Nicholas Ward – författare
Visar alla böcker från författaren Nicholas Ward. Handla med fri frakt och snabb leverans.
2 produkter
2 produkter
122 kr
Tillfälligt slut
Hinterland is a quarterly, print and digital magazine dedicated to creative non-fiction.Hinterland offers an answer to the question ‘what is creative non-fiction?’ by showcasing the best new writing across the fields of memoir, essay, travel and food writing, reportage, psychoscape, biography, flash non-fiction and more. Their pages bring together work by established, award-winning authors alongside new writers, many of whom we are thrilled to publish for the first time and whose work, we promise, will merit your full attention. Hinterland intends to challenge, move, entertain and, above all, be a fantastic read. Their second issue features brand-new non-fiction by Richard Beard (The Day that went Missing) with accompanying illustrations by Dru Marland and a non-fiction play by Antoinette Moses, as well as a stellar line up of talented new writers who we know you’re going to love. Issue 2 also includes an interview with Bart Van Es (The Cut Out Girl), a photo essay by photographer Martin Eberlen and a look at the life of the Speaker of the House, John Bercow, by Stephen Massil.
158 kr
Skickas
A collection of personal essays examining relationships, whiteness, and masculinity. Nicholas Ward’s debut essay collection, All Who Belong May Enter, centers on self-exploration and cultural critique. These deeply personal essays examine whiteness, masculinity, and a Midwest upbringing through tales of sporting events, parties, posh (and not-so-posh) restaurant jobs, and the many relationships built and lost along the way. With a storyteller’s spirit, Ward recounts and evaluates the privilege of his upbringing with acumen and vulnerability. Ward’s profound affection for his friends, family, lovers, pets, and particularly for his chosen home, Chicago, shines through. This collection offers readers hope for healing that comes through greater understanding and inquiry into one’s self, relationships, and culture. Through these essays, Ward acknowledges his position within whiteness and masculinity, and he continuously holds himself and the society around him accountable. All Who Belong May Enter was selected by Jaquira Díaz as the winner of the 2020 Autumn House Nonfiction Prize.