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3 produkter
2 089 kr
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Medieval romances with their magic fountains, brave knights, and beautiful maidens have come to stand for the Middle Ages more generally. This close connection between the medieval and the romance has had consequences for popular conceptions of the Middle Ages, an idealized fantasy of chivalry and hierarchy, and also for our understanding of romances, as always already archaic, part of a half-forgotten past. And yet, romances were one of the most influential and long-lasting innovations of the medieval period. To emphasize their novelty is to see the resources medieval people had for thinking about their contemporary concern and controversies, whether social order, Jewish/ Christian relations, the Crusades, the connectivity of the Mediterranean, women's roles as mothers, and how to write a national past. This volume takes up the challenge to 'think romance', investigating the various ways that romances imagine, reflect, and describe the challenges of the medieval world.
407 kr
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Pulp Fictions of Medieval England demonstrates that popular romance not only merits and rewards serious critical attention, but that we ignore it to the detriment of our understanding of the complex and conflicted world of medieval England.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.
269 kr
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Obscenity is central to an understanding of medieval culture, and it is here examined in a number of different media.Obscenity is, if nothing else, controversial. Its definition, consumption and regulation fire debate about the very meaning of art and culture, law, politics and ideology. And it is often, erroneously, assumed to be synonymous with modernity. Medieval Obscenities examines the complex and contentious role of the obscene - what is offensive, indecent or morally repugnant - in medieval culture from late antiquity through to the end of the Middle Ages in western Europe. Its approach is multidisciplinary, its methodologies divergent and it seeks to formulate questions and stimulate debate. The essays examine topics as diverse as Norse defecation taboos, the Anglo-Saxon sexual idiom, sheela-na-gigs, impotence in the church courts, bare ecclesiastical bottoms, rude sounds and dirty words, as well as the modern reception and representation of the medieval obscene. They demonstrate not only the vitality of medieval obscenity, but its centrality to our understanding of the Middle Ages and ourselves. Contributors: MICHAEL CAMILLE, GLENN DAVIS, EMMA DILLON, SIMON GAUNT, JEREMY GOLDBERG, EAMONN KELLY, CAROLYNE LARRINGTON, NICOLAMCDONALD, ALASTAIR MINNIS, DANUTA SHANZER