Nick Laird – författare

A very funny, energetic, wonderfully engaging novel about where we’re from and where we’d like to get to…Danny Williams is talented, upwardly mobile and has left his Northern Irish small town roots well behind him. In his mid-twenties he lives in a stylish London flat and has a job in a top London law firm. However, one innocuous Wednesday night his old mucker from home, Geordie Wilson, arrives at the door. On the run from a loyalist militia, whose operational funds he has taken, he manages to bring everything that Danny has been fleeing from right to his smart London doorstep.Taking place over an intense and gripping five-day period–set in both London and the fictional Irish town of Ballyglass–Nick Laird has written an hilarious, touching and ultimately redemptive novel about friendship.

Nick Laird's powerful new collection reflects on the strange and chaotic times we live in. Reeling in the face of collapsing systems and the banalities and distortions of modern life, the poet confronts age-old anxieties, questions of aloneness, friendship, illness and death, the push and pull of daily existence.Laird is a poet capable of heading off in any and every direction, where layers of association transport us from a harbour in County Cork to the library steps in New York's Washington Square, from a face-off between Freud and Michelangelo's Moses to one between the poet and a squirrel in a Kilburn garden. And at the heart of the collection lies the title sequence 'Up Late', a profound meditation on a father's dying, and winner of the 2022 Forward Prize for Best Single Poem.There is conflation and conflagration, rage and fire, neither of which are seen as necessarily destructive. But there is great tenderness, too, a fondness for what grows between the cracks, especially those glimpses into the unadulterated world of childhood, where everything is still at stake and infinite as 'the darkness under the cattle grid'.'Up Late, passionate and angry as Hamlet, is formally brilliant, an exercise in control.' Martina Evans, Irish Times'Laird's fifth collection glimmers with angsty maturity as it manoeuvres its way between introspection and elegy . . . Elsewhere, Laird cracks open the poetry of sensitivity to reveal a raw sense of politics and injustice "as the rich get richer and the poor get fucked".' Philip Terry, Guardian

From a rising young novelist comes an artful meditation on love and life in contemporary London.When David Pinner introduces his former teacher, the American artist Ruth Marks, to his friend and flatmate James Glover, he unwittingly sets in place a love triangle loaded with tension, guilt and heartbreak. As David plays reluctant witness (and more) to James and Ruth's escalating love affair, he must come to terms with his own blighted emotional life.Set in the London art scene awash with new money and intellectual pretension, in the sleek galleries and posh restaurants of a Britannia resurgent with cultural and economic power, Nick Laird's insightful and drolly satirical novel vividly portrays three people whose world gradually fractures along the fault lines of desire, truth and jealousy. With wit and compassion, Laird explores the very nature of contemporary romance, among damaged souls whose hearts and heads never quite line up long enough for them to achieve true happiness.

A very funny, energetic, wonderfully engaging novel about where we’re from and where we’d like to get to…Danny Williams is talented, upwardly mobile and has left his Northern Irish small town roots well behind him. In his mid-twenties he lives in a stylish London flat and has a job in a top London law firm. However, one innocuous Wednesday night his old mucker from home, Geordie Wilson, arrives at the door. On the run from a loyalist militia, whose operational funds he has taken, he manages to bring everything that Danny has been fleeing from right to his smart London doorstep.Taking place over an intense and gripping five-day period–set in both London and the fictional Irish town of Ballyglass–Nick Laird has written an hilarious, touching and ultimately redemptive novel about friendship.

A FINANCIAL TIMES BOOK OF THE YEAR A powerful, thought-provoking novel about two sisters who must reclaim themselves after their lives are dramatically upended from one of our finest authorsAlison Donnelly has suffered for love. Still stuck in the small Northern Irish town where she was born, working for her father’s real estate agency, she hopes to pick up the pieces and get her life back together. Her sister Liz, a fiercely independent college professor who lives in New York City, is about to return to Ulster for Alison’s second wedding, before heading to an island off the coast of Papua New Guinea to make a TV show about the world’s newest religion.Both sisters’ lives are about to be shaken apart. Alison wakes up the day after her wedding to find that her new husband has a past neither of them can escape. In a rainforest on the other side of the planet, Liz finds herself becoming increasingly entangled in the eerie, charged world of Belef, the subject of her show, a charismatic middle-aged woman who is the leader of a cargo cult.As Modern Gods ingeniously interweaves the stories of Liz and Alison, it becomes clear that both sisters must learn how to negotiate with the past, with the sins of fanaticism, and decide just what the living owe to the dead. Laird’s brave, innovative novel charts the intimacies and disappointments of a family trying to hold itself together, and the repercussions of history and faith.

A.E. Housman was one of the best-loved poets of his day, and A Shropshire Lad and Other Poems is a collection of poems whose elegant simplicity of form belies their hidden complexities. This Penguin Classics edition is introduced by Nick Laird with revisions by Archie Burnett and an afterword by John Sparrow.'What are those blue remembered hills,What spires, what farms are those?'In this collection, A. E. Housman's poems, including'To an Athlete Dying Young', 'Loveliest of Trees, the Cherry Now' and 'When I Was One-and-Twenty', conjure up a potent and idyllic rural world imbued with a poignant sense of loss and sadness. Their scope is wide - ranging from religious doubt and doomed love to intense nostalgia for the countryside and patriotic celebration of the life of the soldier - and they are made all the more memorable by their distinctive diction and perfectly modulated rhythm and sound. This volume brings together the works Housman published in his lifetime, A Shropshire Lad (1896) and Last Poems (1922), along with the posthumous selections More Poems and Additional Poems, and three translations of extracts from Aeschylus, Sophocles and Euripides that display his mastery of Classical literature.This edition has been revised by Archie Burnett and includes updated notes on the text and indexes of first lines and titles. In his afterword, John Sparrow discusses Housman's methods of writing and melancholic temperament.Alfred Edward Housman (1859-1936) usually known as A.E. Housman, was an English poet and classical scholar, now best known for his cycle of poems A Shropshire Lad.If you enjoyed A Shropshire Lad and Other Poems, you might like John Clare's Selected Poems, also available in Penguin Classics.

'So open it anywhere, then anywhere, then anywhere again. We're sure it won't be long before you find a poem that brings you smack into the newness and strangeness of the living present, just as it did us' (from the Introduction)In The Zoo of the New, poets Don Paterson and Nick Laird have cast a fresh eye over more than five centuries of verse, from the English language and beyond. Above all, they have sought poetry that retains, in one way or another, a powerful timelessness: words with the thrilling capacity to make the time and place in which they were written, however distant and however foreign they may be, feel utterly here and now in the 21st Century.This book is the condensed result of that search. It stretches as far back as Sappho and as far forward as the recent award-winning work of Denise Riley, taking in poets as varied as Thomas Wyatt, William Shakespeare, T. S. Eliot, Frank O'Hara, Sylvia Plath and Gwendolyn Brooks along the way. Here, the mournful rubs shoulders with the celebratory; the skulduggerous and the foolish with the highfalutin; and tales of love, loss and war with a menagerie of animals and objects, from bee boxes to rubber boots, a suit of armour and a microscope.Teeming with old favourites and surprising discoveries, this lovingly selected compendium is sure to win lifelong readers.

A.E. Housman was one of the best-loved poets of his day, and A Shropshire Lad and Other Poems is a collection of poems whose elegant simplicity of form belies their hidden complexities. This Penguin Classics edition is introduced by Nick Laird with revisions by Archie Burnett and an afterword by John Sparrow.'What are those blue remembered hills,What spires, what farms are those?'In this collection, A. E. Housman's poems, including'To an Athlete Dying Young', 'Loveliest of Trees, the Cherry Now' and 'When I Was One-and-Twenty', conjure up a potent and idyllic rural world imbued with a poignant sense of loss and sadness. Their scope is wide - ranging from religious doubt and doomed love to intense nostalgia for the countryside and patriotic celebration of the life of the soldier - and they are made all the more memorable by their distinctive diction and perfectly modulated rhythm and sound. This volume brings together the works Housman published in his lifetime, A Shropshire Lad (1896) and Last Poems (1922), along with the posthumous selections More Poems and Additional Poems, and three translations of extracts from Aeschylus, Sophocles and Euripides that display his mastery of Classical literature.This edition has been revised by Archie Burnett and includes updated notes on the text and indexes of first lines and titles. In his afterword, John Sparrow discusses Housman's methods of writing and melancholic temperament.Alfred Edward Housman (1859-1936) usually known as A.E. Housman, was an English poet and classical scholar, now best known for his cycle of poems A Shropshire Lad.If you enjoyed A Shropshire Lad and Other Poems, you might like John Clare's Selected Poems, also available in Penguin Classics.

Other Ways to Leave the Room features the work of three of the most beloved and lauded poets currently at large. Between them, Kathleen Jamie, Don Paterson and Nick Laird write lyrical, luminous and often darkly witty poems about the rugged wildness of the Scottish landscape; about fatherhood; about whisky-drinking, alcohol abuse and tenement life; about sex, love and the pursuit of the spiritual; about childhood in the Ireland of the Troubles, and about the strange possibilities of the technological future. What all three have in common is an ability to combine observations of gritty real life with a sense of the mythical proportions always lurking just under the surface of the everyday.The Penguin Modern Poets are succinct guides to the richness and diversity of contemporary poetry. Every volume brings together representative selections from the work of three poets now writing, allowing the curious reader and the seasoned lover of poetry to encounter the most exciting voices of our moment.

Other Ways to Leave the Room features the work of three of the most beloved and lauded poets currently at large. Between them, Kathleen Jamie, Don Paterson and Nick Laird write lyrical, luminous and often darkly witty poems about the rugged wildness of the Scottish landscape; about fatherhood; about whisky-drinking, alcohol abuse and tenement life; about sex, love and the pursuit of the spiritual; about childhood in the Ireland of the Troubles, and about the strange possibilities of the technological future. What all three have in common is an ability to combine observations of gritty real life with a sense of the mythical proportions always lurking just under the surface of the everyday.The Penguin Modern Poets are succinct guides to the richness and diversity of contemporary poetry. Every volume brings together representative selections from the work of three poets now writing, allowing the curious reader and the seasoned lover of poetry to encounter the most exciting voices of our moment.

Meet Maud: a guinea pig who inexplicably wears a judo suit - and not everyone understands or approves. When Maud is thrown into a new and confusing situation, it takes brave decisions and serendipitous encounters for her to find her place and embrace her individuality.The charming characters of Magenta Fox, whose work is evocative of Raymond Briggs and Janet Ahlberg, perfectly offset Zadie and Nick's warm, wry prose.Weirdo is an endearing story about the quiet power of being different by two veteran writers, and introduces an exciting debut illustrator. Together they have created a picture book that adults and children alike will treasure.

Meet Maud: a guinea pig who inexplicably wears a judo suit - and not everyone understands or approves. When Maud is thrown into a new and confusing situation, it takes brave decisions and serendipitous encounters for her to find her place and embrace her individuality.The charming characters of Magenta Fox, whose work is evocative of Raymond Briggs and Janet Ahlberg, perfectly offset Zadie and Nick's warm, wry prose.Weirdo is an endearing story about the quiet power of being different by two veteran writers, and introduces an exciting debut illustrator. Together they have created a picture book that adults and children alike will treasure.

One of the Observer's Best Children’s Books of 2024A warm and endearing story about the quiet power of being yourself from Zadie Smith, Nick Laird and Magenta Fox. Maud - a judo-suit wearing guinea pig and proud weirdo - is off into the wild, as is Kit, her owner. Both are slightly nervous about what they'll find in the great outdoors, but with a pinch of bravery - and a few Signature Moves - they'll make new friends and explore new worlds.Praise for Weirdo:"A sweet, tightly written tale about the benefits of not fitting in, cheered on by Magenta Fox's gorgeous illustrations" The Times’ Best Children’s Books for Summer 2021"As cockle-warming as a cuddle from a favourite pet, Weirdo ought to be a smash hit" Observer"it's delightful" the i

One of the Observer's Best Children’s Books of 2024A warm and endearing story about the quiet power of being yourself from Zadie Smith, Nick Laird and Magenta Fox. Maud - a judo-suit wearing guinea pig and proud weirdo - is off into the wild, as is Kit, her owner. Both are slightly nervous about what they'll find in the great outdoors, but with a pinch of bravery - and a few Signature Moves - they'll make new friends and explore new worlds.Praise for Weirdo:"A sweet, tightly written tale about the benefits of not fitting in, cheered on by Magenta Fox's gorgeous illustrations" The Times’ Best Children’s Books for Summer 2021"As cockle-warming as a cuddle from a favourite pet, Weirdo ought to be a smash hit" Observer"it's delightful" the i

"A confident hybrid of voices and styles…tender and brilliant."—Irish TimesJourneying between his native Ulster and his adopted London, Nick Laird balances ideas of home and flight, the need for belonging and the need to remain outside. Dexterous, fresh, and deft, To a Fault does "more, in its range and ambition, than any other first collection…in at least the last ten years" (The Independent).

Laird s ear for smallish lexical mercies yields superb lines. Stephen Burt, New York Times Book Review"

In this impressive debut, Nick Laird explores the sharp edge of relationships, from the intimacy of lovers to the brutality of political violence. Journeying between his native Ulster and his adopted London, he balances ideas of home and flight, the need for belonging and the need to remain outside. Formally deft, rhetorically fresh, these poems never shy from difficult choices, exploring cruelty and vengeance wherever they may be found: in love, in work and against political backdrops. But these are brave, resolute writings that resist despair at all times, affirming instead the need to rebuild and to right oneself, to dust down and carry on.

Laird's debut collection, To a Fault (2005), signalled the arrival of a significant new talent, 'doing more, in its range and ambition,' wrote Deryn Rees-Jones in the Independent, 'than any first collection I can think of in at least the last ten years.' On Purpose confirms the promise of that first book and shows the author hitting new and yet more athletic strides. Blending tones of assurance and delicacy, of confidence and vulnerability, On Purpose is a collection of poems that takes care and consideration in examining the often brutal arena of human relations, concluding with a mercurial and affecting sequence about a marriage, which takes, as its point of departure, that most influential of military treatise, The Art of War.

To a Fault, Nick Laird's debut collection, won the Rooney Prize for Irish Literature and the Jerwood Aldeburgh First Collection Prize; On Purpose, his follow up, won a Somerset Maugham award for travel writing. In Go Giants, his third and most ambitious volume, Nick Laird's poetry travels yet further afield, connecting the shores of his native Northern Ireland with those of the American east coast where he spends increasing time. The result is an almost trans-Atlantic fusion, an inventive melding of Ulster lyricism with proto-Beat rhythms and phrase. The author's gaze is longer and more penetrative than before, casting back across the ocean to find a fresh perspective on older questions while vividly capturing the vibrancy of the new. Nick Laird writes with wit and candour, with polemic and persuasion, with no subject seemingly too large or too small: weapons of mass destruction, sectarian violence, religious faith, Jonah and the Whale, marriage, fatherhood, a daughter. A profoundly versatile collection, equally capable of public crescendo and a more personal hum, Go Giants is a daring and a thrilling endeavour by a writer described by Colm Toibin as 'an assured and brilliant voice in Irish poetry'.

To a Fault, Nick Laird's debut collection, won the Rooney Prize for Irish Literature and the Jerwood Aldeburgh First Collection Prize; On Purpose, his follow up, won a Somerset Maugham award for travel writing and the Geoffrey Faber Memorial Prize. In Go Giants, his third and most ambitious volume, Nick Laird's poetry travels yet further afield, connecting the shores of his native Northern Ireland with those of the American east coast where he spends increasing time. The result is an almost trans-Atlantic fusion, an inventive melding of Ulster lyricism with proto-Beat rhythms and phrase. The author's gaze appears longer and more penetrative than before, casting back across the ocean to find a fresh perspective on older questions while vividly capturing the vibrancy of the new. Nick Laird writes with wit and candour, with polemic and persuasion, with no subject seemingly too large or too small: weapons of mass destruction, sectarian violence, religious faith, Jonah and the Whale, marriage, fatherhood, a daughter. A profoundly versatile collection, equally capable of public crescendo and a more personal hum, Go Giants is a daring and a thrilling endeavour by a writer described by Colm Toibin as 'an assured and brilliant voice in Irish poetry'.

SHORTLISTED FOR THE T. S. ELIOT PRIZE 2018Nick Laird has been an assured and brilliant voice in contemporary poetry since his acclaimed debut, To a Fault, in 2005. Feel Free, his fourth collection, effortlessly spans the Atlantic, combining the acoustic expansiveness of Whitman or Ashbery with the lyricism of Laird's forebears Heaney, MacNeice and Yeats. With characteristic variety, invention and wit (here are elegies, monologues, formal poems and free verse) the poet explores the sundry patterns of freedom and constraint - the family, the impress of history, the body itself - and how we might transcend them.Feel Free is always daring, always renewing, and Laird's most remarkable work to date.

Celebrated for his novels and screenplays, Nick Laird has been 'an assured and brilliant voice' (Colm Toibin) in contemporary poetry ever since his impressive debut, To a Fault, in 2005. This is his strongest collection to date, in which we sense the deep American influence from living in New York meeting his familial shores of Northern Ireland: the acoustically generous, longer lines of the new world's Ginsberg or Whitman, and the lyricism of his forebears Heaney, MacNeice and Yeats. These are smart, energetic, worldly poems of political edge and family tenderness.

Reeling in the face of collapsing systems, of politics, identity and the banalities and distortions of modern living, Nick Laird confronts age-old anxieties, questions of aloneness, friendship, the push and pull of daily life. At the book's heart lies the title sequence, a profound meditation on a father's dying, the reverberations of which echo throughout in poems that interrogate inheritance and legacy, illness and justice, accounts of what is lost and what, if anything, can be retrieved.Laird is a poet capable of heading off in any and every direction, where layers of association transport us from a clifftop in County Cork to the library steps in New York's Washington Square, from a face-off between Freud and Michelangelo's Moses to one between the poet and a squirrel in a Kilburn garden. There is conflation and conflagration, rage and fire, neither of which are seen as necessarily destructive. But there is great tenderness, too, a fondness for what grows between the cracks, especially those glimpses into the unadulterated world of childhood, before the knowledge or accumulation of loss, where everything is still at stake and infinite, 'the darkness under the cattle grid'.

'So open it anywhere, then anywhere, then anywhere again. We're sure it won't be long before you find a poem that brings you smack into the newness and strangeness of the living present, just as it did us' (from the Introduction)In The Zoo of the New, poets Don Paterson and Nick Laird have cast a fresh eye over more than five centuries of verse, from the English language and beyond. Above all, they have sought poetry that retains, in one way or another, a powerful timelessness: words with the thrilling capacity to make the time and place in which they were written, however distant and however foreign they may be, feel utterly here and now in the 21st Century.This book is the condensed result of that search. It stretches as far back as Sappho and as far forward as the recent award-winning work of Denise Riley, taking in poets as varied as Thomas Wyatt, William Shakespeare, T. S. Eliot, Frank O'Hara, Sylvia Plath and Gwendolyn Brooks along the way. Here, the mournful rubs shoulders with the celebratory; the skulduggerous and the foolish with the highfalutin; and tales of love, loss and war with a menagerie of animals and objects, from bee boxes to rubber boots, a suit of armour and a microscope.Teeming with old favourites and surprising discoveries, this lovingly selected compendium is sure to win lifelong readers.

Reeling in the face of collapsing systems, of politics, identity, and the banalities and distortions of modern living, Nick Laird confronts age-old anxieties, questions of aloneness, friendship, the push and pull of daily life. These poems transport us from a clifftop in Ireland’s County Cork to a bench in New York’s Washington Square, from a face-off between Freud and Michelangelo’s Moses to one between the poet and a squirrel in a London garden.At the book’s heart lies the Forward Prize–winning title sequence, a profound meditation on a father’s dying at the height of the Covid-19 pandemic. The reverberations of this knockout poem echo through the volume in its interrogations of inheritance and legacy, illness and justice, accounts of what is lost and what, if anything, can be retained. Amid rage, grief, and the conflagration of reality, Laird finds tenderness in the moments of connection that grow between the cracks and offers glimpses into the unadulterated world of childhood, where everything is still at stake and infinite.Astonishing in its emotional range and intellect, Up Late is a powerful volume from an “exceptionally gifted poet” (Paul Muldoon, Times Literary Supplement).