Nicole Eustace – författare

On the eve of a major treaty conference between Iroquois leaders and European colonists in the distant summer of 1722, two white fur traders attacked an Indigenous hunter and left him for dead near Conestoga, Pennsylvania. Though virtually forgotten today, this act of brutality set into motion a remarkable series of criminal investigations and cross-cultural negotiations that challenged the definition of justice in early America.In Covered with Night , leading historian Nicole Eustace reconstructs the crime and its aftermath, bringing us into the overlapping worlds of white colonists and Indigenous peoples in this formative period. As she shows, the murder of the Indigenous man set the entire mid-Atlantic on edge, with many believing war was imminent. Isolated killings often flared into colonial wars in North America and colonists now anticipated a vengeful Indigenous uprising. Frantic efforts to resolve the case ignited a dramatic, far-reaching debate between Native American forms of justice—centred on community, forgiveness and reparations—and an ideology of harsh reprisal, unique to the colonies and based on British law, which called for the killers’ swift execution.In charting the far-reaching ramifications of the murder, Covered with Night —a phrase from Iroquois mourning practices—overturns persistent assumptions about “civilised” Europeans and “savage” Native Americans. As Eustace powerfully contends, the colonial obsession with “civility” belied the reality that the Iroquois, far from being the barbarians of the white imagination, acted under a mantle of sophistication and humanity as they tried to make the land- and power-hungry colonials understand their ways. In truth, Eustace reveals, the Iroquois—the Six Nations of the Haudenosaunee, as they are known today—saw the killing as an opportunity to forge stronger bonds with the colonists. They argued for restorative justice and for reconciliation between the two sides, even as they mourned the deceased.An absorbing chronicle built around an extraordinary group of characters—from the slain man’s resilient widow to the Indigenous diplomat known as “Captain Civility” to the scheming governor of Pennsylvania—Covered with Night transforms a single event into an unforgettable portrait of early America. A necessary work of historical reclamation, it ultimately revives a lost vision of crime and punishment that reverberates down into our time.

This book shows how the Age of Reason relied on emotion.At the outset of the eighteenth century, many British Americans accepted the notion that virtuous sociable feelings occurred primarily among the genteel, while sinful and selfish passions remained the reflexive emotions of the masses, from lower-class whites to Indians to enslaved Africans. Yet by 1776 radicals would propose a new universal model of human nature that attributed the same feelings and passions to all humankind and made common emotions the basis of natural rights. In ""Passion Is the Gale"", Nicole Eustace describes the promise and the problems of this crucial social and political transition by charting changes in emotional expression among countless ordinary men and women of British America.From Pennsylvania newspapers, pamphlets, sermons, correspondence, commonplace books, and literary texts, Eustace identifies the explicit vocabulary of emotion as a medium of human exchange. Alternating between explorations of particular emotions in daily social interactions and assessments of emotional rhetoric's functions in specific moments of historical crisis (from the Seven Years War to the rise of the patriot movement), she makes a convincing case for the pivotal role of emotion in reshaping power relations and reordering society in the critical decades leading up to the Revolution. As Eustace demonstrates, passion was the gale that impelled Anglo-Americans forward to declare their independence - collectively at first, and then, finally, as individuals.

As military campaigns go, the War of 1812 was a disaster. By the time it ended in 1815, Washington, D.C., had been burned to the ground, the national debt had nearly tripled, and territorial gains were negligible. Yet the war gained so much popular support that it ushered in what is known as the "era of good feelings," a period of relative partisan harmony and strengthened national identity. Historian Nicole Eustace's cultural history of the war tells the story of how an expensive, unproductive campaign won over a young nation-largely by appealing to the heart.1812 looks at the way each major event of the war became an opportunity to capture the American imagination: from the first attempt at invading Canada, intended as the grand opening of the war; to the battle of Lake Erie, where Oliver Perry hoisted the flag famously inscribed with "Don't Give Up the Ship"; to the burning of the Capitol by the British. Presidential speeches and political cartoons, tavern songs and treatises appealed to the emotions, painting war as an adventure that could expand the land and improve opportunities for American families. The general population, mostly shielded from the worst elements of the war, could imagine themselves participants in a great national movement without much sacrifice. Bolstered with compelling images of heroic fighting men and the loyal women who bore children for the nation, war supporters played on romantic notions of familial love to espouse population expansion and territorial aggression while maintaining limitations on citizenship. 1812 demonstrates the significance of this conflict in American history: the war that inspired "The Star-Spangled Banner" laid the groundwork for a patriotism that still reverberates today.

As military campaigns go, the War of 1812 was a disaster. By the time it ended in 1815, Washington, D.C., had been burned to the ground, the national debt had nearly tripled, and territorial gains were negligible. Yet the war gained so much popular support that it ushered in what is known as the "era of good feelings," a period of relative partisan harmony and strengthened national identity. Historian Nicole Eustace's cultural history of the war tells the story of how an expensive, unproductive campaign won over a young nation-largely by appealing to the heart.1812 looks at the way each major event of the war became an opportunity to capture the American imagination: from the first attempt at invading Canada, intended as the grand opening of the war; to the battle of Lake Erie, where Oliver Perry hoisted the flag famously inscribed with "Don't Give Up the Ship"; to the burning of the Capitol by the British. Presidential speeches and political cartoons, tavern songs and treatises appealed to the emotions, painting war as an adventure that could expand the land and improve opportunities for American families. The general population, mostly shielded from the worst elements of the war, could imagine themselves participants in a great national movement without much sacrifice. Bolstered with compelling images of heroic fighting men and the loyal women who bore children for the nation, war supporters played on romantic notions of familial love to espouse population expansion and territorial aggression while maintaining limitations on citizenship. 1812 demonstrates the significance of this conflict in American history: the war that inspired "The Star-Spangled Banner" laid the groundwork for a patriotism that still reverberates today.

The War of 1812 was one of a cluster of events that left unsettled what is often referred to as the Revolutionary settlement. At once postcolonial and neoimperial, the America of 1812 was still in need of definition. As the imminence of war intensified the political, economic, and social tensions endemic to the new nation, Americans of all kinds fought for country on the battleground of culture. The War of 1812 increased interest in the American democratic project and elicited calls for national unity, yet the essays collected in this volume suggest that the United States did not emerge from war in 1815 having resolved the Revolution's fundamental challenges or achieved a stable national identity. The cultural rifts of the early republican period remained vast and unbridged.Contributors: Brian Connolly, University of South FloridaAnna Mae Duane, University of ConnecticutDuncan Faherty, Queens College, CUNYJames M. Greene, Pittsburg State UniversityMatthew Rainbow Hale, Goucher CollegeJonathan Hancock, Hendrix CollegeTim Lanzendoerfer, University of MainzKaren Marrero, Wayne State UniversityNathaniel Millett, St. Louis UniversityChristen Mucher, Smith CollegeDawn Peterson, Emory UniversityCarroll Smith-Rosenberg, University of MichiganDavid Waldstreicher, The Graduate Center, CUNYEric Wertheimer, Arizona State University

In the winter of 1722, on the eve of a major conference between the Five Nations of the Haudenosaunee (also known as the Iroquois) and Anglo-American colonists, a pair of colonial fur traders brutally assaulted a Seneca hunter near Conestoga, Pennsylvania. Though virtually forgotten today, the crime ignited a contest between Native American forms of justice—rooted in community, forgiveness, and reparations—and the colonial ideology of harsh reprisal that called for the accused killers to be executed if found guilty. In Covered with Night, historian Nicole Eustace reconstructs the attack and its aftermath, introducing a group of unforgettable individuals—from the slain man’s resilient widow to an Indigenous diplomat known as “Captain Civility” to the scheming governor of Pennsylvania—as she narrates a remarkable series of criminal investigations and cross-cultural negotiations. Taking its title from a Haudenosaunee metaphor for mourning, Covered with Night ultimately urges us to consider Indigenous approaches to grief and condolence, rupture and repair, as we seek new avenues of justice in our own era.

The War of 1812 was one of a cluster of events that left unsettled what is often referred to as the Revolutionary settlement. At once postcolonial and neoimperial, the America of 1812 was still in need of definition. As the imminence of war intensified the political, economic, and social tensions endemic to the new nation, Americans of all kinds fought for country on the battleground of culture. The War of 1812 increased interest in the American democratic project and elicited calls for national unity, yet the essays collected in this volume suggest that the United States did not emerge from war in 1815 having resolved the Revolution’s fundamental challenges or achieved a stable national identity. The cultural rifts of the early republican period remained vast and unbridged.Contributors:Brian Connolly, University of South FloridaAnna Mae Duane, University of ConnecticutDuncan Faherty, Queens College, CUNYJames M. Greene, Pittsburg State UniversityMatthew Rainbow Hale, Goucher CollegeJonathan Hancock, Hendrix CollegeTim Lanzendoerfer, University of MainzKaren Marrero, Wayne State UniversityNathaniel Millett, St. Louis UniversityChristen Mucher, Smith CollegeDawn Peterson, Emory UniversityCarroll Smith-Rosenberg, University of MichiganDavid Waldstreicher, The Graduate Center, CUNYEric Wertheimer, Arizona State University