Nick Merriman – författare

Museums and the Climate Crisis shows how museums can respond to the interrelated global climate, biodiversity and pollution crises. They have a unique role because they take a long-term perspective, and their scholarship and independence mean that they remain trusted by the public.

Providing insights and international case studies from a range of museum and gallery professionals, academics and consultants, this book explores how museums can use this unique perspective to engage the public as active citizens, and how they are exemplars of good practice in areas such as emissions reduction and encouraging biodiversity. It shows how museums can combat climate exhaustion by drawing on understandings about positive motivation, and how to develop exhibitions, events and activities that motivate visitors to take action. Taking a broad approach beyond purely climate issues, the contributions touch on the use of renewables, environmental controls and standards, travel (including virtual couriering), waste management (including recycling, plastic reduction and composting), reducing pollution and increasing biodiversity within museums.

Museums and the Climate Crisis will be important reading to those studying in the fields of Museum Studies, Heritage Studies and Conservation. Taking a practical approach, it will also be beneficial to museum, gallery and heritage professionals who are grappling with the challenges of the climate crisis.

Museums and the Climate Crisis shows how museums can respond to the interrelated global climate, biodiversity and pollution crises. They have a unique role because they take a long-term perspective, and their scholarship and independence mean that they remain trusted by the public.

Providing insights and international case studies from a range of museum and gallery professionals, academics and consultants, this book explores how museums can use this unique perspective to engage the public as active citizens, and how they are exemplars of good practice in areas such as emissions reduction and encouraging biodiversity. It shows how museums can combat climate exhaustion by drawing on understandings about positive motivation, and how to develop exhibitions, events and activities that motivate visitors to take action. Taking a broad approach beyond purely climate issues, the contributions touch on the use of renewables, environmental controls and standards, travel (including virtual couriering), waste management (including recycling, plastic reduction and composting), reducing pollution and increasing biodiversity within museums.

Museums and the Climate Crisis will be important reading to those studying in the fields of Museum Studies, Heritage Studies and Conservation. Taking a practical approach, it will also be beneficial to museum, gallery and heritage professionals who are grappling with the challenges of the climate crisis.

Scrutinizing, in detail, the relationship between archaeology, heritage and the public, this much-needed volume explores public interest and participation in archaeology as a subject worthy of academic attention in its own right.

Examining case studies from throughout the world; from North America, Britain, Egypt and Brazil to East Africa, China and beyond, Nick Merriman focuses on two key areas: communication and interpretation, and stakeholders.

Constant reports of new discoveries, protests over the destruction of sites and debates over the return of artefacts such as the Elgin marbles or indigenous remains testify to an increasing public interest in archaeology.

For students and scholars of this archaeology, and of its relationship with the public, this will prove essential reading.

Scrutinizing, in detail, the relationship between archaeology, heritage and the public, this much-needed volume explores public interest and participation in archaeology as a subject worthy of academic attention in its own right.

Examining case studies from throughout the world; from North America, Britain, Egypt and Brazil to East Africa, China and beyond, Nick Merriman focuses on two key areas: communication and interpretation, and stakeholders.

Constant reports of new discoveries, protests over the destruction of sites and debates over the return of artefacts such as the Elgin marbles or indigenous remains testify to an increasing public interest in archaeology.

For students and scholars of this archaeology, and of its relationship with the public, this will prove essential reading.

This book offers a detailed case study of the transfer of ownership to Nigeria in November 2022 of the 72 artworks in the Horniman’s collections looted by the British from Benin City in 1897, as an occasion to explore the current state of the issue of restitution of cultural objects. It argues that we are at a tipping point, where decades of debate but little action about restitution is now changing to a period when at least the most egregious examples of colonial looting are being addressed. It summarises the key issues involved in these returns, outlines the processes and procedures undertaken by the Horniman, and offers recommendations and reflections for the future.