Nick Havely – författare

This is the first account of Dante''s reception in English to address full chronological span of that process. Individual authors and periods have been studied before, but Dante''s British Public takes a wider and longer view, using a selection of vivid and detailed case studies to record and place in context some of the wider conversations about and appropriations of Dante that developed in Britain across more than six centuries, as access to his work extended and diversified. Much of the evidence is based on previously unpublished material in (for example) letters, journals, annotations and inventories and is drawn from archives in the UK and across the world, from Milan to Mumbai and from Berlin to Cape Town.Throughout, the role of Anglo-Italian cultural contacts and intermediaries in shaping the public understanding of Dante in Britain is given prominence - from clerics and merchants around Chaucer''s time, through itinerant scholars, collectors and tourists in the early modern period, to the exiles and expatriates of the nineteenth and twentieth centuries. The final chapter brings the story up to the present, showing how the poet''s work has been seen (from the fourteenth century onwards) as accessible to ''the many'', and demonstrating some of the means by which Dante has reached a yet wider British public over the past century, particularly through translation, illustration, and various forms of performance.

This collection of essays by an international group of scholars offers an account of Dante''s reception in a wide range of media: visual art, literature, theatre, cinema, and music, from the late eighteenth century through to the early twentieth. It thus explores various appropriations and interpretations of his works and persona during the era of modernization in Europe, the United States, and beyond. It includes work by internationally recognized experts and a newgeneration of scholars in the field, and the eighteen essays are grouped in sections which relate both to themes and regions. The volume begins and ends by addressing Italy''s reception of the national poet, and its other main sections show how a worldwide dialogue with Dante developed in France,Britain, Germany, the United States, Ireland, India, and Turkey. The whole collection demonstrates how this dialogue explicitly or implicitly informed the construction, recovery or re-definition of cultural identity among various nations, regions and ethnic groups during the ''long nineteenth century''. It not only aims at wide coverage of the period''s voices and concerns, and includes discussion of well-known writers such as Ugo Foscolo, Giosuè Carducci, Mary Shelley, John Ruskin, GeorgeEliot, Charles Eliot Norton and Ralph Waldo Emerson - along with a large number of significant but less familiar figures. It also emphasizes the importance of a multidisciplinary and multilingual approach to the subject of Dante and nineteenth-century nationalism, and it will thus be of interest toscholars and students in comparative literary and nineteenth-century studies, as well as to those with a general interest in cultural studies and the history of ideas.

This is the first account of Dante's reception in English to address full chronological span of that process. Individual authors and periods have been studied before, but Dante's British Public takes a wider and longer view, using a selection of vivid and detailed case studies to record and place in context some of the wider conversations about and appropriations of Dante that developed in Britain across more than six centuries, as access to his work extended and diversified. Much of the evidence is based on previously unpublished material in (for example) letters, journals, annotations and inventories and is drawn from archives in the UK and across the world, from Milan to Mumbai and from Berlin to Cape Town.Throughout, the role of Anglo-Italian cultural contacts and intermediaries in shaping the public understanding of Dante in Britain is given prominence - from clerics and merchants around Chaucer's time, through itinerant scholars, collectors and tourists in the early modern period, to the exiles and expatriates of the nineteenth and twentieth centuries. The final chapter brings the story up to the present, showing how the poet's work has been seen (from the fourteenth century onwards) as accessible to 'the many', and demonstrating some of the means by which Dante has reached a yet wider British public over the past century, particularly through translation, illustration, and various forms of performance.

'The Apennines are Italy' exclaimed The Examiner two centuries ago, yet this unique region and its striking literary and cultural connections are underappreciated in the English-speaking world. Apennine Crossings: Travellers on the Edge of Tuscany links a twenty-first century journey in the mountains of Northern Italy to past writers, routes, and travellers. It follows the modern long-distance walking trail of the 'Great Apennine Excursion', whilst moving back and forth in time: from the Middle Ages to World War Two and from the journeys of pilgrims, merchants, and tourists to those of soldiers, partisans, and poets. Stories of past travellers in the region continually intersect with a contemporary account of a walk across the ridge of the Northern Apennines.Alongside Nick Havely's present-day narrator and traveller, the cast of characters includes major writers and poets, such as Dante, Montaigne, Goethe, Shelley, and Stendhal, together with a multitude of less well-known figures whose journeys, experiences, and responses cast new light on a landscape that is close to yet remote from the sites typically visited by modern travellers to Italy. Havely draws these earlier travellers' stories from a wide range of published and unpublished sources such as letters, journals, memoirs, poems, and interviews. Together, they illustrate several significant themes: the histories of mountain passes, remote lakes, and ancient sanctuaries; perceptions of the mountains; the social and religious culture of the Northern Apennines; the preoccupations of literary tourism; the impact of campaigns and conflict during World War Two; and the effects of depopulation and deforestation.The Apennine region features in its full literary, historical, and cultural richness. Included are twenty-six illustrations, with maps for the whole route and for the sections covered by each of the book's seven chapters.

''The Apennines are Italy'' exclaimed The Examiner two centuries ago, yet this unique region and its striking literary and cultural connections are underappreciated in the English-speaking world. Apennine Crossings: Travellers on the Edge of Tuscany links a twenty-first century journey in the mountains of Northern Italy to past writers, routes, and travellers. It follows the modern long-distance walking trail of the ''Great Apennine Excursion'', whilst moving back and forth in time: from the Middle Ages to World War Two and from the journeys of pilgrims, merchants, and tourists to those of soldiers, partisans, and poets. Stories of past travellers in the region continually intersect with a contemporary account of a walk across the ridge of the Northern Apennines.Alongside Nick Havely''s present-day narrator and traveller, the cast of characters includes major writers and poets, such as Dante, Montaigne, Goethe, Shelley, and Stendhal, together with a multitude of less well-known figures whose journeys, experiences, and responses cast new light on a landscape that is close to yet remote from the sites typically visited by modern travellers to Italy. Havely draws these earlier travellers'' stories from a wide range of published and unpublished sources such as letters, journals, memoirs, poems, and interviews. Together, they illustrate several significant themes: the histories of mountain passes, remote lakes, and ancient sanctuaries; perceptions of the mountains; the social and religious culture of the Northern Apennines; the preoccupations of literary tourism; the impact of campaigns and conflict during World War Two; and the effects of depopulation and deforestation.The Apennine region features in its full literary, historical, and cultural richness. Included are twenty-six illustrations, with maps for the whole route and for the sections covered by each of the book''s seven chapters.

'The Apennines are Italy' exclaimed The Examiner two centuries ago, yet this unique region and its striking literary and cultural connections are underappreciated in the English-speaking world. Apennine Crossings: Travellers on the Edge of Tuscany links a twenty-first century journey in the mountains of Northern Italy to past writers, routes, and travellers. It follows the modern long-distance walking trail of the 'Great Apennine Excursion', whilst moving back and forth in time: from the Middle Ages to World War Two and from the journeys of pilgrims, merchants, and tourists to those of soldiers, partisans, and poets. Stories of past travellers in the region continually intersect with a contemporary account of a walk across the ridge of the Northern Apennines. Alongside Nick Havely's present-day narrator and traveller, the cast of characters includes major writers and poets, such as Dante, Montaigne, Goethe, Shelley, and Stendhal, together with a multitude of less well-known figures whose journeys, experiences, and responses cast new light on a landscape that is close to yet remote from the sites typically visited by modern travellers to Italy. Havely draws these earlier travellers' stories from a wide range of published and unpublished sources such as letters, journals, memoirs, poems, and interviews. Together, they illustrate several significant themes: the histories of mountain passes, remote lakes, and ancient sanctuaries; perceptions of the mountains; the social and religious culture of the Northern Apennines; the preoccupations of literary tourism; the impact of campaigns and conflict during World War Two; and the effects of depopulation and deforestation. The Apennine region features in its full literary, historical, and cultural richness. Included are twenty-six illustrations, with maps for the whole route and for the sections covered by each of the book's seven chapters.

This is the first account of Dante's reception in English to address full chronological span of that process. Individual authors and periods have been studied before, but Dante's British Public takes a wider and longer view, using a selection of vivid and detailed case studies to record and place in context some of the wider conversations about and appropriations of Dante that developed in Britain across more than six centuries, as access to his work extended and diversified. Much of the evidence is based on previously unpublished material in (for example) letters, journals, annotations and inventories and is drawn from archives in the UK and across the world, from Milan to Mumbai and from Berlin to Cape Town. Throughout, the role of Anglo-Italian cultural contacts and intermediaries in shaping the public understanding of Dante in Britain is given prominence - from clerics and merchants around Chaucer's time, through itinerant scholars, collectors and tourists in the early modern period, to the exiles and expatriates of the nineteenth and twentieth centuries. The final chapter brings the story up to the present, showing how the poet's work has been seen (from the fourteenth century onwards) as accessible to 'the many', and demonstrating some of the means by which Dante has reached a yet wider British public over the past century, particularly through translation, illustration, and various forms of performance.

This collection of essays by an international group of scholars offers an account of Dante's reception in a wide range of media: visual art, literature, theatre, cinema, and music, from the late eighteenth century through to the early twentieth. It thus explores various appropriations and interpretations of his works and persona during the era of modernization in Europe, the United States, and beyond. It includes work by internationally recognized experts and a new generation of scholars in the field, and the eighteen essays are grouped in sections which relate both to themes and regions. The volume begins and ends by addressing Italy's reception of the national poet, and its other main sections show how a worldwide dialogue with Dante developed in France, Britain, Germany, the United States, Ireland, India, and Turkey. The whole collection demonstrates how this dialogue explicitly or implicitly informed the construction, recovery or re-definition of cultural identity among various nations, regions and ethnic groups during the 'long nineteenth century'. It not only aims at wide coverage of the period's voices and concerns, and includes discussion of well-known writers such as Ugo Foscolo, Giosuè Carducci, Mary Shelley, John Ruskin, George Eliot, Charles Eliot Norton and Ralph Waldo Emerson - along with a large number of significant but less familiar figures. It also emphasizes the importance of a multidisciplinary and multilingual approach to the subject of Dante and nineteenth-century nationalism, and it will thus be of interest to scholars and students in comparative literary and nineteenth-century studies, as well as to those with a general interest in cultural studies and the history of ideas.

Dante's persistent and pervasive presence has been a remarkable feature of modern writing since the late eighteenth century. This collection of essays by an international group of scholars emphasizes that presence in the work of major British and Irish writers (such as Blake, Shelley, Joyce and Heaney). It also focuses on responses in America, the Caribbean and Italy and deals with appropriations of Dante's work by poets (from Gray to Walcott) and novelists (such as Mary Shelley and Giorgio Bassani, and Gloria Naylor).

A comprehensive guide to Dante’s life and literature, with an emphasis on his Commedia. This text looks at the influences that shaped Dante’s writing, and the reception of his work by later readers, from the 14th century to the present. Introduces Dante through four main approaches: the context of his life and career; his literary and cultural traditions; key themes, episodes and passages in his own work, especially the Commedia; and the reception and appropriation of his work by later readers, from the fourteenth century to the present Written by an expert Dante scholar Provides new translations of substantial passages from Dante’s poems and from the world of his contemporaries Includes explanatory diagrams of Dante’s ''other-worlds'', and a section of illustrations by medieval and modern artists Builds a vivid and complex picture of Dante''s imagination, intellect and literary presence Helpful bibliographies include relevant web resources

Nick Havely examines the connections between Dante, the Franciscans and the Papacy as they appear in the Commedia and presents the poem as one concerned with an often dramatic confrontation between authority and idealism in the Church. Havely draws on a wide range of literary, historical and art-historical sources relating to the controversy about Franciscan poverty during the late thirteenth and early fourteenth centuries. This study will appeal to scholars interested in medieval religious and intellectual history, as well as to readers of Dante's poem.

Nick Havely examines the connections between Dante, the Franciscans and the Papacy as they appear in the Commedia and presents the poem as one concerned with an often dramatic confrontation between authority and idealism in the Church. Havely draws on a wide range of literary, historical and art-historical sources relating to the controversy about Franciscan poverty during the late thirteenth and early fourteenth centuries. This study will appeal to scholars interested in medieval religious and intellectual history, as well as to readers of Dante's poem.

Dream literature is regarded as one of the most important genres in medieval literature and is widely studied. This text provides a succinct and clear introduction to the five central poems that comprise Chaucer's Dream Poetry, and shows his role as a leading adapter of European Literary tradition into English Literature. The poems discussed are The Book of the Duchess, The Legend of Good Women, The Legend of Dido, The Parliament of Fowls and The House of Fame. Each have an introduction setting the poem within the context of Dream Poetry and Chaucer's own work. Appendices of proper names, pronunciation and criticism are also given. This volume is unique is presenting the poems together in an editorial and critical framework. The quality of annotation is unrivalled and will make this text a major addition to the literature suitable for those interested in the genre, literary, or more general history of the period.

A comprehensive guide to Dante's life and literature, with an emphasis on his Commedia.This text looks at the influences that shaped Dante's writing, and the reception of his work by later readers, from the 14th century to the present. Introduces Dante through four main approaches: the context of his life and career; his literary and cultural traditions; key themes, episodes and passages in his own work, especially the Commedia; and the reception and appropriation of his work by later readers, from the fourteenth century to the presentWritten by an expert Dante scholarProvides new translations of substantial passages from Dante’s poems and from the world of his contemporariesIncludes explanatory diagrams of Dante’s 'other-worlds', and a section of illustrations by medieval and modern artistsBuilds a vivid and complex picture of Dante's imagination, intellect and literary presenceHelpful bibliographies include relevant web resources

Dream literature is regarded as one of the most important genres in medieval literature and is widely studied. This text provides a succinct and clear introduction to the five central poems that comprise Chaucer's Dream Poetry, and shows his role as a leading adapter of European Literary tradition into English Literature. The poems discussed are The Book of the Duchess, The Legend of Good Women, The Legend of Dido, The Parliament of Fowls and The House of Fame. Each have an introduction setting the poem within the context of Dream Poetry and Chaucer's own work. Appendices of proper names, pronunciation and criticism are also given. This volume is unique is presenting the poems together in an editorial and critical framework. The quality of annotation is unrivalled and will make this text a major addition to the literature suitable for those interested in the genre, literary, or more general history of the period.

Dante''s persistent and pervasive presence has been a remarkable feature of modern writing since the late eighteenth century. This collection of essays by an international group of scholars emphasizes that presence in the work of major British and Irish writers (such as Blake, Shelley, Joyce and Heaney). It also focuses on responses in America, the Caribbean and Italy and deals with appropriations of Dante''s work by poets (from Gray to Walcott) and novelists (such as Mary Shelley and Giorgio Bassani, and Gloria Naylor).

Dante's persistent and pervasive presence has been a remarkable feature of modern writing since the late eighteenth century. This collection of essays by an international group of scholars emphasizes that presence in the work of major British and Irish writers (such as Blake, Shelley, Joyce and Heaney). It also focuses on responses in America, the Caribbean and Italy and deals with appropriations of Dante's work by poets (from Gray to Walcott) and novelists (such as Mary Shelley and Giorgio Bassani, and Gloria Naylor).

This anthology of versions by 16 contemporary poets from around the world of the 33 Cantos of Dante’s Purgatorio is published to mark the 700th centenary of Dante’s death in 1321. With an absorbing Introduction by Nick Havely tracing Dante’s influence on countless poets over the centuries, and detailed explanatory notes, canto by canto, this volume is both an outstanding work of scholarship and, for the poetry lover, a superb way into the world of this extraordinary medieval masterpiece.Publication 15 July 2021

The nineteenth century saw the reinvention of Dante as a Romantic and national poet, his recognition as the canonical ‘central man of all the world’ and the Commedia’s diffusion as a widely accessible text. Addressing these aspects of Dante’s presence during a key period of his modern reception, this collection of essays draws upon a number of papers given at the international conference ‘Dante in the Nineteenth Century’, held at the University of York in July 2008, and combines the work of established experts in the field with that of younger scholars who are breaking important new ground on the subject. It is distinctive in concentrating on the reception of Dante from Romanticism through the cult of Beatrice and mid-century criticism, translation and visual art, to the development of scholarship and popularization. The volume explores diverse nineteenth-century historical, intellectual, artistic and literary contexts in the cultures of Italy, France, the British Isles and the United States.

A comprehensive guide to Dante's life and literature, with an emphasis on his Commedia.This text looks at the influences that shaped Dante's writing, and the reception of his work by later readers, from the 14th century to the present. Introduces Dante through four main approaches: the context of his life and career; his literary and cultural traditions; key themes, episodes and passages in his own work, especially the Commedia; and the reception and appropriation of his work by later readers, from the fourteenth century to the presentWritten by an expert Dante scholarProvides new translations of substantial passages from Dante’s poems and from the world of his contemporariesIncludes explanatory diagrams of Dante’s 'other-worlds', and a section of illustrations by medieval and modern artistsBuilds a vivid and complex picture of Dante's imagination, intellect and literary presenceHelpful bibliographies include relevant web resources