Nick Wilson - Böcker

In the late 1960s, a new movement emerged championing historically informed 'authentic' approaches to performance. Heard today in concert halls across the world and in a library's worth of recordings, it has completely transformed the way in which we listen to 'old' music, while revolutionizing the classical music profession in the process. Yet the rise of Early Music has been anything but uncontroversial. Historically informed performance (HIP) has provoked heated debate amongst musicologists, performers and cultural sociologists. Did HIP's scholar-performers possess the skills necessary to achieve their uncompromising agenda? Was interest in historically informed performance just another facet of the burgeoning heritage industry? And was the widespread promotion of early music simply a commercial ruse to make money put forward by profit-driven record companies? In The Art of Re-enchantment: Making Early Music in the Modern Age, author Nick Wilson answers these and other questions through an in-depth analysis of the early music movement in Britain from the 1960s to the present day. While other books have examined the history of early music's revival, this interdisciplinary study is unique in its focus on how various constituencies actually made their living from the early music business. Through chapters discussing the professionalization of early music, the influence of institutions such as the BBC and record companies, and the entrepreneurial role of leading early music pioneers, this book will shed new light on one of the most fascinating and influential movements in 20th Century art music. The Art of Re-enchantment begins a much-needed conversation about the true value of art and authenticity today. This volume is a must have for early music fans and performers, music historians and musicologists with an interest in performance practice, and anyone interested in the production, distribution and consumption of music.

Sociolinguistics is the study of the interaction between language and society. In this classic introductory work, Janet Holmes and Nick Wilson examine the role of language in a variety of social contexts, considering both how language works and how it can be used to signal and interpret various aspects of social identity. Divided into three parts, this book explains basic sociolinguistic concepts in the light of classic approaches, as well as introducing more recent research.This sixth edition has been revised and updated throughout, using key concepts and examples to guide the reader through this fascinating area, including:• New material on gender, social media and online use of language, codeswitching, and language policy• An updated companion website that is fully cross- referenced within this book and features video and audio materials and links to useful websites• Revised examples and exercises that include new material from Asia and South America• Fully updated further reading and references sectionsAn Introduction to Sociolinguistics is an essential introductory text for all students of sociolinguistics and a splendid point of reference for students of English language studies, linguistics, and applied linguistics.

Sociolinguistics is the study of the interaction between language and society. In this classic introductory work, Janet Holmes and Nick Wilson examine the role of language in a variety of social contexts, considering both how language works and how it can be used to signal and interpret various aspects of social identity. Divided into three parts, this book explains basic sociolinguistic concepts in the light of classic approaches, as well as introducing more recent research.This sixth edition has been revised and updated throughout, using key concepts and examples to guide the reader through this fascinating area, including:• New material on gender, social media and online use of language, codeswitching, and language policy• An updated companion website that is fully cross- referenced within this book and features video and audio materials and links to useful websites• Revised examples and exercises that include new material from Asia and South America• Fully updated further reading and references sectionsAn Introduction to Sociolinguistics is an essential introductory text for all students of sociolinguistics and a splendid point of reference for students of English language studies, linguistics, and applied linguistics.

The Space that Separates: A Realist Theory of Art radically challenges our assumptions about what art is, what art does, who is doing it, and why it matters. Rejecting the modernist and market-driven misconception that art is only what artists do, Wilson instead presents a realist case for living artfully. Art is defined as the skilled practice of giving shareable form to our experiences of being-in-relation with the real; that is to say, the causally generative domain of the world that extends beyond our direct observation, comprising relations, structures, mechanisms, possibilities, powers, processes, systems, forces, values, ways of being. In communicating such aesthetic experience we behold life’s betweenness – "the space that separates", so coming to know ourselves as connected.Providing the first dedicated and comprehensive account of art and aesthetics from a critical realist perspective – Aesthetic Critical Realism (ACR), Wilson argues for a profound paradigm shift in how we understand and care for culture in terms of our system(s) of value recognition. Fortunately, we have just the right tool to help us achieve this transformation – and it’s called art. Offering novel explanatory accounts of art, aesthetic experience, value, play, culture, creativity, artistic truth and beauty, this book will appeal to a wide audience of students and scholars of art, aesthetics, human development, philosophy and critical realism, as well as cultural practitioners and policy-makers.

Over 1,500 men played major league baseball during the golden era of the 1920s, and over 850 played in the Negro Leagues during the same decade. At the end of the 20th century only about 20 of those men were still alive. The author of this work tracked down all of those players, 14 of whom were able to grant an interview. In this unique book, those 14 players, a Cuban leaguer and five former sportswriters give first person accounts of baseball in the 1920s and early 1930s. They talk of the greatest players in the history of the game--Babe Ruth, Josh Gibson, Satchel Paige, Walter Johnson and Martin Dihigo--and of their own memorable careers. The personal accounts are then complemented by historical analysis from the author.Those interviewed are major leaguers Bill Rogell, Willis Hudlin, Clyde Sukeforth, Ray Hayworth, Paul Hopkins, Bob Cremins, Frank Stewart, Karl Swanson, Mel Harder, Ben Sankey, Carl Sumner and Bill Werber; Negro leaguers Ted Radcliffe and Harold Tinker; Cuban leaguer Rodolfo Fernandez; and sportswriters Will Cloney, Fred Russell, Harold Rosenthal, Carl Lundquist and Will Grimsley.

Bringing together a series of new perspectives and reflections on creative economies, this insightful Modern Guide expands and challenges current knowledge in the field. Interdisciplinary in scope, it features a broad range of contributions from both leading and emerging scholars, which provide innovative, critical research into a wide range of disciplines, including arts and cultural management, cultural policy, cultural sociology, economics, entrepreneurship, management and business studies, geography, humanities, and media studies.Designed to push the boundaries of understanding on the topic, this Modern Guide initially addresses definitional and methodological challenges, before offering new perspectives on the theory and practice of creative and cultural entrepreneurship, and exploring the role of networks and the importance of place and mobility. The book concludes by re-imagining creative economies, raising issues of inequality and justice, care and solidarity, and opportunities for value recognition, while providing new visions of inclusivity, cultural capability, and future development.A timely reflection on the importance of creative economies, this Modern Guide will be a critical read for students, scholars and policymakers working to support and develop future inclusive and sustainable creative economies.

The Space that Separates: A Realist Theory of Art radically challenges our assumptions about what art is, what art does, who is doing it, and why it matters. Rejecting the modernist and market-driven misconception that art is only what artists do, Wilson instead presents a realist case for living artfully. Art is defined as the skilled practice of giving shareable form to our experiences of being-in-relation with the real; that is to say, the causally generative domain of the world that extends beyond our direct observation, comprising relations, structures, mechanisms, possibilities, powers, processes, systems, forces, values, ways of being. In communicating such aesthetic experience we behold life’s betweenness – "the space that separates", so coming to know ourselves as connected.Providing the first dedicated and comprehensive account of art and aesthetics from a critical realist perspective – Aesthetic Critical Realism (ACR), Wilson argues for a profound paradigm shift in how we understand and care for culture in terms of our system(s) of value recognition. Fortunately, we have just the right tool to help us achieve this transformation – and it’s called art. Offering novel explanatory accounts of art, aesthetic experience, value, play, culture, creativity, artistic truth and beauty, this book will appeal to a wide audience of students and scholars of art, aesthetics, human development, philosophy and critical realism, as well as cultural practitioners and policy-makers.

This hands-on book introduces students to the demands of university study in a clear and accessible way and helps them to understand what is expected of them. It helps students to develop the core skills they need to succeed at university, and gives guidance on the key forms of academic writing, including essays, reports, reflective assignments and exam papers. It shows students how to recognise opinions, positions and bias in academic texts from a range of genres, develop their own 'voice' and refer to others' ideas in an appropriate way. It also features authentic examples of academic texts and engaging activities throughout to aid understanding.Packed with practical guidance and self-study activities, this book will be an essential resource for all students new to university-level study.Accompanying online resources for this title can be found at bloomsburyonlineresources.com/academic-success. These resources are designed to support teaching and learning when using this textbook and are available at no extra cost.

Introducing a major new resource for modern entrepreneurship courses, Entrepreneurship unpacks the theory and practice of enterprise for students, revealing its capabilities and limitations, the processes and the skills, to provide the complete introduction for today’s courses. The text employs a flexible 3-part structure – starting with entrepreneurship as a process, the entrepreneur as a person, and finally how entrepreneurs create value – to acknowledge that entrepreneurship unfolds in a wide range of diverse contexts. Reflecting the rapid growth of the course and the accompanying pressures on lecturers and students, the highly experienced author team deploy a comprehensive pedagogical framework throughout every chapter accompanied by a full set of online lecturer support materials, while a unique set of integrative cases prepared by international academics help consolidate key themes and learning objectives.

Now in its eighth edition, this book provides thorough coverage of small business management and entrepreneurship, drawing on contemporary theory and practice in equal measure. It includes recent examples and current references drawn from a wide variety of industrial, social and cultural contexts, such as the impact of Coronavirus on small businesses, the effect of GDPR on market research and the use of influencers in marketing.This textbook is essential reading for small business management modules at all levels in addition to entrepreneurship modules and any programme requiring a focus on small businesses and enterprise.

Your Guide to the Paradigm Shift You’ve Been CravingYou weren’t born deficient in pharmaceuticals. Your body is not broken. And symptom suppression isn’t healthcare. Reclaim Vitality is a battle cry for every person tired of the sick-care system. Dr. Nick and Leah Wilson, a natural health doctor and health freedom attorney, pull back the curtain on a profit-driven and outdated medical model. What they offer instead is bold, practical, and personal: a framework to reclaim what’s rightfully yours—your vitality.This book is a guide to breaking free from a system that thrives when you stay sick. From the myth of “standard of care” to the manipulation of medical mandates, from the pitfalls of fad diets and trendy supplements to the hidden toxins in your home, Reclaim Vitality exposes the lies and equips you with a sustainable, biologically congruent way to care for your body. Backed by thousands of patient transformations and frontline legal battles for health freedom, this book equips you to reclaim control in a world that profits off your confusion. But this isn’t just a critique. It’s a way forward.Through their clear roadmap—Rewire the Mind, Reset Sleep, Repattern Movement, Remove Toxic Inputs, and Restore Alignment—you’ll learn how to activate the body’s God-given ability to heal. Each chapter delivers tools, insight, and a new way of thinking about health.If you’ve ever felt dismissed, overmedicated, or stuck in a cycle of chasing symptoms, this book was written for you. You don’t need more prescriptions. You need a new paradigm.

Bringing together a series of new perspectives and reflections on creative economies, this insightful Modern Guide expands and challenges current knowledge in the field. Interdisciplinary in scope, it features a broad range of contributions from both leading and emerging scholars, which provide innovative, critical research into a wide range of disciplines, including arts and cultural management, cultural policy, cultural sociology, economics, entrepreneurship, management and business studies, geography, humanities, and media studies.Designed to push the boundaries of understanding on the topic, this Modern Guide initially addresses definitional and methodological challenges, before offering new perspectives on the theory and practice of creative and cultural entrepreneurship, and exploring the role of networks and the importance of place and mobility. The book concludes by re-imagining creative economies, raising issues of inequality and justice, care and solidarity, and opportunities for value recognition, while providing new visions of inclusivity, cultural capability, and future development.A timely reflection on the importance of creative economies, this Modern Guide will be a critical read for students, scholars and policymakers working to support and develop future inclusive and sustainable creative economies.

Ruby is a trainee detective, her boyfriend Jools is a criminal defence solicitor. They find themselves on opposite sides of a murder confession when Freya Maskell walks into a police station and, without saying who it was, says only that she’s killed someone. Tony Gibson has died from a blow to the head and his body is pulled from the Thames. It emerges that Freya, a sex-worker specialising in fantasy role play, had been with him the night before her confession. The role he’d paid her to perform had involved the use of force against him and she is charged with his murder. But Ruby’s procedural errors, which Jools describes in his evidence to the court, cause the trial to collapse…and raise a lot of questions about their relationship. Freya swears she didn’t kill Gibson, so who did? Whose murder was it she so nearly admitted to? Ruby becomes obsessed with Freya and is taken over by a burning desire to uncover the truth. But at what price?” “If she plays by the rules she won’t get her woman; but if she plays dirty will she lose her man?”

An ancient treasure, the Mercurial Mask, has been stolen from the British Museum. Richard Templar is charged with recovering the stolen mask. His mission is to reunite Margaritta Bonaparte with her elusive husband, the infamous thief, Jean Petize, who in return will reveal the whereabouts of the Mercurial Mask. From a Greek island prison to the deserts of Egypt, Richard faces rogues, mercenaries and madmen. On his quest, he is accompanied by Tannie Annie, an ex-soldier, Lans, the Australian barman, and Geoff, an ex-intelligence officer, as well as Jean and his wife Margaritta. With these unlikely allies at his side, he battles towards a final explosive confrontation with General Pretorious on the South Downs of Southern England.

Richard Templar is a man stuck in a rut and looking for a change. A timely intervention by his agent sets him on an investigation into the dubious background of the ruthless megalomaniac, Sir Rufus Blades. From a Scottish castle to the red-light district of Amsterdam, then onto Marbella, he follows different leads and meets some outlandish characters as this dangerous adventure spirals into the realms of the surreal and the bizarre.

This Handbook provides authoritative up-to-date scholarship and debate concerning creativity at work, and offers a timely opportunity to re-evaluate our understanding of creativity, work, and the pivotal relationship between them.

This Handbook provides authoritative up-to-date scholarship and debate concerning creativity at work, and offers a timely opportunity to re-evaluate our understanding of creativity, work, and the pivotal relationship between them.