Nicholas Kenyon – författare

No change has had a more profound influence on the development of music-making over the last two decades than the growth of the historical performance movement. The notion that we can - and indeed should - perform music in the manner its composers intended has led to a search for original methods and styles of performance. At first this was the pursuit of a small coterie, but in recent years the explosion of popular interest in what has been called the 'authenticity' movement has led to a sea-change in our listening habits. Performances on period instruments are now supplanting those on modern instruments in some central areas of the classical repertory, and by many this is perceived as a threat.For the first time, this book explores the thinking behind the search for so-called authenticity in musical performance, and questions some of the received opinions about its worth and purpose. The contributors include critics Nicholas Kenyon of Early Music and Will Crutchfield of the New York Times, alongside Howard Mayer Brown, Philip Brett, Robert P. Morgan, Richard Taruskin, and Gary Tomlinson, all of them experts in their field. The variety of views expressed is sure to provoke wide discussion and to stimulate new thought among both scholars and performers about the future of the historical performance movement.

Nicholas Kenyon explores the enduring appeal of the classical canon at a moment when we can access all music—across time and cultures“Nicholas Kenyon is an amiable and enthusiastic guide to a thousand years of classical music.”—Neil Fisher, The Times“A wonderfully engaging survey. . . . It is what every music lover needs close by. . . . We are left in no doubt about music’s extraordinary power.”—Ian Thomson, Financial TimesImmersed in music for much of his life as writer, broadcaster, and concert presenter, former director of the BBC Proms Nicholas Kenyon has long championed an astonishingly wide range of composers and performers. Now, as we think about culture in fresh ways, Kenyon revisits the stories that make up the classical tradition and foregrounds those that are too often overlooked. This inclusive, knowledgeable, and enthusiastic guide highlights the achievements of the women and men, amateurs and professionals, who bring music to life.Taking us from pianist Myra Hess’s performance in London during the Blitz, to John Adams’s composition of a piece for mourners after New York’s 9/11 attacks, to Italian opera singers singing from their balconies amidst the 2020 pandemic, Kenyon shows that no matter how great the crisis, music has the power to bring us together. His personal, celebratory account transforms our understanding of how classical music is made—and shows us why it is more relevant than ever.

This collection of essays offers a new insight into the composer's life. With chapters written by Yehudi Menuhin, Christopher Kent, Dame Janet Baker and Nicholas Kenyon, it is a must for Elgar enthusiasts.Edward Elgar was a man of many contradictions. He was born an outsider, into a family of lower-middle class, Catholic, origins. Yet his fame, and ability to write music that struck a chord in the national consciousness, led him to adopt a sycophantic attitude towards the Royal Family and high society, even though he always felt ill at ease with them. Elgar was a depressive with a problematic marriage, who craved recognition, but in many ways he regretted the piece of music which made him famous. 'Pomp and Circumstance' made him the leading English composer of his age, but also contributed to the jingoism which he so disliked during the First World War.Yet, unquestionably, he was the greatest musical genius that England had produced in centuries. This Portrait, by some of the scholars and musicians that understand him best, offers new light on a wide range of aspects of Edward Elgar's life and work.

A beautifully designed celebration of the 40th birthday of the Barbican Arts Centre, in the heart of the City of London. It is the largest multi-arts centre in Europe, encompassing an art gallery, theatres, concert halls, cinemas and a much-loved conservatory, and regular collaborators include the London Symphony Orchestra and the Royal Shakespeare Company. Compiled by Nicholas Kenyon, the Barbican Centre's Managing Director 2007–2021, this is an in-depth exploration of the centre, drawing on the vast array of material available in its archives, much of which has never been seen before. It includes plans and photographs from the centre’s design and construction, original signage and branding, and brochures and programmes. All this is accompanied by a wealth of photographs of the huge range of performances and exhibitions that have taken place over the years, from early RSC performances to the popular Rain Room installation of 2012 to today’s impressive programme of events put together in conjunction with schools and the local community. The book's authoritative and evocative text includes: ·Foreword by Fiona Shaw ·Introduction by Sir Nicholas Kenyon ·Cultural historian Robert Hewison on how the centre came into being ·Architectural historian Elain Harwood on its architecture ·Music critic Fiona Maddocks on music ·Writer and theatre critic Lyn Gardner on theatre ·Editor and creative director Tony Chambers on visual art ·Author and film critic Sukhdev Sandhu on filmWith listings of Barbican events from 1982 to the present day, and snippets of oral history from some of the many people associated with the centre over the years, this sumptuous book is an invaluable companion to one of the world's most important cultural spaces.