundscape. It will appeal to scholars interested in sound studies and the history of sexuality as well as those who study the culture, literature, and history of early modern France.

The long and spectacular reign of Louis XIV of France is typically described in overwhelmingly visual terms. In this book, Nicholas Hammond takes a sonic approach to this remarkable age, opening our ears to the myriad ways in which sound revealed the complex acoustic dimensions of class, politics, and sexuality in seventeenth-century Paris.The discovery in the French archives of a four-line song from 1661 launched Hammond’s research into the lives of the two men referenced therein—Jacques Chausson and Guillaume de Guitaut. In retracing the lives of these two men (one sentenced to death by burning and the other appointed to the Ordre du Saint-Esprit), Hammond makes astonishing discoveries about each man and the ways in which their lives intersected, all in the context of the sounds and songs heard in the court of Louis XIV and on the streets and bridges of Paris. Hammond’s study shows how members of the elite and lower classes in Paris crossed paths in unexpected ways and, moreover, how noise in the ancien régime was central to questions of crime and punishment: street singing was considered a crime in itself, and yet street singers flourished, circulating information about crimes that others may have committed, while political and religious authorities wielded the powerful sounds of sermons and public executions to provide moral commentaries, to control crime, and to inflict punishment.This innovative study explores the theoretical, social, cultural, and historical contexts of the early modern Parisian soundscape. It will appeal to scholars interested in sound studies and the history of sexuality as well as those who study the culture, literature, and history of early modern France.

Each volume of this series of companions to major philosophers contains specially commissioned essays by an international team of scholars, together with a substantial bibliography, and will serve as a reference work for students and nonspecialists. One aim of the series is to dispel the intimidation such readers often feel when faced with the work of a difficult and challenging thinker. Blaise Pascal (1623-62) occupies a position of pivotal importance in many domains: philosophy, mathematics, physics, religious polemics and apologetics. In this volume a team of leading scholars presents the full range of Pascal's achievement and surveys the intellectual background of his thought and the reception of his work. New readers and nonspecialists will find this the most convenient and accessible guide to Pascal currently available. Advanced students and specialists will find a conspectus of recent developments in the interpretation of Pascal.

Each volume of this series of companions to major philosophers contains specially commissioned essays by an international team of scholars, together with a substantial bibliography, and will serve as a reference work for students and nonspecialists. One aim of the series is to dispel the intimidation such readers often feel when faced with the work of a difficult and challenging thinker. Blaise Pascal (1623-62) occupies a position of pivotal importance in many domains: philosophy, mathematics, physics, religious polemics and apologetics. In this volume a team of leading scholars presents the full range of Pascal's achievement and surveys the intellectual background of his thought and the reception of his work. New readers and nonspecialists will find this the most convenient and accessible guide to Pascal currently available. Advanced students and specialists will find a conspectus of recent developments in the interpretation of Pascal.

From Occitan poetry to Francophone writing produced in the Caribbean and North Africa, from intellectual history to current films, and from medieval manuscripts to bandes dessinées, this History covers French literature from its beginnings to the present day. With equal attention to all genres, historical periods and registers, this is the most comprehensive guide to literature written in French ever produced in English, and the first in decades to offer such an array of topics and perspectives. Contributors attend to issues of orality, history, peripheries, visual culture, alterity, sexuality, religion, politics, autobiography and testimony. The result is a collection that, despite the wide variety of topics and perspectives, presents a unified view of the richness of French-speaking cultures. This History gives support to the idea that French writing will continue to prosper in the twenty-first century as it adapts, adds to, and refocuses the rich legacy of its past.

The primary aim of this book is to provide an introduction, principally for students but also for the general reader, to 17th-century French writing. Nicholas Hammond shows in eight vignettes what made this period a golden age of French drama, philosophy, and creativity. He argues that, rather than acting as a stranglehold, the rules of the time propelled artistic creativity to exceptional heights, releasing a sensitivity to language and wit which has not been rivalled since. The book deals in particular with the "Querelles des anciens et modernes", Pascal and the Jesuits, literary forms, gender, transvestism and homosexuality, showing how these contributed to the creative tension of the age.

The age of Shakespeare, Cervantes, Erasmus, Luther, and Machiavelli produced in France too some of Europe's greatest ever literature and thought: Montaigne's "Essays", Rabelais' comic fictions, Ronsard's poetry, Calvin's theology. These and numerous other extraordinary writings emerged from and contributed to cultural upheavals: the movement usually known as the Renaissance, which sought to revive ancient Greek and Roman culture for present-day purposes; religious reform, including the previously unthinkable rejection of Catholicism by many in the Reformation, culminating in decades of civil war in France; the French language's transformation into an instrument for advanced abstract thought. This book introduces this vibrant literature and thought via an apparent paradox. Most writers were profoundly concerned to improve life in the here-and-now - socially, politically, morally, spiritually. Yet they often tried to do so by making detours, in their writing, to other times and places: antiquity; heaven and hell; the hidden recesses of Nature, the cosmos, or the future; the remote location of an absent loved one; the newly 'discovered' Americas.The point was to show readers that the only way to live in the here-and-now was to connect it to larger realities - cosmic, spiritual, and historical.

This volume is the first book-length study devoted to gossip in early modern France. Whereas many works that focus on other countries and periods have concentrated on the relationship between gossip and women, none has explored the crucial link between gossip and same-sex desire. Using material that has never been published before and touching on different social spheres, from valets to the immediate circle of Louis XIV, the author reveals a world radically different from the traditional image of France under the reigns of Louis XIII and Louis XIV. An in-depth analysis of the theory and practice of gossip is followed by an examination of songs, poems, memoirs, letters and anecdotes from the time, bringing the milieu of what was known as ‘the Italian vice’ vividly to life. The book concludes by bringing these insights on gossip to a refreshing new reading of one of the period’s groundbreaking novels, Marie-Madeleine de Lafayette’s La Princesse de Clèves.

This collection of essays by leading scholars from France, Great Britain and North America is published in honour of Peter Bayley, former Drapers Professor of French at the University of Cambridge and a leading scholar of early modern France. The volume reflects his scholarly interest in the interface between religion, rhetoric and literature in the period 1500–1800. The first three sections of the book are concerned with the early modern period. The contributors consider subjects including the eloquence of oration from the pulpit, the relationship between religion, culture and belief, and the role of theatre and ceremony during the seventeenth century. They engage with individuals such as the theologian Jacques-Bénigne Bossuet, the dramatists Molière, Racine and Corneille, and the philosophers Bayle and Pascal. The volume concludes with a section that is concerned with critical influences and contexts from the sixteenth, eighteenth and nineteenth centuries. Throughout, the authors offer stimulating new perspectives on an age that never ceases to intrigue and fascinate.