Nicola White – författare

'A fabulous closed-room mystery that will keep you guessing' - DENISE MINA'Fabulous Dublin-based crime. Very much in the vein of Tana French' - JO SPAIN'This creeps up on you until you're hooked' - HEATTHEY DID IT TO THEMSELVESBUT SOMEONE WAS WATCHINGThe Macnamara sisters hadn't been seen for months before anyone noticed. It was Father Timoney who finally broke down the door, who saw what had become of them. Berenice was sitting in her armchair, surrounded by religious tracts. Rosaleen had crawled under her own bed, her face frozen in terror. Both had starved themselves to death.Francesca Macnamara returns to Dublin after decades in the US to find her family in ruins. Meanwhile, Detectives Vincent Swan and Gina Considine are convinced that there is more to the deaths than suicide. Because what little evidence there is, shows that someone was watching the sisters die...A compelling mystery that will keep you reading late into the night, perfect for readers of Val McDermid, Denise Mina, Tana French and Jo Spain.________________________________________*** SUNDAY TIMES CRIME CLUB STAR PICK ****** AN IRISH TIMES CRIME BOOK OF THE YEAR ***'A terrific new gem of Irish noir, written with a light touch' - SUNDAY TIMES'Sombre, psychological nuanced and compassionate... gripping' - IRISH TIMES'Intriguing, compelling and highly entertaining. Formidably impressive' - LIZ NUGENT'Thrilling... will keep you guessing until the very end' - MY WEEKLY'Infused with depth, darkness and acute psychological drama' - HERALD

'A mesmerising tale of secrets and lies' - VAL MCDERMID'As good as it gets' - DENISE MINA'An arresting new talent' - CHRIS BROOKMYRENOT EVERY CHILD IS A BLESSING...It was Ali who found the body of a murdered newborn baby, hidden in the garden of her convent school. In an Ireland riven by battles of religion and reproduction, the case becomes a media sensation, even as the church tries to suppress it. But this is not the first dead baby Ali has found.For Detectives Vincent Swan and Gina Considine, the pressure to discover the identity of the dead child is little help against a community with secrets to protect. Gina knows all too well how many of Ireland's girls are forced to make difficult decisions in terrible circumstances, silenced by shame. Is Ali one of those girls? Because what evidence there is, points to Ali herself...A compelling mystery that will keep you gripped until the last page, perfect for readers of Val McDermid, Denise Mina, Tana French and Jo Spain.*** WINNER OF THE DUNDEE INTERNATIONAL BOOK PRIZE ***________________________________________'A superb debut' - IRISH TIMES'A vivid thriller. Engrossing' - IRISH INDEPENDENT'A compulsive, page-turning crime novel' - DECLAN HUGHES

'Gripping' IAN RANKIN***AN IRISH TIMES BOOK OF THE YEAR ***A dead police officer. A murder that no-one wants to solve...Dublin, 1986. The murder of an off-duty officer in Phoenix Park should have brought down the full power of the Dublin police force. But Kieran Lynch was found in a notorious gay cruising ground, so even as the press revels in the scandal, some of the Murder Squad are reluctant to investigate.Only Detectives Vincent Swan and Gina Considine are determined to search out the difficult truth, walking the streets of nighttime Dublin to find Kieran's lovers and friends. But Gina has her own secret that means she must withhold vital evidence. When a fire rips through Temple Bar and another man is killed, she must decide what price she is willing to pay to find a murderer.A gripping mystery that will keep you hooked until the final page, perfect for readers of Val McDermid, Denise Mina, Tana French and Adrian McKinty.*** THE NEW NOVEL FROM THE AWARD-WINNING AUTHOR OF THE ROSARY GARDEN ***________________________________________PRAISE FOR THE SERIES'A mesmerising tale of secrets and lies' - VAL MCDERMID'As good as it gets' - DENISE MINA'A terrific new gem of Irish noir' - SUNDAY TIMES

Despite its long eclipse by Parisian couture, Italian fashion is now celebrated globally for the quality of its tailoring, fabric and design. But an Italian label was not always a yardstick for excellence. In the twenty years following the Second World War, a little known fact is that America played a key role in the development of Italy's fashion industry. More generally known is that the Marshall Plan had a formative influence on the financial and industrial reorganization of Italian postwar reconstruction. But America's specific influence on the regeneration of the Italian textile industry has been largely passed over, despite the meteoric rise of design houses such as Max Mara, Gucci and Prada.However, while American interest was central to the industrial and stylistic expansion of Italian fashion, the lessons learned were combined with Italian ideas and energies to create fashions with a distinctly Italian edge. This book reveals that a deliberate effort went into the development of an Italian national identity in fashion design, partially in response to American interest.Drawing on a wide range of sources, notably the testimonies of key witnesses, contemporary media reports and surviving garments, this book contributes to the scant research on twentieth century Italian dress and specifically exposes for the first time the depth of American involvement in Italian fashion in a crucial phase of its development.

Despite its long eclipse by Parisian couture, Italian fashion is now celebrated globally for the quality of its tailoring, fabric and design. But an Italian label was not always a yardstick for excellence. In the twenty years following the Second World War, a little known fact is that America played a key role in the development of Italy's fashion industry. More generally known is that the Marshall Plan had a formative influence on the financial and industrial reorganization of Italian postwar reconstruction. But America's specific influence on the regeneration of the Italian textile industry has been largely passed over, despite the meteoric rise of design houses such as Max Mara, Gucci and Prada.However, while American interest was central to the industrial and stylistic expansion of Italian fashion, the lessons learned were combined with Italian ideas and energies to create fashions with a distinctly Italian edge. This book reveals that a deliberate effort went into the development of an Italian national identity in fashion design, partially in response to American interest.Drawing on a wide range of sources, notably the testimonies of key witnesses, contemporary media reports and surviving garments, this book contributes to the scant research on twentieth century Italian dress and specifically exposes for the first time the depth of American involvement in Italian fashion in a crucial phase of its development.

It is commonly known that fashion is big business, yet given its global significance, little has been written on the phenomenon of the fashion system. Instead, books have tended to focus on dress history, although recently the discipline has taken a more theoretical turn, with a spate of books appearing that analyze the underlying forces motivating fashion. This pioneering book unites theory and practice to provide an integrated series of snapshots taken from different perspectives of the fashion business in the second half of the twentieth century. Featuring contributions by leading experts in three main areas of important debate within the industry - the theory and culture of fashion; design and industry; and image and marketing - the book will be an essential reference for students, practitioners and theoreticians. It addresses such key issues as: the relationship between culture and clothing; the intersection of fashion and modernity; the origins of glamour; the role of creativity and the power of design; the chain store challenge; the age of the thinking designer; retail concepts; and minimalism in fashion.It is certain to be required reading on fashion courses and in related disciplines, including media, cultural and consumption studies.

It is commonly known that fashion is big business, yet given its global significance, little has been written on the phenomenon of the fashion system. Instead, books have tended to focus on dress history, although recently the discipline has taken a more theoretical turn, with a spate of books appearing that analyze the underlying forces motivating fashion. This pioneering book unites theory and practice to provide an integrated series of snapshots taken from different perspectives of the fashion business in the second half of the twentieth century. Featuring contributions by leading experts in three main areas of important debate within the industry - the theory and culture of fashion; design and industry; and image and marketing - the book will be an essential reference for students, practitioners and theoreticians. It addresses such key issues as: the relationship between culture and clothing; the intersection of fashion and modernity; the origins of glamour; the role of creativity and the power of design; the chain store challenge; the age of the thinking designer; retail concepts; and minimalism in fashion.It is certain to be required reading on fashion courses and in related disciplines, including media, cultural and consumption studies.