Nick Mansfield – författare

What am I referring to when I say ''I''? This little word is so easy to use in daily life, yet it has become the focus of intense theoretical debate. Where does my sense of self come from? Does it arise spontaneously or is it created by the media or society? Do I really know myself? This concern with the self, with our subjectivity, is now our main point of reference in Western societies. How has it come to be so important? What are the different ways in which we can approach subjectivity?Nick Mansfield explores how our understanding of our subjectivity has developed over the past century. He looks at the work of key modern and postmodern theorists, including Freud, Foucault, Nietzsche, Lacan, Kristeva, Deleuze and Guattari, and he shows how subjectivity is central to debates in contemporary culture, including gender, sexuality, ethnicity, postmodernism and technology.I am who? No topic is more crucial to contemporary cultural theory than subjectivity, and Nick Mansfield has written what has long been lacking-a lucid, smart introduction to work in the field.Professor Simon During, University of MelbourneEffortlessly and with humour, passion and panache, Mansfield offers the reader a telling, trenchantly articulate d account of the complex enigma of the self, without resorting to reductively simple critical cliches.This book, in its graceful movements between disciplines, ideas, and areas of interest, deserves to become a benchmark for all such student introductions for some time to come.Julian Wolfreys, University of FloridaNick Mansfield is Senior Lecturer in the Department of Critical and Cultural Studies at Macquarie University. He is co-author of Cultural Studies and the New Humanities (Oxford 1997) and author of Masochism: The art of power (Praeger 1997).

What am I referring to when I say ''I''? This little word is so easy to use in daily life, yet it has become the focus of intense theoretical debate. Where does my sense of self come from? Does it arise spontaneously or is it created by the media or society? Do I really know myself? This concern with the self, with our subjectivity, is now our main point of reference in Western societies. How has it come to be so important? What are the different ways in which we can approach subjectivity?Nick Mansfield explores how our understanding of our subjectivity has developed over the past century. He looks at the work of key modern and postmodern theorists, including Freud, Foucault, Nietzsche, Lacan, Kristeva, Deleuze and Guattari, and he shows how subjectivity is central to debates in contemporary culture, including gender, sexuality, ethnicity, postmodernism and technology.I am who? No topic is more crucial to contemporary cultural theory than subjectivity, and Nick Mansfield has written what has long been lacking-a lucid, smart introduction to work in the field.Professor Simon During, University of MelbourneEffortlessly and with humour, passion and panache, Mansfield offers the reader a telling, trenchantly articulate d account of the complex enigma of the self, without resorting to reductively simple critical cliches.This book, in its graceful movements between disciplines, ideas, and areas of interest, deserves to become a benchmark for all such student introductions for some time to come.Julian Wolfreys, University of FloridaNick Mansfield is Senior Lecturer in the Department of Critical and Cultural Studies at Macquarie University. He is co-author of Cultural Studies and the New Humanities (Oxford 1997) and author of Masochism: The art of power (Praeger 1997).

This is the first full-length study of the material and visual culture of the British labour movement in almost half a century. It draws together the fruits of recent research into a comprehensive material and visual analysis of the nineteenth-century labour movement’s development. It analyses the meaning of ‘labour things’, the role they played in the lives of working people and the ways they have influenced the writing of labour history. Over ninety beautifully illustrated, expertly contextualised objects are used to narrate the history of British labour in its most crucial phase of development. Chapters on curation and preservation, a directory of museums where labour things may be seen, and a full bibliography complete the treatment of this important and rapidly developing field, making the book not just essential academic reading but a handbook for anyone who wishes to explore this vital part of our shared culture.

This is the first full-length study of the material and visual culture of the British labour movement in almost half a century. It draws together the fruits of recent research into a comprehensive material and visual analysis of the nineteenth-century labour movement’s development. It analyses the meaning of ‘labour things’, the role they played in the lives of working people and the ways they have influenced the writing of labour history. Over ninety beautifully illustrated, expertly contextualised objects are used to narrate the history of British labour in its most crucial phase of development. Chapters on curation and preservation, a directory of museums where labour things may be seen, and a full bibliography complete the treatment of this important and rapidly developing field, making the book not just essential academic reading but a handbook for anyone who wishes to explore this vital part of our shared culture.