Nicholson Baker – författare

The Mezzanine is the story of one man's lunch hour. Pondering life's littlest questions - why does one shoelace always wear out before the other? Whatever happened to the paper drinking straw - our narrator interrogates the inner-workings of corporate living as he traipses his way down escalators to the first floor and through the mundaneness of office life. Mixing humour with the existentialism that surrounds all our working lives, The Mezzanine is a classic work of modern American literature.

This is the story of Arno Strine, a modest temporary typist, who has perfected the knack of stopping time in its tracks and taking women's clothes off. He is hard at work on his autobiography, The Fermata, which proves in the telling to be a very provocative, very funny and altogether morally confused piece of work. Hilarious and totally original, Nicholson Baker's new novel is a triumphant comedy about sexual fantasy and fantastic sexuality.

On an autumn day, at around three-fifteen in the afternoon, Mike sits down in the rocking chair to feed his infant daughter, Bug. The novel that unfolds over the next twenty minutes of Mike's life is a warmly comic masterpiece of observation, reflection and digression. Baker brilliantly recreates Mike's roving mind, with its tangential thoughts about peanut butter and its big questions about fatherhood, marriage, and love. The result is surprisingly thrilling to read: funny, linguistically exuberant, tender and alive to the small mysteries and pleasures of everyday life.

When Nicholson Baker, one of the most linguistically talented writers in America, set out to write a book about John Updike, the result was no ordinary biography. Instead Baker's account of his relationship with his hero is a hilarious story of ambition, obsession, talent and neurosis, alternately self-deprecating and self-aggrandizing. More memoir than literary criticism, Baker is excruciatingly honest, and U & I reveals at least as much about Baker himself as it does about his idol. Written twenty years before Updike's death in 2009, U & I is a very smart and extremely funny exploration of the debts we owe our heroes.

Vox is the story of two voices, his and hers: two strangers who, having met on a telephone chat-line, switch to a private, one-on-one connection - and find it impossible to hang up. Literate, humorous, erotic, Vox is a classic of bedtime reading.

The Anthologist, is narrated by Paul Chowder, a poet of some little reknown who is sitting in his barn most of the time trying to write the introduction to a new anthology of poetry called Only Rhyme. He's having a hard time getting started because his career is falling apart, his girlfriend Roz has recently left him, and he is thinking about the poets throughout history who have suffered far worse and actually deserve to feel sorry for themselves. He has also promised his readers that he will reveal many wonderful secrets and tips and tricks about poetry, and it looks like the introduction will be a little longer than he'd thought. What unfolds is a wholly entertaining and beguiling love story about poetry, among other things; Paul tells us about all of the great poets, from Tennyson, Swinburne, and Yeats to the moderns (Roethke, Bogan, Merwin) to the contemporary scene as well as the editorial staff of The New Yorker's editorial department. And what he reveals about the rhythm and music of poetry itself is astonishing and makes you realize how incredibly important poetry is to our lives. At the same time, Paul manages just barely to realize all of this himself and what results is a tender, wonderfully romantic, often hilarious, and inspired novel.