Nicole C. Dittmer – författare

'Her cheeks were pale, and her eyes had the wild and stolid glare which Rodolph had observed when she awakened from the slumber of the grave; she quitted the castle, and after gazing around her, as if uncertain which way to go, she proceeded towards the village.'In the mid 1800s, the inexpensive publications known as penny bloods were all the rage in Britain. Spinning tales of high Gothic drama, violence and monstrosity, this literary phenomenon was significant for its depictions of dangerous and transgressive women. These popular figures established archetypes like the beguiling vampiress and inspired such milestone Gothic works as Sheridan Le Fanu's Carmilla.Collecting seven tales from classic penny publications including the story of Mrs. Lovett, the piemaking counterpart to Sweeney Todd, this volume features newly edited text and insights from Dr. Dittmer's research to revive a wild company of witches, femme fatales, and deadly criminals for a new generation of readers.

Nicole C. Dittmer offers a reimagining of the popular Gothic female “monster” figure in early-to-mid-Victorian literature. Regardless of the extensive scholarship concerning monstrosities, these pre-fin-de-siècle figurations have often been neglected by critical studies or interpreted as fragments of mind and body which create a division between culture and nature. In Monstrous Women and Ecofeminism, Dittmer deploys monism to delineate from and contest such dualism, unifies the material-immaterial aspects of fictional women, and blurs the distinction between nature-culture. Blending intertextual disciplines of medical sciences, ecofeminism, and fiction, she exposes female monstrosities as material and semiotic figurations. This book, then, identifies how women in the Victorian Gothic are informed by the entanglement of both immaterial discourses and material conditions. When repressed by social customs, the monistic mind-body of the material-semiotic figure reacts to and disrupts processes of ontology, transforming women into “wild” and “monstrous” (re)presentations.

Nicole C. Dittmer offers a reimagining of the popular Gothic female “monster” figure in early-to-mid-Victorian literature. Regardless of the extensive scholarship concerning monstrosities, these pre-fin-de-siècle figurations have often been neglected by critical studies or interpreted as fragments of mind and body which create a division between culture and nature. In Monstrous Women and Ecofeminism, Dittmer deploys monism to delineate from and contest such dualism, unifies the material-immaterial aspects of fictional women, and blurs the distinction between nature-culture. Blending intertextual disciplines of medical sciences, ecofeminism, and fiction, she exposes female monstrosities as material and semiotic figurations. This book, then, identifies how women in the Victorian Gothic are informed by the entanglement of both immaterial discourses and material conditions. When repressed by social customs, the monistic mind-body of the material-semiotic figure reacts to and disrupts processes of ontology, transforming women into “wild” and “monstrous” (re)presentations.

Penny Dreadfuls and the Gothic breaks new ground in uncovering penny titles which have been hitherto largely neglected from literary discourse revealing the cultural, social and literary significance of these working-class texts. The present volume is a reappraisal of penny dreadfuls, demonstrating their cruciality in both our understanding of working-class Victorian Literature and the Gothic mode. This edited collection of essays provides new insights into the fields of Victorian literature, popular culture and Gothic fiction more broadly; it is divided into three sections, whose titles replicate the dual titles offered by penny publications during the nineteenth century. Sections one and two consist of three chapters, while section three consists of four essays, all of which intertwine to create an in-depth and intertextual exposition of Victorian society, literature, and gothic representations.